 | | The Virgin of the Rocks | | Leonardo Da Vinci, 1483-1486 | | Oil on panel (transferred to canvas), 199 × 122 cm | | Musée du Louvre, Paris | The Virgin of the Rocks and Madonna of the Rocks are terms used to describe two different paintings with almost identical compositions. There are separate accounts over which of the paintings are verifiably Leonardo da Vinci's. Image File history File links Download high-resolution version (1576x2534, 247 KB) See also the version present at the Louvre Museum Image:Leonardo da Vinci 029. ...
Leonardo di ser Piero da Vinci (April 15, 1452 – May 2, 1519) was a talented Italian Renaissance Roman Catholic[1] polymath: architect, anatomist, sculptor, engineer, inventor, geometer, scientist, mathematician, musician, and painter. ...
A centimetre (US: centimeter) is a factor of the SI unit of length: there are one hundred centimeters in the base unit of measure, the metre. ...
The National Gallery from Trafalgar Square The National Gallery is an art gallery in London, located on the north side of Trafalgar Square. ...
Image File history File links Download high-resolution version (760x1196, 138 KB) Summary Virgin of the Rocks by Leonardo da Vinci, Louvre version Licensing The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright...
Leonardo di ser Piero da Vinci (April 15, 1452 – May 2, 1519) was a talented Italian Renaissance Roman Catholic[1] polymath: architect, anatomist, sculptor, engineer, inventor, geometer, scientist, mathematician, musician, and painter. ...
A centimetre (US: centimeter) is a factor of the SI unit of length: there are one hundred centimeters in the base unit of measure, the metre. ...
I.M. Peis Louvre Pyramid: one of the entrances to the galleries lies below the glass pyramid. ...
Leonardo di ser Piero da Vinci (April 15, 1452 – May 2, 1519) was a talented Italian Renaissance Roman Catholic[1] polymath: architect, anatomist, sculptor, engineer, inventor, geometer, scientist, mathematician, musician, and painter. ...
The paintings
In the National Gallery, London This is a painting generally accredited to Leonardo da Vinci, between 1495 and 1508. It was stolen from Florence during the Napoleonic wars and recovered in a small town in Austria some 50 years afterwards. Since then, it was bought by a French merchant before being sold to the National Gallery in London in the 19th century. Country Italy Region Tuscany Province Florence (FI) Mayor Leonardo Domenici Elevation 50 m Area 102 km² Population - Total (as of 2006-06-02) 366,488 - Density 3,593/km² Time zone CET, UTC+1 Coordinates Gentilic Fiorentini Dialing code 055 Postal code 50100 Frazioni Galluzzo, Settignano Patron St. ...
Combatants Allies: • Great Britain/United Kingdom, • Prussia, • Austria, • Sweden, • Russia, • and Others • France • Denmark-Norway • Poland Casualties Full list The Napoleonic Wars consisted of a series of wars fought during Napoleon Bonapartes rule over France. ...
The National Gallery from Trafalgar Square The National Gallery is an art gallery in London, located on the north side of Trafalgar Square. ...
London (pronounced ) is the capital city of England and of the United Kingdom. ...
In June 2005, infra-red imaging seemingly revealed a previous painting beneath the visible one. This is believed to portray a woman kneeling possibly holding a child with one hand with the other hand outstretched. Some researchers believe that the artist's original intention was to paint an adoration of baby Jesus.[1] 2005 (MMV) was a common year starting on Saturday of the Gregorian calendar. ...
Image of a small dog taken in mid-infrared (thermal) light (false color) Infrared (IR) radiation is electromagnetic radiation of a wavelength longer than visible light, but shorter than microwave radiation. ...
In the Louvre An almost identical painting is to be found in the Louvre, painted around 1483-1486. French authorities claim predominantly that the work is authentic, due to the fine brush work and use of chiaroscuro, or contrast between light and dark, characteristic of many of Leonardo's works. Most art historians take the view that the Louvre version is indeed largely by Leonardo, and is the earlier of the two works. The Louvre Museum (Musée du Louvre) in Paris, France, is the largest museum in the world. ...
It has been suggested that this article or section be merged with Tenebrism. ...
