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The UK Singles Chart is currently compiled by "The Official UK Charts Company" (OCC) on behalf of the British record industry. The chart week runs from Sunday to Saturday, with the chart being compiled on Sunday afternoon. Most UK singles are released in record shops on a Monday. Previously Chart Information Network (CIN). ...
Monday is considerd either the first or the second day of the week, between Sunday and Tuesday. ...
The main chart contains the top 250 singles combining record sales and downloads, of which the Top 75 is generally considered as the official chart (although only the top 40 are of interest to a wider public). Some 6,500 UK retail outlets contribute sales data. No airplay statistics are used for the official UK Singles Chart. As of October 23rd 2005 1,020 singles had topped the UK singles chart according to the Official UK Charts Company's statistics. The precise number is debatable due to the profusion of different competing charts during the 1950s and 1960s, although the usual list used is that endorsed by the Guinness Book of British Hit Singles and subsequently adopted by The Official UK Charts Company. The Guinness Book of British Hit Singles is a music reference book, published in the United Kingdom, and generally considered to be the authoritative reference source for the UK Singles Chart since its inception in 1952. ...
The Top 40 is currently, and always has been, sold to BBC Radio 1, who broadcast all the songs from the Top 40, in reverse order, on Sundays from 4 to 7pm. Mark Goodier and Bruno Brookes are famous for having been the presenters of this chart show for many years, but in 2003 Goodier was replaced by relative newcomer Wes Butters who left the show in January 2005. From March 2005 the chart has been revamped with only the top 20 singles guaranteed to be played and now presented by JK and Joel. As of December 5th 2005, the current UK number 1 is Stickwitu by the Pussycat Dolls. BBC Radio 1 is a British radio station, specialising in popular music aimed at a young audience (children, teenagers and young adults). ...
Mark Goodier (born 28th June 1961 in Rhodesia) is one of the most familiar voices on British radio. ...
Bruno Brookes (born Trevor Neal Brookes in Stoke-on-Trent, 25th April, 1959) is a British radio presenter who shot to fame in the 1980s. ...
Wes Butters is a former presenter of BBC Radio 1s Official Chart Show. ...
JK and Joel (Jason King - born Jason Griffiths in January 1975; and Joel Ross - born Joel Hogg in May 1977) are a British duo who have co-presented radio shows since 1999 and are the current hosts of the official UK chart on BBC Radio 1. ...
December 5 is the 339th day (340th in leap years) of the year in the Gregorian calendar. ...
2005 (MMV) is a common year starting on Saturday of the Gregorian calendar. ...
Stickwitu is the 2nd single by The Pussycat Dolls following the huge success of Dont Cha. Stickwitu debuted on the Billboard Hot 100 at number 85. ...
The Pussycat Dolls are a female burlesque dance revue based in Los Angeles. ...
The television version of the chart show, called "The UK Top 40", began in 2002 on CBBC (Children's BBC), part of BBC Television, which broadcast selected video highlights and the entire top 10 countdown. It was hosted by Adrian Dickson and Konnie Huq from its inception until September 2004, and then by Andrew Hayden-Smith until the last edition on 12 June 2005. Corporate logo of the British Broadcasting Corporation The British Broadcasting Corporation (BBC) is the national public service broadcaster of the United Kingdom (see British television). ...
Adrian Dickson (born 1977 in Sandton, South Africa) is a British television and radio presenter. ...
Konnie Huq (born July 17, 1975 in Ealing, London) is a presenter on British television. ...
Andrew Hayden-Smith (born Andrew John Smith 5 November 1983 in Gateshead, UK) is a well known and CBBC presenter currently broadcasting on weekdays on BBC ONE. Presents/Appearences Byker Grove as Ben Carter, Season 8-15, 1995-2003 CBBC Presenter, September 2002- UK Top 40 Presenter, September 2004 - June...
The entire UK top 75 can be found online on Yahoo! Music UK (formerly Dotmusic) at The Official UK Top 75 Singles along with weekly commentary by James Masterton. The complete UK charts incl. Top 250 Singles, Top 200 Artist Albums, etc. is published by independent chart newsletter Charts Plus. LAUNCHcast is an online radio station that plays music based on user ratings. ...
