Time Out of Mind
Album by Bob Dylan
Released	September 30, 1997
Recorded	January-February 1997
Genre	Rock
Length	72 min 44 s
Record label	Columbia Records
Producer	Daniel Lanois
Professional reviews
All Music Guide review		link
Bob Dylan Chronology
MTV Unplugged (1995)	Time Out of Mind (1997)	The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert (1998)

Time Out of Mind is Bob Dylan's critically-acclaimed comeback album, released in 1997. It was his first studio album of original songs since 1990's Under the Red Sky and saw him reunite with producer Daniel Lanois who was behind the dials for the also-praised Oh Mercy in 1989. Dylan's profile also benefitted from the mid-90's success of The Wallflowers, led by youngest son Jakob Dylan. As a result, Time Out of Mind surprisingly entered the US charts at #10 - his first US Top 10 album since 1979's Slow Train Coming - as well as the UK, and stunned reviewers and fans with its depth, complexity and quality. Although it features an older, more weathered-sounding vocal style, it was lauded as Bob Dylan's best album since Blood on the Tracks in 1975. Cover of the Bob Dylan album Time Out of Mind. ... Look up Album in Wiktionary, the free dictionary An album (from Latin albus white, blank, relating to a blank book in which something can be inserted) is a packaged collection of related things. ... Portrait photograph of Bob Dylan taken by Daniel Kramer Bob Dylan (born Robert Allen Zimmerman May 24, 1941) is a highly influential American songwriter, musician, and poet. ... September 30 is the 273rd day of the year (274th in leap years) in the Gregorian Calendar, with 92 days remaining, as the final day of September. ... 1997 is a common year starting on Wednesday of the Gregorian calendar. ... January is the first month of the year in the Gregorian Calendar and one of seven Gregorian months with the length of 31 days. ... February is the second month of the year in the Gregorian Calendar. ... 1997 is a common year starting on Wednesday of the Gregorian calendar. ... Musical genres are categories which contain music which share a certain style or which have certain elements in common. ... Rock and roll (also spelled Rock n Roll, especially in its first decade), also called rock, is a form of popular music, usually featuring vocals (often with vocal harmony), electric guitars and a strong back beat; other instruments, such as the saxophone, are common in some styles. ... A minute is: a unit of time equal to 1/60th of an hour and to 60 seconds. ... The second (symbol s) is a unit for time, and one of seven SI base units. ... A record label is a brand created by companies that specialize in manufacturing, distributing and promoting audio and video recordings, on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. ... Columbia Records is the oldest continually used brand name in recorded sound, dating back to 1888. ... In the music industry, a record producer is responsible for completing a master recording so that it is fit for release. ... Daniel Lanois Daniel Lanois (born September 19, 1951, Hull, Québec) is a French Canadian producer and musician. ... Description: Rating stars. ... MTV Unplugged is Bob Dylans 1995 unplugged release, recorded and issued at the peak of that formats popularity. ... 1995 was a common year starting on Sunday of the Gregorian calendar. ... 1997 is a common year starting on Wednesday of the Gregorian calendar. ... 1998 is a common year starting on Thursday of the Gregorian calendar, and was designated the International Year of the Ocean. ... Portrait photograph of Bob Dylan taken by Daniel Kramer Bob Dylan (born Robert Allen Zimmerman May 24, 1941) is a highly influential American songwriter, musician, and poet. ... 1997 is a common year starting on Wednesday of the Gregorian calendar. ... 1990 is a common year starting on Monday of the Gregorian calendar. ... Under the Red Sky is a 1990 album by American singer-songwriter Bob Dylan. ... Daniel Lanois Daniel Lanois (born September 19, 1951, Hull, Québec) is a French Canadian producer and musician. ... Oh Mercy is a Bob Dylan album released in 1989. ... 1989 is a common year starting on Sunday of the Gregorian calendar. ... Members of The Wallflowers on the cover of Red Letter Days. ... Jakob Dylan (born December 9, 1969) is the lead singer and songwriter of the rock band The Wallflowers, whose famous hit, One Headlight brought them into the spotlight. ... This page refers to the year 1979. ... Slow Train Coming was Bob Dylans first album after he openly became a born again Christian. ... Blood on the Tracks is a 1975 album by American singer-songwriter Bob Dylan. ... 1975 was a common year starting on Wednesday (the link is to a full 1975 calendar). ...