History of the paintings In 1480 Leonardo was commissioned by the Milanese Confraternity of the Immaculate Conception to paint a work celebrating the Immaculate conception. In 1483 the contract was extended to include collaboration with the brothers Ambrogio and Evangelista de Predis, who would produce side-panels depicting angels, so that the painting became a triptych. The completed work was finally installed in 1508. It seems as though the original work was sold to a private client after a lengthy financial dispute with the confraternity. A second version was eventually produced by Leonardo and his assistants, which was installed with the de Predises's side-panels. Mary, mother of Jesus as the Immaculate Conception. ...
The Raising of the Cross, Onze-Lieve-Vrouwekathedraal, Antwerp A triptych (from the Greek tri- three + ptychē fold) is a work of art (usually a panel painting) which is divided into three sections, or three carved panels which are hinged together. ...
The paintings seem to draw on a legend of the meeting between the baby Jesus and John the Baptist on the flight into Egypt. According to the standard interpretation of the paintings, they depict the Madonna in the centre ushering John towards Jesus, who is seated with the angel Uriel. Jesus is blessing John, who holds out his hands in a gesture of prayer. In the Louvre version, Uriel points towards John while looking out at the viewer. This gesture is missing in the London version. The London version also contains attributes missing from the Louvre version, notably haloes and John's traditional cruciform stick. These clarify the identification of the babies Jesus and John, and were added by another artist, probably after Leonardo's death. Jesus (8–2 BC/BCE to 29–36 AD/CE),[1] also known as Jesus of Nazareth, is the central figure of Christianity. ...
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Uriel (×וּרִי×ֵל Flame of God, Auriel/Oriel (light of god) Standard Hebrew Uriʾel, Tiberian Hebrew ʾÛrîʾēl) is one of the archangels of post-Exilic Rabbinic tradition, and also of certain Christian traditions. ...
An attribute is the following: Generally, an attribute is an abstraction characteristic of an entity In database management, an attribute is a property inherent in an entity or associated with that entity for database purposes. ...
It is generally believed that the Louvre version is the earlier work, because it is stylistically close to Leonardo's other work of the 1480s. The London painting suggests Leonardo's maturer style, but it is thought likely to have been painted with the assistance of other artists, perhaps the de Predises.
Both versions were painted on wood. The Louvre version was transferred to canvas from the original wooden panel but the London painting is still on panel. The Ghent Altarpiece: The Adoration of the Mystic Lamb, interior view, 1432. ...
The authenticity of the London painting has been called in question by geologist Ann C. Pizzorusso, who argues its geological inaccuracies, unlike the Louvre version, mean it is unlikely to have come from Leonardo's own hand.
Use in The Da Vinci Code In the popular novel The Da Vinci Code, written by the American novelist Dan Brown, it is claimed that the earlier Louvre version contained hidden symbolism which contradicted orthodox Christian belief, notably the fact that Jesus is shown praying to John rather than the other way round (the novel implies that the baby at the left must be Jesus rather than John, because he is with the Madonna). It is also claimed that the Virgin appears to be holding an invisible head and that Uriel appears to be "slicing the neck" with his finger. For this reason the painting was rejected by the Church, and a second, more orthodox, version was painted. This article is about the novel. ...
Dan Brown (born June 22, 1964) is an American author of thriller fiction, best known for writing the controversial 2003 bestselling novel, The Da Vinci Code. ...
There is no historical evidence to support any of these contentions. The only significant compositional difference between the two versions (excluding the later addition of attributes) is the fact that Uriel no longer points. However this difference may well be explained by the possibility that the distinction between Jesus and John was thought to be insufficiently clear in the earlier picture because John is with the Madonna, and that the pointing gesture directed too much attention to John.
As for the painting being "too scandalous" to show in a church, Leonardo and de Predises actually wanted more money from the church than had been originally agreed. The church agreed to pay a substantial bonus but not as much as Leonardo and de Predises wanted. So Leonardo and de Predises sold it to a private collector and then made a second copy. So popular (not scandalous) did these paintings prove that it is believed that they painted a third version, namely, the one kept today in the Chéramy Collection in Switzerland.
External links
References - ^ "New Leonardo picture discovered", BBC News, July 1, 2005.
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