Dotmusic was an internet music site that existed as a stand alone website from June 1995 to December 2003. ...
James Masterton (b. ...
Independent chart newsletter, published by IQWare Ltd. ...
History
The first British singles chart was published in the November 14, 1952 edition of the New Musical Express (NME). It was at first little more than a gimmick, a tool in the circulation war against NME's much older (and more popular) rival Melody Maker. The chart, at first a top 12, was the creation of the paper's advertising manager, Percy Dickins, who compiled it by telephoning around 20 major record stores and aggregating their sales reports. He would continue to personally oversee the compilation of the chart well into the 1960s. The New Musical Express (better known as the NME) is a weekly magazine about popular music published in the UK. It is unlike many other popular music magazines due to its intended focus on guitar-based music and indie rock bands, instead of mainstream pop acts. ...
Melody Maker, published in the United Kingdom, was (until its closure) the worlds oldest weekly music newspaper. ...
The chart rapidly became one of the paper's most popular features. After only a few weeks, it started being quoted in record company advertisements and press releases. The chart also spawned imitators - Record Mirror launched its own chart in 1955 and Melody Maker in 1958. Record Mirror was a British weekly music newspaper. ...
1955 (MCMLV) was a common year starting on Saturday of the Gregorian calendar. ...
Melody Maker, published in the United Kingdom, was (until its closure) the worlds oldest weekly music newspaper. ...
The forerunner of today's official chart first appeared in the music trade publication Record Retailer (now Music Week) in 1960 as a Top 50, but was not immediately recognised as the definitive chart in the country. Arguably, the NME chart was still the most recognised chart, and had the advantage of widespread exposure due to its use by Radio Luxembourg. Throughout the sixties, the various different charts vied for public recognition, leading to some historical anomalies — for example, The Beatles' second single "Please Please Me" was a number one on most charts, but not in Record Retailer. To add to the confusion, the chart used by the BBC on their popular shows Pick of the Pops and Top Of The Pops was actually calculated by averaging out all the others, and so didn't agree with any of them, and was prone to tied positions. UK trade paper for the record industry. ...
UK trade paper for the record industry. ...
1960 was a leap year starting on Friday (link will take you to calendar). ...
Cover of the NME dated October 1, 2005 The New Musical Express (better known as the NME) is a weekly music magazine in the UK. Its focus is on guitar-based music and indie rock bands, and it is often credited as the starting point for many successful British bands. ...
Radio Luxembourg (1933-1992) was an important forerunner of pirate radio and modern commercial radio in Europe. ...
The Beatles were a British pop and rock group from Liverpool, England. ...
Please Please Me was the title of the Beatles first album. ...
Corporate logo of the British Broadcasting Corporation The British Broadcasting Corporation (BBC) is the national public service broadcaster of the United Kingdom (see British television). ...
Pick of the Pops was a BBC radio programme based on the Top 20 UK singles chart and first broadcast on the BBC Light Programme in 1955, transferring to BBC Radio 1 when the latter launched in 1967. ...
Top of the Pops is a long-running British music chart television programme shown each week on BBC One and now licensed for local versions around the world. ...
In 1969 a truly reliable, official chart emerged, from an alliance between the BBC and Record Retailer. For the first time a professional polling organisation, BMRB, was commissioned to oversee the chart, and a pool of 500 record shops was used - more than twice as many as had been used for any previous chart. The new Official Top 50 was inaugurated in the week ending 12 February 1969.
In 1978, the singles chart was extended from a Top 50 to a Top 75.
In 1983, BMRB lost their contract to Gallup, who arranged for electronic data gathering to replace the old sales diary method of compilation. The first chart terminals appeared in record shops in 1984. As a result, in October 1987, it was now possible for the chart, incorporating sales up to close of business on Saturday, to be announced on Sunday afternoon, rather than being delayed until Tuesday as was previously the case. See: Gallup poll (opinion poll) Gallup, New Mexico ...