Just after its recording in early 1997, Dylan fell seriously ill with what turned out to be an inflammation of the sac around his heart, though there was reason to believe at the time that it could have been a fatal illness.

Time Out of Mind's startling revitalization of Dylan's career extended all the way to the Grammys where it won multiple awards, including "Album of the Year" in early 1998. It was also voted as the best album of the year in The Village Voice Pazz & Jop critics poll. With all the media attention and praise, its US sales soon passed platinum, something a new Dylan album hadn't done in almost 20 years. Grammy Award statuette The Grammy Awards, presented by the Recording Academy (an association of Americans professionally involved in the recorded music industry) for outstanding achievements in the recording industry, is one of four major music awards shows held annually in the United States (the Billboard Music Awards, the American Music... 1998 is a common year starting on Thursday of the Gregorian calendar, and was designated the International Year of the Ocean. ... The Village Voice is a New York City-based weekly newspaper featuring investigative articles, analysis of current affairs and culture, arts reviews and events listings for New York City. ... The Pazz & Jop critics poll is a highly influential poll of music critics run by The Village Voice newspaper. ...

The Recording Sessions

Back in April of 1991, Dylan told Paul Zollo that "there was a time when the songs would come three or four at the same time, but those days are long gone...Once in awhile, the odd song will come to me like a bulldog at the garden state and demand to be written. But most of them are rejected out of my mind right away. You get caught up in wondering if anyone really needs to hear it. Maybe a person gets to the point where they have written enough songs. Let someone else write them."

Dylan's last album of original material came in 1990, when he recorded and released Under the Red Sky, a critical and commercial disappointment. Since then he had released two albums of folk covers and a live album of older compositions, but there was no sign of any new compositions until 1996. Under the Red Sky is a 1990 album by American singer-songwriter Bob Dylan. ...

According to Jim Dickinson, Dylan first began writing for Time Out of Mind during the winter of that year. Snowed in on his farm in Minnesota, Dylan phoned his tour manager, Jeff Kramer, and said, "Well, I'm snowed in, so I'm writing songs. But I'm not going to record them." Dylan would later change his mind, and he scheduled studio reservations in January of 1997 at Criteria Recording Studios in Miami, Florida. Dylan later admitted that Time Out of Mind was "the first album I've done in a while where I've protected the songs for a long time."

Dylan even demoed some of the songs in the studio, something he rarely did. According to drummer Winston Watson, elements of Dylan's touring band, including Watson himself, were involved in these sessions which took place in Miami, FL. (This would've been 1996 when Watson was still in the band.) Dylan also used these loose, informal sessions to experiment with new ideas and arrangements. At one point during these sessions, Dylan improvised a country-blues riff of indeterminate origin which was later sampled as the backing track for "Dirt Road Blues." ("He made me pull out the original cassette, sample 16 bars and we all played over that [for the released version]," recalls Daniel Lanois.) "Can't Wait" and "Not Dark Yet" were also recorded at these early sessions, with "Not Dark Yet" featuring "a radically different feel," according to Lanois. "[The demo of 'Not Dark Yet'] was quicker and more stripped down and [later during the formal studio sessions], he changed it into a Civil War ballad."

In a televised interview with Charlie Rose, Lanois recalled Dylan talking "about spending a lot of late nights working on this chapter of work. And, when he finished the words, he believed that the record is done, the record was written. He said, 'you know, we can do a waltz version, we can do this in 4/4, it can be up, it can be down, it can be these kind of chords, you know whatever we decide to do with it, that's that.' But what's important is that it's written." This page is about the journalist; there is also a Charlie Rose (congressman) from North Carolina. ...

