Le Misanthrope is a 17th centurycomedy of manners written by French playwright Molière. (16th century - 17th century - 18th century - more centuries) As a means of recording the passage of time, the 17th century was that century which lasted from 1601-1700. ... The comedy of manners satirizes the manners and affectations of a social class, often represented by stock characters, such as the miles gloriosus in ancient times, the fop and the rake during the Restoration, or an old person pretending to be young. ... Molière, engraved frontispiece to his Works Jean-Baptiste Poquelin, better known as Molière (January 15, 1622 â February 17, 1673), was a French theatre writer, director and actor, one of the masters of comic satire. ...
Roy Matthews and F. Dewitt Platt suggest in their introduction to the play that the argument between characters Alceste and Philinte may share some of Moliere's own internal conflict. The play, though not a commercial success in its time, survives as Moliere's most well known work today. Much of its universal appeal is due to common undercurrents of misanthropy across cultural borders.
Plot summary
This work centers around the protagonist Alceste, whose wholesale rejection of his culture's polite social conventions make him tremendously unpopular. This manifests itself in the primary conflict of the play, which results from Alceste's refusal to compliment a sonnet by Oronte, a character who lacks Alceste's respect for unabashed sincerity.
Philinte represents a foil for Alceste's moral extremism, and speaks throughout the first act of the play on the necessity of self-censorship and polite flattery to smooth over the rougher textures of a complex society.
This document was originally published in The Drama: Its History, Literature and Influence on Civilization, vol.
The Misanthrope, Alceste, impersonated by the author himself, was a character wholly new to the stage, and, unlike the central figure in other plays from the same pen, is intended to enjoy at least our respect, and even a certain measure of sympathy.
From a strictly dramatic point of view Le Misanthrope is not without defects, but it occupies a place by the side of Don Juan and Tartuffe in right of its beauty and style, its felicitous delineations, and its refined pungency as a satire against more than one fashionable false pretence.