A part of Portmeirion, the real-life filming location for exterior shots of the Village.

The Stone Boat

The Village is the fictional setting of the 1960s UK television series The Prisoner, where the main character, Number Six, was interned with other former spies and operatives. The theme of the series was his attempt to escape. A part of Portmeirion. ... A part of Portmeirion. ... The central Piazza and Gloriette. ... Image File history File linksMetadata Download high resolution version (1600x1200, 493 KB) The Stone Ship at Portmeirion. ... Image File history File linksMetadata Download high resolution version (1600x1200, 493 KB) The Stone Ship at Portmeirion. ... The Prisoner is a 1967 UK allegorical science fiction television series, starring Patrick McGoohan. ... Number Six // Number Six is the central fictional character in the 1960s television series The Prisoner, played by Patrick McGoohan. ...

Fictional and filming locations

In the series, the location of the Village^[1][2] is unknown, with intentionally contradictory locations suggested as Number Six attempts, in vain, to find its location. in "Many Happy Returns", it is said to be on the coast of Morocco, possibly an island. Prior to this, in "The Chimes of Big Ben", it is claimed to be located in the vicinity of Lithuania and Poland, on the Baltic Sea. Finally, in the series finale episode, "Fall Out", Number Six and other characters are able to drive from the Village to central London, indicating a location in the British Isles. Although a line of dialogue in "Many Happy Returns" has a character speculating that the Village is on an island, this is never confirmed in the series, and in fact all given locations (save for that in "Fall Out") should be considered unreliable evidence given the fact they are mentioned as part of a deception aimed at getting Number Six to reveal why he resigned from his secret British government job. Many Happy Returns is the seventh episode of the television series The Prisoner. ... The Chimes of Big Ben is the title of the second episode of the British science fiction-allegorical series, The Prisoner. ... The Baltic Sea is located in Northern Europe, from 53°N to 66°N latitude and from 20°E to 26°E longitude. ... Fall Out is the title of the controversial seventeenth and final episode of the British science fiction-allegorical series, The Prisoner, starring Patrick McGoohan as Number Six. ... The British Isles in relation to mainland Europe The British Isles (French: , Irish: [1] or Oileáin Iarthair Eorpa,[2] Manx: Ellanyn Goaldagh, Scottish Gaelic: , Welsh: ), are a group of islands off the northwest coast of continental Europe comprising Great Britain, Ireland and a number of smaller islands. ...

In reality, location shooting for the series took place in Wales, mainly in the Italianate resort village of Portmeirion, and Penrhyndeudraeth. Interiors and some recreated exteriors were filmed at Borehamwood Studios in England. The use of Borehamwood's back lot allowed the filmmakers to add additional areas to the Village not apparent at the real-life filming location. This article is about the country. ... The central Piazza and Gloriette. ... Penrhyndeudraeth (headland/promontory with two beaches in Welsh) is a village in Gwynedd, Wales. ... Motto (French) God and my right Anthem No official anthem - the United Kingdom anthem God Save the Queen is commonly used England() – on the European continent() – in the United Kingdom() Capital (and largest city) London (de facto) Official languages English (de facto) Unified  -  by Athelstan 927 AD  Area  -  Total 130...

Village infrastructure

The Italianate architecture of the Village is somewhat deceptive as the interiors of the buildings are frequently Georgian, 1960s 'Mod', or in a number of instances, an oddly sparse kind of 'ultra modern' design. There is an extensive network of tunnels and caverns under the Village, connecting many of the public buildings, and a number of secret facilities and support services (plumbing, waste disposal, observation cameras, etc.). These are generally off-limits to all prisoners above, but they appear to be extensively utilised, given the amount of motorcycle traffic observed in them in the final episode. There appears to be a large liquid-filled underground chamber that looks similar to a lava lamp, probably a short distance off the coast, in which Rover resides when it is not being utilised. The normal background display of the large monitor in Number Two's office is a view of this chamber, and lava lamps are visible in virtually every public building in the Village, giving rise to the speculation that these lamps may have functioned as some extension of Rover itself. This was never directly referred to on screen. A lava lamp is a novelty item typically used for decoration rather than illumination. ... The Rover is a fictional entity from the 1967 BBC television program known as The Prisoner. ...