Dylan continued rewriting lyrics until January of 1997, when the official album sessions began. It would mark the second collaboration between Dylan and his chosen producer, Daniel Lanois, who had previously produced Dylan's 1989 release, Oh Mercy. Lanois had just finished producing Emmylou Harris's Wrecking Ball when Dylan asked him to produce the sessions for Time Out of Mind. According to Lanois, "What we...did this time was make reference to some old records from the 1950's that Bob really likes because they had a natural depth of field which was not the result of a mixing technique. You get the sense that somebody is in the front singing, a couple of other people are further behind and somebody else is way in the back of the room. So we set up the studio like that."

"The recording process is very difficult for me," Dylan conceded. "I lose my inspiration in the studio real easy, and it's very difficult for me to think that I'm going to eclipse anything I've ever done before. I get bored easily, and my mission, which starts out wide, becomes very dim after a few failed takes and this and that."

By now, new personnel was hired for the album, including slide guitarist Cindy Cashdollar and drummers Jim Keltner and Brian Blade. Both Cashdollar and Blade were hired by Lanois while Dylan brought in Keltner, who had previous experience working with Dylan. Dylan also hired Nashville guitarist Bob Britt, Duke Robillard, organist Augie Meyers, and Jim Dickinson to play at the sessions.

With two different sets of players competing in performance and two producers, Lanois and Dylan, with conflicting views on how to approach each song, the sessions were far from disciplined. Years later, when asked about Time Out of Mind, Dickinson replied, "I haven't been able to tell what's actually happening. I know they were listening to playbacks, I don't know whether they were trying to mix it or not! [Laughs] Twelve musicians playing live - three sets of drums, [Whistles] it was unbelievable - two pedal steels, I've never even heard two pedal steels played at the same time before! It was, like, sheer chaos for an hour and a half and then eight minutes of beautiful music. The playbacks were chaos, when Dylan comes to mix it I think he's gonna be in a lot of trouble. I don't know man, I thought that much was overdoing it, quite frankly. I'm a big fan and you never know what a masterful producer can do - producing is quite a subversive activity - so I can't really make any judgements until I hear the mixes. All I was doing was playing piano, Augie Meyers [Sir Douglas Quintet] was playing organ."

Dickinson does concede that "even with the twelve people playing, it would be, like, an hour to an hour and a half of chaos, and then like eight or ten minutes of just clarity and beauty. During that ten minutes we'd nail it to the wall. [But Dylan] doesn't want it nailed down too tight. He definitely wants it loose...If we got too close to 'arrangements,' he would change the tempo and the key radically."

"In the past, when my records were made, the producer, or whoever was in charge of my sessions, felt it was just enough to have me sing an original song," said Dylan. "There was never enough work put into developing the orchestration, and that always made me feel very disillusioned about recording. Time Out of Mind is more illuminated, rather than just a song and the singing of that song. The arrangements or structures are really an integral part of the whole."

Lanois admitted some difficulty in producing Dylan. "Well, you just never what you're going to get. He's an eccentric man, and you might get something great on the first take, or [chuckling] you may get nothing at all. You know, I mean, what we would do, Bob and I would go out to the parking lot and speak in the absence of the band. The band would wait in the studio. We'd go out in the parking lot and speak and make a plan for the next song."

In a later interview, Lanois elaborated, saying "Bob and I...would step out into the parking lot because he would never discuss anything openly in front of the band, in terms of intimate details of the songs," recalled Lanois. "Like the song 'Standing In The Doorway.' We were in the parking lot, and I said 'listen, I love 'Sad Eyed Lady Of The Lowlands.' Can we steal that feel for this song?' And he'd say 'you think that'd work?' Then we'd sit on the fender of a truck, in this parking lot in Miami, and I'd often think, if people see this they won't believe it! Me and Bob Dylan just sitting here, strumming guitars, working out chords for a session!"

In another interview, Lanois recalls the same anecdote with some different details: "In regard to last minute musical decisions, I remember saying to Bob, "You know, Bob, one of my favorite songs of yours is 'Sad Eyed Lady of the Lowlands.' It's in a kind of 6/4. I said, 'It would be great to have something that feels that way on the record. Is there one of the songs that might lend itself to that time signature?' And he said, 'Well, this one 'Standing in the Doorway Crying' [sic], let's try that.'"