By 1990 costs to produce the charts had risen to over £600,000. Gallup samples (depending on source) 900 or 1,500 stores each week. The trade association of UK record companies, British Phonographic Industry Ltd. (BPI), annunces in January the termination the contracts with Gallup, Music Week and the BBC for 30.06.1990. On 1.07.1990, the publishing company of Music Week, Spotlight Publications/Link House Magazines, formed a new independent company, Chart Information Network Ltd. (CIN), to commission the charts. CIN cooperates with Gallup, the BBC and the British Association of Record Dealers (BARD). Initially the BPI refused to get involed in CIN's Chart Supervisory Committee (CSC) or to authorise the charts. See: Gallup poll (opinion poll) Gallup, New Mexico ...
See: Gallup poll (opinion poll) Gallup, New Mexico ...
In November 1990, the "Next 25" section of the UK singles chart, ie. positions 76-100 with specially applied rules, ceased to be printed in the official trade magazine Music Week. Between 24.11.1990 and 6.04.1991 only Record Mirror continued to print the "Next 25". UK trade paper for the record industry. ...
Record Mirror was a British weekly music newspaper. ...
In January 1991, CIN became a joint-venture between Music Week publisher Spotlight/Link House and the BPI. Each part pays 50% of the cost of the charts, which had then risen to £1 million, but also shares equally in the revenue. The CSC is now comprising members from Music Week, CIN, Gallup, the BBC, BARD, and the BPI. Subsequently CIN seeks to open new marketing opportunities and sponsorship deals; these include premium-rate fax and telephone services and chart newsletters Charts+Plus (published from May 1991 to Nov. 1994) and Hit Music (published from Sept. 1992 to May 2001). UK trade paper for the record industry. ...
See: Gallup poll (opinion poll) Gallup, New Mexico ...
From May 1991, the newly established newsletter "Charts Plus" featured the singles charts with positions 76-200 (plus artist albums positions 76-150, Top 50 compilations, and several genre and format charts. In September 1992 a second newsletter is created: "Hit Music" features, among other charts, the singles Top 75 plus a revived "Next 25".
In early 1993 tenders were being sought for the chart compilation contract. Gallup's contract was to run out by the end of January 1994. In April 1993, BARD renewed its contracts with CIN. The BARD member companies are to provide sales data exclusively to CIN. In May 1994 CIN announced that Millward Brown, subsidiary of market research company WPP, had won the chart contract. The main points of discussion were the rising costs, advances in technology, and better access to data. CIN will control the analysis of data and also own the copyright in all of Milwward Brown's research. See: Gallup poll (opinion poll) Gallup, New Mexico ...
On 1.02.1994 Millward Brown took over as compiler of the CIN charts. The initial size of the sample is 1,250, rising to 1,600 by April 1994. The first chart based on Millward Brown data is published on 6.02.1994 (chart date: 12.02.1994).
In November 1994 "Charts Plus" ceases publication and "Hit Music" expands its chart coverage to an uncompressed (ie. not applying any special rules) Top 200 Singles, Top 150 Artists Albums and Top 50 Compilations. In November 1996 the Artist Albums chart extends to a Top 200.
In November 2001 Chart Information Network (CIN) changed its name to "The Official UK Charts Company". Previously Chart Information Network (CIN). ...
With its edition no.439, "Hit Music" ceases publication in May 2001. By September 2001 chart enthusiast Herman Verkade enters a licensing agreement with CIN and creates an independent new chart publication: "Charts Plus". It covers the Top 75 Singles chart plus compressed positions 76-200, as well as the Top 200 artist albums chart, Top 50 compilations, and many other format and genre charts. Independent chart newsletter, published by IQWare Ltd. ...
In 2005, for the chart week ending 16 April, the first singles chart combining physical-release sales with legal download sales began. Several test charts, and finally an actual download-sales chart on its own, were published in 2004, but this combination within the official singles chart reflects a changing era, where sales of the physical single are falling while download sales are rising. Hosts JK and Joel commented during the broadcast on BBC Radio 1 on 17 April 2005 that the incorporation of download sales had resulted in an approximate doubling of singles sales on the week. For the first week's combined chart, however, the impact of this doubling was not readily apparent at the top of the chart, although a few singles in the middle positions benefitted. In general, download sales are seen to disadvantage certain genres of music while benefitting other genres. The real impacts of the combination will be seen, however, when sales and trends have smoothed out over the coming weeks and months, or even years.