Number 2's residence as it stands today, known in the TV series as the Green Dome

The Village is a self-contained society, and appears to be mostly self-sufficient as well, although no farming areas are ever seen, so it appears that food and supplies are shipped in from outside. It is sprawling enough to contain several hundred prisoners, in a comfort level similar to that of a hotel or a resort. The Village has its own daily newspaper, (The Tally-ho), a cinema, a statue garden, a retirement home, a gymnasium, a fully equipped hospital, taxi service, a radio station (like Orwell's telescreens in Nineteen-Eighty-Four, the receivers can never be turned off), a television studio (used mostly for news reports and announcements), a restaurant, a music shop, several other stores, and its own graveyard. In addition, there were extensive recreation facilities. The local economy functions on a credit chit system. The final episode also revealed that the Village conceals a missile or rocket launch facility deep underground. Image File history File links No higher resolution available. ... Nineteen Eighty-Four (sometimes 1984) is a darkly satirical political novel by George Orwell. ...

The exact dimensions of the Village were never explicitly defined. Although a map of the Village was shown on screen on several occasions, it only seemed to show the core residential and business area of the village, which is shown as being surrounded on three sides by mountain ranges and the fourth by "the sea". The episode "Living in Harmony" reveals that the Village is large enough to house a complete western town mock-up. Other episodes also indicate that the Village includes an expanse of beach and seaside cliffs (with caves). The jurisdiction of the Village over water is said to extend for several miles, or otherwise the range of Rover, the Village guardian system. Living in Harmony is a famous episode of The Prisoner very different from the rest. ...

There is visual evidence in many episodes that the Village also includes large areas of countryside (with residences) as these are often visible in the distance in aerial shots and views looking out to sea.

Village authorities

Two Mini Mokes painted to look like the taxis in the TV show The Prisoner

Ostensibly, the Village is run by a democratically elected council, with a popularly-elected executive officer known as "Number Two" presiding over it and the Village itself. Though most Village inhabitants seem to go along with this, internal dialogue indicates that the entire process is rigged: Image File history File links Size of this preview: 800 × 600 pixel Image in higher resolution (1024 × 768 pixel, file size: 237 KB, MIME type: image/jpeg) Removed watermark. ... Image File history File links Size of this preview: 800 × 600 pixel Image in higher resolution (1024 × 768 pixel, file size: 237 KB, MIME type: image/jpeg) Removed watermark. ... The Mini Moke is a vehicle based on the Mini and designed for the British Motor Corporation (BMC) by Sir Alec Issigonis. ... The Prisoner is a 1967 UK allegorical science fiction television series, starring Patrick McGoohan. ... Leo McKern as Number Two in The Prisoner. ...

Whenever the council is seen, none of its members speak or move in any way.

In actuality, the Village is a brutal dictatorship, best described by Number Six himself as "This farce, this Bastille that masquerades as a pocket democracy." It is ruled by a revolving series of Chief Administrators designated "Number 2", some of whom return to the office after lengthy absences. They vary greatly in personality and in methodology, some of them being quite amiable, some are sadistic, and some are mere bureaucratic functionaries bordering on functional impotence. Number 2 appears to be directly answerable to unseen superiors, the shadowy "they" pulling all the strings from behind the scenes, with direct contact via a red hotline phone. It appears that Number 2 is continually being observed by hidden cameras, and indeed one of the Number 2s confides to Number Six, "I'm as much of a prisoner here as you are. We're both lifers, my boy!" The Bastille The Bastille ( ) was a prison in Paris, known formally as Bastille Saint-Antoine—Number 232, Rue Saint-Antoine—best known today because of the storming of the Bastille on July 14, 1789, which along with the Tennis Court Oath is considered the beginning of the French Revolution. ... In telecommunication, a hotline (also called an automatic signaling service or off-hook service) is a point-to-point communications link in which a call is automatically directed to the preselected destination without any additional action by the user when the end instrument goes off-hook. ...