Asked why Dylan didn't "discuss anything" in front of musicians, Lanois responded, "Well, he doesn't like too much democracy...He respects my commitment, knows I love him and want the best for him. He also knows he can't bulldoze me too hard; I'll put up a fight. So it's a two-way street."

In subsequent interviews, Dylan cited Buddy Holly as an influence during the recording sessions. "You know, I don't really recall exactly what I said about Buddy Holly," said Dylan, "but while we were recording, every place I turned there was Buddy Holly. You know what I mean? It was one of those things. Every place you turned. You walked down a hallway and you heard Buddy Holly records like 'That'll Be the Day.' Then you'd get in the car to go over to the studio and 'Rave On' would be playing. Then you'd walk into this studio and someone's playing a cassette of 'It's So Easy.' And this would happen day after day after day. Phrases of Buddy Holly songs would just come out of nowhere. It was spooky. [laughs] But after we recorded and left, you know, it stayed in our minds. Well, Buddy Holly's spirit must have been someplace, hastening this record." Dylan would remember Holly when Time Out of Mind won the Grammy for Album of the Year; during his acceptance speech, Dylan said, "I just wanted to say, one time when I was about sixteen or seventeen years old, I went to see Buddy Holly play at the Duluth National Guard Armory [one evening in late January of 1959]...I was three feet away from him...and he looked at me." Charles Hardin Holley (September 7, 1936–February 3, 1959), better known as Buddy Holly, was ello an American singer, songwriter, and a pioneer of Rock and Roll. ...

With Time Out of Mind, Lanois "produced perhaps the most artificial-sounding album in [Dylan]'s canon," says author Clinton Heylin, who described the album as sounding "like a Lanois CV." In a March 1999 interview in Guitar World Magazine, Dylan discussed the sound of Time Out of Mind in relation to past works like Highway 61 Revisited, Blood on the Tracks, and Infidels: Highway 61 Revisited was the sixth album released by American singer-songwriter Bob Dylan. ... Blood on the Tracks is a 1975 album by American singer-songwriter Bob Dylan. ... Infidels (1983) is an album by Bob Dylan, which reunited the artist with Mark Knopfler, who had played on 1979s Slow Train Coming. ...

"Those records were made a long time ago, and you know, truthfully, records that were made in that day and age all were good. They all had some magic to them because the technology didn't go beyond what the artist was doing. It was a lot easier to get excellence back in those days on a record than it is now. I made records back then just like a lot of other people who were my age, and we all made good records. Those records seem to cast a long shadow. But how much of it is the technology and how much of it is the talent and influence, I really don't know. I know you can't make records that sound that way any more. The high priority is technology now. It's not the artist or the art. It's the technology that is coming through. That's what makes Time Out of Mind... it doesn't take itself seriously, but then again, the sound is very significant to that record. If that record was made more haphazardly, it wouldn't have sounded that way. It wouldn't have had the impact that it did. The guys that helped me make it went out of their way to make a record that sounds like a record played on a record player. There wasn't any wasted effort on Time Out of Mind, and I don't think there will be on any more of my records."

The Songs

In an interview taken in 1997, Dylan said that the songs on Time Out of Mind "naturally hung together because they share a certain skepticism. They're more concerned with the dread realities of life than the bright and rosy idealism popular today."

In an article published in The Chicago Tribune on September 28th, 1997, Greg Kot writes, "Dylan projects the unease of someone adrift in a world that he ceases to understand, and that ceases to understand him. Yet he finds a strange comfort in his surroundings. 'You could say I'm on anything but a roll,' he sings [on 'Highlands'], one of many instances of the album's gallows humor. The music, anchored by Dylan contemporaries such as pianist Jim Dickinson and organist Augie Myers, hovers like an eerie David Lynch soundtrack and echoes the solo-free groove and grind of Dylan's '60s masterpieces. With Lanois' painterly production giving the songs a three-dimensional depth, the arrangements frame Dylan's voice as few recent recordings have. Front page of the Tribune incorrectly reporting that Dewey won the 1948 presidential election The Chicago Tribune, formerly self-styled as the Worlds Greatest Newspaper, remains the leading newspaper of the Midwest of the United States. ... Jim Dickinson is an American record producer, pianist and singer. ... David Lynch on the set of his 2001 film Mulholland Drive David Keith Lynch (born January 20, 1946 in Missoula, Montana) is an American filmmaker. ...