In any case, with a change of the chart come new rules for eligibility, including one specifying that download sales are counted in determining a song's chart position only if there is a physical equivalent sold in shops at the time. In the same week that the new chart came into being -- and nearly a month prior to the single's general release on 9 May 2005 -- Gorillaz reportedly released just 300 copies of the single "Feel Good Inc." in a 7" vinyl format only. Presumably, the physical equivalent was made available only to get the single onto the charts in the first place. In its first "official" week, nearly 3,000 legal downloads of the single took place, essentially driving its initial chart position of 22. "Feel Good Inc." continued to chart in the low 20's in the subsequent three weekly charts on the strength of download sales despite the widespread unavailability of a physical equivalent. Perhaps predictably, the situation triggered criticisms of this new chart-eligibility rule. Gorillaz (pronounced gorillas) are an animated, fictional, virtual band, comprising four animated band members: 2D, Murdoc, Noodle and Russel. ...
Comparison of UK singles charts prior to 1969 New Musical Express
Launched the first UK singles sales chart (a top 12) on 14 November 1952, initially compiled on a points system, from a sample of 15-30 from a pool of 53 shops. The chart was expanded to a Top 20 from 1 October 1954, a Top 30 from 13 April 1956 and a Top 50 from April 1983. The sample size was initially 15-30 shops, expanded to 70 by the early 1960s and 150 by June 1963. The NME compiled its own chart until 28 May 1988, after which it used the Network Chart (compiled by MRIB for broadcast on commercial radio in the UK in direct competition to the official chart show on Radio 1, and hosted at the time by David Jensen) for some years. David Kid Jensen (* 1950 in Victoria, British Columbia) is a Canadian Radio DJ who, after beginning his career in his home country at the age of sixteen, joined Radio Luxembourg at the age of eighteen in 1968. ...
Record Mirror
Launched a top 10 singles chart on 22 January 1955, later expanded to a Top 20 and then Top 30. Discontinued in March 1962 when Record Mirror began taking the Record Retailer chart.
Radio Luxembourg
Radio Luxembourg was hugely influential in the 1950s and 1960s, but never had its own chart. It launched a Top 20 based on Melody Maker's sheet music chart as early as 1948 and switched to using the NME Top 20 singles sales chart at the start of 1960. During the 1970s the chart fractured into multiple genre charts.
Melody Maker
Launched a Top 10 singles sales chart in April 1956, alongside (but eventually superseding) the sheet music chart it launched ten years earlier. The chart became a Top 50 in September 1962. Its sample size was 30 at launch, expanding to 110 by 1963, 150 by 1965 and 220 by the time it merged with the Disc chart in August 1967.
Disc & Music Echo
Launched a top 20 singles chart in February 1958, based on a sample of 25 shops. It expanded to a Top 30 with a sample of c.75-100 shops by 1966. The chart became a Top 50 in April 1966 and merged with Melody Maker's chart in August 1967. Due to Disc's lower circulation and smaller sample size, its chart is not generally considered as important as other charts of the same period.
Record Retailer
Trade magazine Record Retailer launched a Top 50 singles chart on 10 March 1960. Its sample was only 30 shops to begin with, growing to 40 by March 1962, 60 by March 1963 and 80 by 1969. This was the only major singles chart to exclude EPs, which had their own separate chart until 30 November 1967. EPs were allowed into the main singles chart from that point on, just in time for The Beatles' Magical Mystery Tour to enjoy a chart run which peaked at number two. Magical Mystery Tour is an album by British rock band The Beatles, first released in late November 1967. ...