The episode "It's Your Funeral" suggests that most of the Number Twos encountered in the series are in fact only temporary appointments, standing in for an older Number Two who has been away from the Village for reasons not explained. This Old Number Two eventually returns to the Village, ostensibly in order to retire, but becomes the target of an assassination plot by the current "temporary" Number Two. Its Your Funeral is the eleventh episode of the television series The Prisoner. ...

Exactly who operates the Village is deliberately obscured. At first glance, it appears to be run by Communist types, suggesting it is a holding cell for captured western agents. Later on it appears to be operating with some assistance from British Intelligence, implying that it is a holding area for western agents who have been compromised, or are feared to be untrustworthy by their own agencies. Several of the Number Twos in the course of the show appear to be unclear as to whom they are actually working for, and one explicitly says, "It doesn't matter which side we're working for, my boy! This is the future: one great big happy global Village." Another Number Two implies that both East and West are covertly operating the Village together for unknown reasons. The overall impression given by the series is that some kind of nebulous organisation is manipulating all the Cold War powers for its own ends. Communism is an ideology that seeks to establish a classless, stateless social organization based on common ownership of the means of production. ... For other uses, see Cold War (disambiguation). ...

The village of Portmeirion today

Image File history File links No higher resolution available. ...

Village security

Weapons, alcohol, and tools are forbidden in the Village, but there are no walls or visible barriers to prevent escape, and no apparent prison guards. Indeed, aside from Number 2 functioning as warden, the Village at first appears to have no real security infrastructure. This is merely a ruse, however, as subsequent episodes reveal that many of the other people in the Village are, in fact, warders planted unobtrusively in the community and reporting back to the current Number 2. It is strongly implied that "they" have several plants in the Village as well, whose identities are unknown to Number 2, and who report back to them directly. One of the more sadistic Number 2s seemed particularly paranoid about this possibility. As Number 2 has said, "Stone walls do not a prison make." For other senses of this word, see paranoia (disambiguation). ...

The perimeter of the Village is surrounded by a pleasant wooded area, including one or two caves (which may or may not connect to the network of underground tunnels). Beyond this, Rover patrols. If anyone ventures too far from town, Rover will intercept them and nudge them back towards home. If anyone attempts to escape, Rover will capture them and they wake up in the Village hospital. Rover has also been shown to kill on several occasions; the exact cause of death is not revealed (in the first instance (seen in "Arrival", the target is enveloped and this also happens to the target in "The Schizoid Man"). The Rover is a fictional entity from the 1967 BBC television program known as The Prisoner. ... Arrival is the title of the first episode of the British science-fiction-allegorical series, The Prisoner. ... The Schizoid Man is an episode of The Prisoner in which Number 2 brings Number 12 to The Village, in order to impersonate Number 6. ...

Fate of the Village

When last seen in the finale episode, "Fall Out", the Village is evacuated after Number Six primes a missile or rocket (located within a silo beneath the Village) to launch. The episode and the series never reveals what happens to the Village or its people after Number Six finally escapes.

The Village did appear again in a DC Comics mini-series based on the series published in the 1980s, which picked up the story 20 years later. In this version (published later as the graphic novel, Shattered Visage), the Village is abandoned and falls into disrepair. Number Six eventually returns to the Village and lives a hermit-like existence as its Number Two; he later gives his Number Six monicker to a young woman who washes ashore at the Village. Meanwhile, a group of American and British agents are also shown seeking the location of the Village, apparently to obtain a nuclear weapon stored underneath. Ultimately, in this version of the storyline, the Village is destroyed in a massive explosion. DC Comics is an American comic book and related media company. ... Trade paperback of Will Eisners A Contract with God (1978), often mistakenly cited as the first graphic novel. ...

In reality, Portmeirion continues to be a popular tourist attraction in Wales, and frequently hosts events related to celebrating the series. The building in Portmeirion shown in the series as Number Six's house, was later converted in a shop selling Prisoner-related souvenirs.

References

1. ^ The Prisoner: The Official Companion by Robert Fairclough consistently uses "the Village".
2. ^ The published versions of the scripts (edited by Rob Fairclough, 2005 and 2006) consistently use "the Village".

External links

• Official Portmeirion village website
• The Prisoner and Portmeirion News and Articles