Turkish music includes the music of modern Turkey, together with related musics in neighbouring regions that once lay within the former Ottoman Empire, and closely related ethnic variants in Central Asia stretching as far as the Xinjiang Autonomous Region of China. The Ottoman Empire at the height of its power Imperial motto El Muzaffer Daima The Ever Victorious (as written in tugra) Official language Ottoman Turkish Capital İstanbul (Constantinople/Asitane/Konstantiniyye ) Sovereigns Sultans of the Osmanli Dynasty Population ca 40 million Area 6. ... Xinjiang (Chinese: 新疆; pinyin: ; Wade-Giles: Hsin1-chiang1; Postal Pinyin: Sinkiang; literal meaning: New Frontier; Uyghur: ), full name Xinjiang Uyghur Autonomous Region, is an autonomous region of the Peoples Republic of China (PRC). ...
Turkish musical elements, notably in instrumentation, asymmetrical rhythmic metres, the scale system known as makam (http://www.turkishmusic.org/cgi-bin/d?what_is_a_maqam.html), and melodic style play a part in the music of Greece, Macedonia, Bulgaria, Albania, to mention Southeastern Europe alone.
When describing Turkishmusic today it is generally said that Ottoman composers availed themselves of the rich musical heritage found in the cultural centers of the Abbasid and the Timurogullari, where Turkish, Araband Iranian musicians performed and created music known as Ottoman court music.
Intended reforms in the field of music during the Republican period led to debates on the subjects of European, Turkish, polyphonic and monophonic music.
In 1826, Sultan Mahmut II attempted to modernize the Turkish Army and organize a military band similar to the bands of western armies, and in 1828 the Imperial Band was founded.