British Broadcasting Corporation
Introduced Pick of the Pops on 4 October 1955, fortnightly until the end of the year, then weekly thereafter, based on an average of the Record Mirror and NME singles charts (and probably also Melody Maker from April 1956). Pick of the Pops was a BBC radio programme based on the Top 20 UK singles chart and first broadcast on the BBC Light Programme in 1955, transferring to BBC Radio 1 when the latter launched in 1967. ...
Building the canon While the BBC/Record Retailer chart is almost universally accepted as definitive for the period from February 1969 onwards, there is some controversy over which charts should be considered "correct" prior to this. The most common solution to this problem is to regard the Record Retailer chart as the correct one from its inception in 1960, and the NME chart before that. This approach originated with the Guinness Book of British Hit Singles, first published in 1977. However, it may be argued that almost nobody considered the Record Retailer chart to be canonical at the time of publication, at least until "Record Mirror" began publishing it as well. Some chart reference books simply take "Record Mirror" as their source from the start; this is the approach taken by "The Top 20 Book" compiled biannually by Tony Jasper from 1978 to 1994 and "Rock File", an annual publication during the 1970s whose "Chart Log" feature was effectively the forerunner to "British Hit Singles", as well as numerous books by Dave McAleer. The result of this approach is a chart that begins in 1955, and joins up with the "Record Retailer" chart (and so agrees with the Guinness book) in 1962. The Guinness Book of British Hit Singles is a music reference book, published in the United Kingdom, and generally considered to be the authoritative reference source for the UK Singles Chart since its inception in 1952. ...
A case may also be made for considering the NME chart to be the correct one for at least part of the 1960s, since it was arguably the one followed by the most people. Similarly, Melody Maker's charts could be considered correct for the same period because they drew on the largest number of shops for their compilation. (However, the latter is less practical since unlike the NME charts, the Melody Maker charts have never been reprinted and are therefore difficult to obtain.)
The Official UK Charts Company have adopted the Guinness solution as defining the official chart canon, however different approaches continue to exist.
Criteria for inclusion In order to qualify for inclusion in the UK singles chart, a single must meet the following criteria: - It must be available on one or more eligible formats. Eligible formats are CD, DVD, Vinyl, Cassette and flexi disc. Digital Compact Cassette and MiniDisc formats are not eligible.
- All formats must contain the featured track or a version/remix of it.
- Only three formats can be included in a single's sales. Sales of any additional formats are disregarded when calculating a single's chart position.
- The single must meet a minimum dealer price requirement, to prevent record companies from making cut-price deals with retailers.
- Each format must have no more than three different tracks on it, though each song may appear in any number of different versions.
- The maximum running time for any format is 20 minutes if more than one different song is featured, or 40 minutes if only one song is featured in multiple versions/mixes.
- A "mini CD" format is now recognised for chart purposes. It can have a running time of up to ten minutes and can feature no more than two tracks. It must be a 5" CD and sold in a single jewelcase. Its minimum price requirement is lower than the regular CD single. This cheaper alternative was first recognised in October 2003 as part of a drive to make singles more attractive to buyers in the face of widespread music downloading.
The full chart regulations also place limits on how chart singles can be packaged and what free gifts can be offered to purchasers. The full regulations can be downloaded from the Official UK Chart Company website or obtained by post from them. Interference colors. ...
DVD (sometimes called Digital Versatile Disc or Digital Video Disc) is an optical disc storage media format that can be used for data storage, including movies with high video and sound quality. ...
A gramophone record, (also phonograph record - often simply record) is an analog sound recording medium: a flat disc rotating at a constant angular velocity, with inscribed spiral grooves in which a stylus or needle rides. ...
Typical audio Compact Cassette. ...
Flexi disc recordings are a thin format designed to be playable on standard phonograph turntables. ...
Digital Compact Cassette (DCC) was a short-lived audio format created by Philips in the early 1990s. ...
The Sony MZ1 MiniDisc player, the first to hit the market in 1992. ...
Charts and the music industry The record industry places a fair amount of importance on the UK singles chart. Music singles are mostly sold as a way of promoting the artist's album - the singles themselves usually make a loss. A single that charts in a high position, or makes it to number 1, is therefore good advertising for the album. Sometimes stickers are even placed on the album mentioning the popular singles.