"Dylan does not push his voice beyond its limits, but rather sing-speaks barely above a hush, as though holding an imaginary conversation with a distant lover, perhaps even his long-departed audience. He sings about love gone cold, but until the epic closing song, 'Highlands,' that loss never acquires a human face. In this 16-minute epic, the singer briefly recaptures the conversational, playful and erotically charged tone of his youth.

"If the Dylan of World Gone Wrong echoed Flannery O'Connor, the Dylan of Time Out of Mind evokes playwright Samuel Beckett and his spare, unsentimental poetry of despair. He is confident of only one thing: 'When you think you've lost everything, you find out you can lose a little more.'" World Gone Wrong is the second consecutive traditional folk music album made by Bob Dylan, which was recorded and released in 1993. ... Mary Flannery OConnor (March 25, 1925 – August 3, 1964) was an American author. ... Samuel Beckett Samuel Barclay Beckett (April 13, 1906 – December 22, 1989) was an Irish playwright, novelist and poet. ...

The longest composition ever recorded by Dylan, the 17-minute "Highlands" took its central motif ("My heart's in the highlands,") from a chorus in a stall ballad called "The Strong Walls of Derry." Jim Dickinson later recalled Dylan "leaning over the equipment case working on the lyrics...with a pencil."

Outtakes

Thirteen original compositions were recorded for Time Out of Mind, of which eleven would make the final cut. The two that did not were "Mississippi" and, according to Jim Dickinson "the best song there was from the session," "Girl from the Red River Shore."

On past albums, some fans have criticized Dylan for some of the creative decisions made with his albums, particularly with song selection. Time Out of Mind was no different except this time the criticism came from colleagues who were disappointed to see their personal favorites left on the shelf. When Dylan accepted the Grammy Award for Album of the Year, he mentioned his label chairman Don Ienner, who "convinced me to put [the album] out, although his favorite songs aren't on it."

Unlike past sessions, neither of these outtakes have circulated among collectors, something unprecedented for a Bob Dylan album. "With all of my records, there’s an abundance of material left over - stuff that, for a variety of reasons, doesn’t make the final cut. And other people seem to think they have some kind of right to it. That it’s their property even, which is baffling to me. I mean, you don’t drive a car out of the showroom without paying for it, do you? You don’t leave the supermarket without passing through the check-out with your goods. It's called stealing. Why the principle should be thought to be any different when it comes to music, I really don’t know."

According to Dylan, "If you had heard the original recording [of "Mississippi"], you'd see in a second" why it was omitted and recut for Love and Theft. "The song was pretty much laid out intact melodically, lyrically and structurally, but Lanois didn't see it. Thought it was pedestrian. Took it down the Afro-polyrhythm route - multirhythm drumming, that sort of thing. Polyrhythm has its place, but it doesn't work for knifelike lyrics trying to convey majesty and heroism.

"Maybe we had worked too hard on other things, I can't remember," Dylan continues, "but Lanois can get passionate about what he feels to be true. He's not above smashing guitars. I never cared about that unless it was one of mine. Things got contentious once in the parking lot. He tried to convince me that the song had to be 'sexy, sexy and more sexy.' I know about sexy, too. He reminded me of Sam Phillips, who had once said the same thing to John Prine about a song, but the circumstances were not similar. I tried to explain that the song had more to do with the Declaration of Independence, the Constitution and the Bill of Rights than witch doctors, and just couldn't be thought of as some kind of ideological voodoo thing. But he had his own way of looking at things, and in the end I had to reject this because I thought too highly of the expressive meaning behind the lyrics to bury them in some steamy cauldron of drum theory. On the performance you're hearing, the bass is playing a triplet beat, and that adds up to all the multirhythm you need, even in a slow-tempo song. I think Lanois is an excellent producer, though."

Aftermath

Before the album was officially released, Dylan suffered a serious heart infection. "It was something called histoplasmosis that came from just accidentally inhaling a bunch of stuff that was out on one of the rivers by where I live," said Dylan. "Maybe one month, or two to three days out of the year, the banks around the river get all mucky, and then the wind blows and a bunch of swirling mess is in the air. I happened to inhale a bunch of that. That's what made me sick. It went into my heart area, but it wasn't anything really attacking my heart."

