The Damnation of Faust (French: La damnation de Faust) is work for orchestra, voices, and chorus written by Hector Berlioz (he called it a "légende dramatique"). The Boston Pops orchestra performing on the Charles River Esplanade in Boston, Massachusetts. ... A choir or chorus is a musical ensemble of singers. ... Portrait of Berlioz by Signol, 1832 Louis Hector Berlioz (December 11, 1803 – March 8, 1869) was a French Romantic composer best known for the Symphonie fantastique, first performed in 1830, and for his Grande Messe des morts Requiem of 1837, with its tremendous resources that include four antiphonal brass choirs. ...

The libretto was adapted by Berlioz from Goethe's Faust. It was first performed in Paris in 1846. A libretto is the complete body of words used in an extended musical work such as an opera, operetta, masque, sacred or secular oratorio and cantata, musical, and ballet. ... Johann Wolfgang von Goethe. ... Faust (Latin Faustus) is the protagonist of a popular German tale of a pact with the Devil, assumed to be based on the figure of the German magician and alchemist Dr. Johann Georg Faust (approximately 1480-1540). ... The Eiffel Tower has become a symbol of Paris throughout the world Paris is Frances capital and largest city, straddling the river Seine in the northern centre of its country. ... 1846 was a common year starting on Thursday (see link for calendar). ...

The Damnation of Faust is performed regularly in concert halls and occasionally staged as an opera. There are a number of recordings of it. Three sections of it, the Marche Hongroisse (Hungarian March), Ballet des sylphes, and Menuet des folles are sometimes extracted and performed as "Three Orchestral Pieces from La Damnation de Faust." The foyer of Charles Garniers Opéra, Paris, opened 1875 Opera refers to a dramatic art form, originating in Europe, in which the emotional content is conveyed to the audience as much through music, both vocal and instrumental, as it is through the lyrics. ...

Storyline

Part I

As the piece opens, Faust is in the mountains of Hungary (Berlioz added this part of the plot himself, it appears in no other versions of the Faust legend.) He hears peasant songs and dances, but cannot find it in himself to be happy like them. Distant strains of a march are heard, and Hungarian soldiers march past in the famous "Marche Hongroisse," based on a Hungarian gypsy tune.

Part II

Faust sits in his study, deeply depressed. He decides to commit suicide, but just as he is bringing the cup of poison to his lips he hears the ringing of church bells and the strains of an "Easter Hymn." This returns to Faust his will to live. Suddenly, the devil, Mephistopholes, appears, represented by a quick trombone figure and a woodwind trill. He offers to take Faust on a journey, to which Faust agrees. Mephistopholes takes him to a tavern. Brander, one of the drinkers, sings the "Song of the Rat." The drinkers then "improvise" an ironic chorale-like fugue based on the words "Requiescat in pace, Amen," after which Mephistopholes sings the "Song of the Flea." Faust is disgusted and asks Mephistopholes if there is nothing else he can show Faust. Mephistopholes takes him to a country field, where Mephistopholes enchants Faust and shows him a vision of a woman named Marguerite, causing Faust to fall in love with her. Faust falls into a dreamy sleep, and awakes crying "Margarita!" Mephistopholes offers to help him get to her. He accomplishes this by having them march into the town where Marguerite lives, hidden among groups of students and soldiers. In music, a fugue is a type of piece written for counterpoint for several independent musical voices. ...

Part III

Faust and Mephistopholes sneak into Marguerite's house and hide. Marguerite approaches and sings the "Gothic Song" ("The King of Thule"). Mephistopholes leaves and summons spirits, who dance around Marguerite's house in the "Menuet des Follets." Faust reveals himself to Marguerite, who confesses that she had dreamed of him. They sing a love duet, on which Mephistopholes intrudes and tells Faust that they must leave because Marguerite's mother has been alerted and she and the townspeople are coming towards Marguerite's house. Faust and Marguerite say goodbye, then Faust and Mephistopholes leave.

Part IV

Marguerite sits in her house, singing the "Spinnning Song" as she waits for Faust to come back. The students and soldiers march by again, but Faust is not among them. The action cuts to a scene of forests and caverns, in which Faust sings the "Invocation to Nature." Mephistopholes then informs Faust that Marguerite, in her despair, accidentally gave her mother too much sleeping draught and killed her. Marguerite is now in prison and will be hanged the next day. Faust panics, but Mephistopholes tells him Mephistopholes can save Marguerite if Faust signs one document--the document relinquishing Faust's soul. Faust signs it. (As he does, the recitative momentarily pauses and the percussion play one note, an omen of doom.) Mephistopholes summons horses and he and Faust ride off (the "Ride to the Abyss"). Faust thinks they are going to save Marguerite, but he grows terrified when he begins to see grotesque visions. They stop momentarily, but Faust hears bells, signifying that Marguerite's execution is near, and they redouble the pace. The landscape grows more and more horrible and grotesque, with blood raining from the sky and skeletons by the road. Then Mephistopholes cries out to his "infernal cohorts," and he and Faust fall into the pit of hell. (This is another departure from the original story, which has Faust being saved in the end.) The devil princes ask Mephistopholes if Faust freely signed away his soul, to which Mephistopholes assents. A chorus of demons then sings triuphantly in an "infernal language," naming the demon princes and dancing around Mephistopholes.

Epilouge

A narrator-like chorus sings of the terrors of hell and the "mystery of horror." Then comes the Apotheosis of Marguerite, in which, in accordance with the document signed by Faust, Marguerite is saved from death and brought up into heaven by a chorus of heavenly spirits.