FACTOID #31: Think Antarctica is inhospitable? Think again - its land area is only ninety-eight percent ice. Reassuringly, the other 2% is "barren rock".
The City of Dreadful Night is a long poem by the Scottish poet James "B.V." Thomson, published in 1880 in a book entitled The City of Dreadful Night and Other Poems.
The City of Dreadful Night that gave its title to this poem, however, was made in the image of London. It is, however, a London transformed by the eye of a despairing atheist, the poet's voice has lost his faith and found nothing but emptiness to replace it. The poem, despite its insistently bleak tone, won the praise of George Meredith, and also of George Saintsbury, who in his History of Nineteenth Century Literature wrote that "what saves Thomson is the perfection with which he expresses the negative and hopeless side of the sense of mystery. . ."
The title was re-used as the title of a short story by Rudyard Kipling.
Quotation
O melancholy Brothers, dark, dark, dark! O battling in black floods without an ark! O spectral wanderers of unholy Night! My soul hath bled for you these sunless years, With bitter blood-drops running down like tears: Oh dark, dark, dark, withdrawn from joy and light!
My heart is sick with anguish for your bale; Your woe hath been my anguish; yea, I quail And perish in your perishing unblest. And I have searched the highths and depths, the scope Of all our universe, with desperate hope To find some solace for your wild unrest.
And now at last authentic word I bring, Witnessed by every dead and living thing; Good tidings of great joy for you, for all: There is no God; no Fiend with names divine Made us and tortures us; if we must pine, It is to satiate no Being's gall.
It was the dark delusion of a dream, That living Person conscious and supreme, Whom we must curse for cursing us with life; Whom we must curse because the life he gave Could not be buried in the quiet grave, Could not be killed by poison or the knife.
This little life is all we must endure, The grave's most holy peace is ever sure, We fall asleep and never wake again; Nothing is of us but the mouldering flesh, Whose elements dissolve and merge afresh In earth, air, water, plants, and other men.
Chapter The City of DreadfulNight of The City of DreadfulNight by Rudyard Kipling
Straight as a bar of polished steel ran the road to the City of DreadfulNight; and on either side of the road lay corpses disposed on beds in fantastic attitudesone hundred and seventy bodies of men.
The scenea main approach to Lahore city, and the night a warm one in August. This was all that there was to be seen; but by no means all that one could see.
The City of DreadfulNight, he wrote to George Eliot, was the outcome of much sleepless hypochondria. It is not the utterance of a sane mind; but, whatever one may think about the sanity of the poem, nobody can fail to recognise, and feel, its sincerity.
Nor is it fair to judge the range and variety of his poetical powers by The City of DreadfulNight alone.
When all is told, however, The City of DreadfulNight, with its inspissated gloom, inevitably remains his most haunting and powerful productiona poetical monument well nigh unique in its sombre and awe-inspiring splendour.