"Bob was starting to get a little sick when we were sequencing the album," recalled Lanois. "We had finished the record but then, at that point, what hit him was fluid around the heart and it probably had been building up for a while."

Following Dylan's health scare, a number of columnists speculated that the songs on Time Out of Mind were inspired by an increased awareness of his own mortality, this despite the fact that all of the songs were completed, recorded, and even mixed before he was ever hospitalized. Some critics like the Village Voice's Robert Christgau tried to tame such speculations, with Christgau writing "I'm convinced that Time Out of Mind is in no intrinsic way 'about death'...[What] the mortality admirers hear in it is their own...The timelessness people hear in it...what Dylan has long aimed for - simple songs inhabited with an assurance that makes them seem classic rather than received." The Village Voice is a New York City-based weekly newspaper featuring investigative articles, analysis of current affairs and culture, arts reviews and events listings for New York City. ...

In interviews following its release, Dylan, for the most part, downplayed these speculations with much reserve, but he gave a blunt assessment in a 2001 interview published in The Times Magazine: "Where? Show me...I don’t see it like that. But again, that’s the story of my life...From 'The Times They Are A-Changin' onwards, people have misconstrued my words. They’ve attached the wrong meanings to them. That’s the status quo. That’s what happens, and there’s nothing to be done about it."

In the same interview, Dylan re-assessed Time Out of Mind, admitting some dissatisfaction with the results. "My recollection of [Time Out of Mind] is that it was a struggle. A struggle every inch of the way. Ask Daniel Lanois, who was trying to produce the songs. Ask anyone involved in it. They all would say the same. I didn’t trust the touring band I had at the time to do a good job in the studio, and so I hired these outside guys. But with me not knowing them, and them not knowing the music, things kept on taking unexpected turns. Repeatedly, I’d find myself compromising on this to get to that. As a result, though it held together as a collection of songs, that album sounds to me a little off...There’s a sense of some wheels going this way, some wheels going that, but hey, we’re just about getting there...But that’s my truthful memory of it, and that memory overshadows any gratification about its acceptance."

In 1999, Guitar World Magazine asked him if Time Out of Mind would have made a satisfactory final release: "No, I don't think so. I think we are just starting to get my sound on disc, and I think there's plenty more to do. We just opened up that door at that particular time, and in the passage of time we'll go back in and extend that. But I didn't feel like it was an ending to anything. I thought it was more the beginning."

Track listing

All songs by Bob Dylan.

1. "Love Sick" - 5:21
2. "Dirt Road Blues" - 3:36
3. "Standing In The Doorway" - 7:43
4. "Million Miles" - 5:52
5. "Tryin' To Get To Heaven" - 5:21
6. "'Til I Fell In Love With You" - 5:17
7. "Not Dark Yet" - 6:29
8. "Cold Irons Bound" - 7:15
9. "Make You Feel My Love" - 3:32
10. "Can't Wait" - 5:47
11. "Highlands" - 16:31

Personnel

• Bucky Baxter - Guitar (Acoustic), Pedal Steel
• Brian Blade - Drums
• Robert Britt - Guitar (Acoustic), Fender Rhodes
• Chris Carrol - Assistant Engineer
• Cindy Cashdollar - Slide Guitar
• Jim Dickensen - Keyboards, Piano (Electric), Organ (Pump)
• Bob Dylan - Guitar (Acoustic), Guitar, Harmonica, Piano, Guitar (Electric), Vocals
• Geoff Gans - Art Direction
• Tony Garnier - Bass (Electric), Bass (Upright)
• Mark Howard - Engineer
• Jim Keltner - Drums
• David Kemper - Drums
• Daniel Lanois - Guitar, Guitar (Rhythm), Producer, Photography, Mando-Guitar
• Tony Mangurian - Percussion
• Augie Meyers - Accordion, Organ (Hammond), Vox Organ
• Susie Q. - Photography
• Duke Robillard - Guitar, Guitar (Electric)
• Mark Seliger - Photography
• Winston Watson - Drums