Because the record industry is mostly interested in the highest position which a single reaches, there is usually a wave of promotion of the single before it comes out, in the hope that people rush out to buy the single in its first week of release. This means that most singles enter the charts at a certain position, and then fall down the chart in subsequent weeks. Singles that climb the charts and spend a number of weeks at a high position are now rare, and usually denote 'super' singles, which manage to enter the public consciousness and appeal to a wide range of people. However until at least the late nineteen eighties, the situation was very different. At that time singles usually took several weeks to climb to a high position in the charts, and it was rare and remarkable for a single to go straight in at number 1.
An effect of this competition for high chart positions is that a number of high-profile "battles" have taken place in which singles released on the same day have become the focus of media attention concerning which will sell the most copies in their first week and therefore enter the chart higher. The first and most famous example was in August 1995 when the Britpop groups Oasis and Blur released their respective singles "Roll With It" and "Country House" on the same day. The outcome was that "Country House" entered the chart at number one, and "Roll With It" at number 2, and the rivalry was widely reported in the mainstream news media. Another high-profile battle occurred exactly 5 years later in August 2000, when "Groovejet (If This Ain't Love)" by Spiller featuring Sophie Ellis-Bextor beat "Out Of Your Mind" by Truesteppers featuring Dane Bowers and Victoria Beckham to the number one position. On this occasion the main media interest was in the supposed rivalry between the featured female vocalists on the two records. On both occasions, the press and TV coverage is generally believed to have increased sales for all parties. Britpop is a British alternative rock movement from the mid 1990s, characterised by the appearance of bands who borrowed many influences from 1960s and 1970s while creating big, catchy hooks, as well as the glamour of earlier pop stardom and the sense that they were creating the soundtrack to the...
Oasis are a British rock band, originally formed in Manchester. ...
Blur is the name of a British rock band. ...
Mainstream is, generally, the common current of thought. ...
Sophie Ellis-Bextor (born 10 April 1979 in London, England) is a British pop singer. ...
This article needs to be wikified. ...
British musician who started with the boy-band Another Level and also colaborated with Victoria Beckham. ...
Victoria Caroline Beckham (born Victoria Adams, April 17, 1974) is an English popular music singer, who first came to prominence as a member of girl band the Spice Girls. ...
Number One Quirks Since the inception of the UK Singles chart, many issues have arisen about certain singles and whether or not they should have made number 1 - this controversy has caused much dispute on a few number 1 singles and it has affected the singles chart over the years.
There was a period of time when the entire record industry took a break for the Christmas period. This resulted in no compiling of new charts over Christmas week and obviously therefore no airing. When electronic sales record took over from written ideas, it became much easier to compile the charts, however staff still required time off, unlike today when Radio 1 is still happy to air the Christmas chart. Usually, it would result in no new change at the top, however, there was one exception; the Christmas period of 1980. A frenzy of buying John Lennon singles had begun as he had just been shot dead a few weeks earlier. This resulted in "(Just Like) Starting Over" topping the charts, however, this was dethroned after a mere seven days by "There's No-one Quite Like Grandma". However, after this stayed at the top for a week, many people had bought the re-issued Christmas classic, "Happy Christmas (War Is Over)" by John Lennon, and the new chart compiled, actually had John Lennon at the top. However, this chart was never published and thus, it is omitted from lists of number ones. By the time things returned to normal after the festive season, "Imagine" had topped the chart, but technically, John Lennon has three-peated on top of the chart, something no other act has been able to achieve. John Lennon in the autumn of 1968 John Winston Ono Lennon (October 9, 1940 – December 8, 1980) was best known as a singer, songwriter, poet and guitarist for the British rock band The Beatles. ...
In the week including the Queen's massive jubilee celebration at Windsor in June 1977, the Sex Pistols were due to release their second single, "God Save The Queen", expressing great contempt for royalty. There was wide speculation and rumour that the Sex Pistols were going to be number 1 for this historic week, however, the shock was Rod Stewart retained his position on top of the chart for a fourth week with "I Don't Want To Talk About It/The First Cut Is The Deepest". Rumours then began to circulate that people had fixed the chart to avoid controversy, which even resulted in NME placing "God Save The Queen" at number 1 in their chart. The Sex Pistols were, despite their short existence, one of the most influential English punk bands. ...