	Bob Dylan
Records Studio Albums: Bob Dylan | The Freewheelin' Bob Dylan | The Times They Are A-Changin | Another Side of Bob Dylan | Bringing It All Back Home | Highway 61 Revisited | Blonde on Blonde | John Wesley Harding | Nashville Skyline | Self Portrait | New Morning | Pat Garrett & Billy the Kid | Dylan | Planet Waves | Blood on the Tracks | The Basement Tapes | Desire | Street-Legal | Slow Train Coming | Saved | Shot of Love | Infidels | Empire Burlesque | Knocked Out Loaded | Down in the Groove | Oh Mercy | Under the Red Sky | Good As I Been to You | World Gone Wrong | Time Out of Mind | Love and Theft Brian Blade (born 1970) is an American jazz drummer and composer. ... Jim Dickinson is an American record producer, pianist and singer. ... Tony Garnier (born St. ... Jim Keltner (born April 27, 1942 in Tulsa, Oklahoma) is an American rock and roll drummer. ... Daniel Lanois Daniel Lanois (born September 19, 1951, Hull, Québec) is a French Canadian producer and musician. ... This work is copyrighted. ... Portrait photograph of Bob Dylan taken by Daniel Kramer Bob Dylan (born Robert Allen Zimmerman May 24, 1941) is a highly influential American songwriter, musician, and poet. ... Cover of the Bob Dylan album Blonde on Blonde. ... Bob Dylan is the eponymous debut from folk and rock legend Bob Dylan. ... The Freewheelin Bob Dylan, released May 27, 1963, was folk musician Bob Dylans second LP. This release established him as a songwriter of premier importance. ... Categories: Music stubs | Bob Dylan albums | 1964 albums ... Another Side of Bob Dylan, released August 8, 1964, is considered one of Bob Dylans most important albums. ... Bringing It All Back Home is a folk rock album by American musician Bob Dylan, released on March 22, 1965 (see 1965 in music). ... Highway 61 Revisited was the sixth album released by American singer-songwriter Bob Dylan. ... Blonde on Blonde is a folk rock album by Bob Dylan, generally believed to be the rock and roll genres first double album. ... John Wesley Harding is an album of original songs by Bob Dylan, produced by Bob Johnston and released on December 27, 1967. ... Nashville Skyline is an album by Bob Dylan, released in 1969. ... Self-portrait by Vincent Van Gogh A portrait is a painting, photograph, or other artistic representation of a person. ... _New Morning_ is an album by Bob Dylan. ... Pat Garrett & Billy the Kid is a soundtrack album released by Bob Dylan in 1973 for the Sam Peckinpah film of the same name. ... Dylan (album) - Wikipedia, the free encyclopedia /**/ @import /skins-1. ... Planet Waves ( 1974) is an album by Bob Dylan, and was recorded at Village Recorder in Los Angeles during three different sessions on the fifth, sixth, and ninth of November 1973. ... Blood on the Tracks is a 1975 album by American singer-songwriter Bob Dylan. ... The Basement Tapes are a series of recordings by North American folk-rockers Bob Dylan and The Band, recorded in mid-1967. ... Desire is an album by American singer-songwriter Bob Dylan, released in 1976. ... Street Legal can refer to: Street Legal, a 1978 album by Bob Dylan Street Legal, a Canadian television show that ran from 1987 to 1994 Street Legal, a New Zealand television series. ... Slow Train Coming was Bob Dylans first album after he openly became a born again Christian. ... Saved is an album by Bob Dylan. ... Shot of Love was Bob Dylans third and final Christian-themed album, and his 25th overall. ... Infidels (1983) is an album by Bob Dylan, which reunited the artist with Mark Knopfler, who had played on 1979s Slow Train Coming. ... Empire Burlesque is a 1985 album release by Bob Dylan. ... Knocked Out Loaded is an album by Bob Dylan. ... Down In The Groove is an album by Bob Dylan. ... Oh Mercy is a Bob Dylan album released in 1989. ... Under the Red Sky is a 1990 album by American singer-songwriter Bob Dylan. ... Good As I Been To You is an album by Bob Dylan. ... World Gone Wrong is the second consecutive traditional folk music album made by Bob Dylan, which was recorded and released in 1993. ... Love and Theft is an album by Bob Dylan, released in 2001. ... Live Recordings: Before the Flood | Hard Rain | Bob Dylan At Budokan | Real Live | Dylan & The Dead | The 30th Anniversary Concert Celebration | MTV Unplugged | Live at The Gaslight 1962 Before the Flood is the title of a 1974 live album by Bob Dylan and The Band. ... Hard Rain is a live album by American musician Bob Dylan, captured during the second - and less successful - leg of the Rolling Thunder Revue tour. ... Bob Dylan At Budokan is an audio recording taken from two different shows on February 28 and March 1, 1978. ... Real Live is a live album by Bob Dylan. ... Dylan & The Dead (1989) is a live album by Bob Dylan and Grateful Dead recorded in July 1987 during the much-touted tour of the same name. ... The 30th Anniversary Concert Celebration is a live double-album release in recognition of Bob Dylans 30 years as a recording artist. ... MTV Unplugged is Bob Dylans 1995 unplugged release, recorded and issued at the peak of that formats popularity. ... Live at The Gaslight 1962 is a single CD release including ten songs from early Bob Dylan performances at the Gaslight cafe in New York Citys Greenwich Village. ... Compilations: Bob Dylan's Greatest Hits | Bob Dylan's Greatest Hits Vol. II | Biograph | Bob Dylan's Greatest Hits Volume 3 | The Essential Bob Dylan Bob Dylans Greatest Hits (1967) was the first compilation album released by Bob Dylan. ... Bob Dylans Greatest Hits Vol. ... Biograph is a collection of Bob Dylan tracks, both rare and popular, that was released in 1985. ... Bob Dylans Greatest Hits Volume 3 is the third official compliation album by Bob Dylan, released in 1994. ... The Essential Bob Dylan is the fourth - and to date, most recent - official compilation by Bob Dylan, released as a double-CD set in 2000. ... The Bootleg Series: Volumes 1-3 (Rare & Unreleased) 1961-1991 | Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert | Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue | Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall | Vol. 7: No Direction Home: The Soundtrack The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991 is a compilation box set by Bob Dylan. ... Film Principal: Don't Look Back | Eat the Document | Renaldo and Clara | Masked & Anonymous Dont Look Back is a 1967 documentary film which covers Bob Dylans tour of England in 1965, including appearances by Joan Baez and Donovan. ... Eat the Document is an rarely exhibited documentary of Bob Dylans 1966 tour of England with the Hawks. ... Renaldo and Clara is a surrealist movie, by and starring Bob Dylan. ... Masked & Anonymous is a film written by Bob Dylan and directed by Larry Charles, though they both credited themselves as writers under pseudonyms Sergei Petrov and Rene Fontaine. ... Actor: Pat Garrett and Billy the Kid | Hearts of Fire | Backtrack aka "Catchfire" | Paradise Cove Pat Garret & Billy The Kid is a soundtrack by Bob Dylan for a Sam Peckinpah film of the same name. ... Originally written by Scott Richardson, Hearts of Fire was rewritten by Joe Eszterhas because the studio felt that Richardson was, in their eyes, a baby writer and not experienced enough to take on the responsibility of a starring vehicle for Bob Dylan. ... Performer: Festival | The Concert For Bangladesh | The Last Waltz The Concert For Bangladesh was the event title for two concerts held on the afternoon and evening of August 1, 1971, playing to a total of 40,000 people at Madison Square Garden in New York. ... The Last Waltz is the name of The Bands final concert, the Martin Scorsese documentary film about the concert, and the album of the concert. ... Books Tarantula | Writings and Drawings | Lyrics: 1962 - 1985 | Drawn Blank | Chronicles, Vol. 1 | Lyrics: 1962 - 2001 Tarantula is an experimental novel by Bob Dylan, written early in his musical career. ... Categories: Wikipedia cleanup | Literature stubs ... Unauthorized, from public domain: Saved: The Gospel Speeches Of Bob Dylan | Bob Dylan: In His Own Words