God Save the Queen (B-side Did You No Wrong) was the second single by punk band the Sex Pistols. ...
Rod Stewart Roderick David Stewart (born January 10, 1945 in Highgate, London) is an English born singer and songwriter of Scottish descent, most known for his uniquely raspy, gravelly voice and personable singing style, as exemplified in his signature song Maggie May. In a career now entering its fifth decade...
In the 1950s, singles had frequently shared the number 1 position for a week, due to sales ties. This had never been an issue ever since, however in the 1980s, a new chart rule was instituted if this did ever become the case again; the single whose sales had increased most from the previous week would reside above the other. In September of 1990, "The Joker" by Steve Miller Band and Deee-lite's "Groove Is In The Heart" sold enough copies to both reach number 1, but because of the rule, Deee-lite were relegated to number 2 and "The Joker" topped the chart. In order to avoid controversy, the media published that "The Joker" had sold eight more copies than "Groove Is In The Heart".
In 1987, Steve Silk Hurley's "Jack Your Body" topped the charts for 2 weeks, but in fact it should have never been there! The 12" actually exceeded the maximum playing time to qualify as a single and therefore Jackie Wilson's re-issue of "Reet Petite" should have enjoyed a 5th week at the top and "I Knew You Were Waiting (For Me)" was deprived of a week at the top, to increase its total to 3. Jack Leroy Jackie Wilson (June 9, 1934–January 21, 1984) was an American soul and R&B singer born in Detroit, Michigan, where he became active in the music business. ...
Crazy Frog, no stranger to controversy and hate, snatched the top spot in early 2005 with Axel F, much to the displeasure of Coldplay, whose single had been outsold 3 to 1, and many tabloids and the general public, who felt that it took Number 1 from the advertising overkill, and is regarded as one of the worst number ones ever. Crazy Frog advert produced by German based mobile phone content distributor, Jamba! Crazy Frog is the marketing title of a ring tone based on The Annoying Thing, a computer animation created by Erik Wernquist. ...
Axel F is the electronic instrumental theme from the 1984 film Beverly Hills Cop performed by Harold Faltermeyer. ...
Sponsorship There has been much controversy over the fact that the UK Singles Chart has, for many years, been sponsored by various companies. This in itself would be unremarkable were it not for the fact that the chart is broadcast exclusively on BBC Radio 1, a public owned radio station which cannot sell advertising or sponsorship. The singles chart sponsorship is, however, sold by the Official UK Charts Company, and so the BBC does not receive any money from the deal. They have, in the past, mentioned the name of the sponsors when doing the chart rundown and this has in effect allowed the sponsors to do indirect advertising on a publicly owned radio station.
For many years the chart was sponsored by worldpop.com, a music website. However, in 2004, Coca Cola became the sponsors of the chart instead. For a while, the BBC continued the practise of mentioning the sponsoring company during the chart show, however there was a huge backlash against this - partly caused by controversy elsewhere over allowing sugary/fatty foods and drinks to be advertised to children. 2004 (MMIV) was a leap year starting on Thursday of the Gregorian calendar. ...
The wave shape (known as the dynamic ribbon device) present on all Coca-Cola cans throughout the world derives from the contour of the original Coca-Cola bottles. ...
The BBC initially stuck to its guns, but eventually came to an agreement whereby the name would be dropped from its on-air broadcast.
See also This is a list of the number one hits in the UK Singles Chart, from its inception in 1952 to the present. ...
Since the inception of the UK Singles Chart in 1952 there have been various records to break, including most chart toppers, longest run at number one, biggest selling single etc. ...
This is a list of best-selling singles in the United Kingdom. ...
This is a list of the best-selling singles in the UK singles chart for each year. ...
A one-hit wonder is a Top 40 phenomenon, the combination of artist and song that scores big in the music industry with one smash hit, but is unable to repeat the achievement with another hit. ...
Weekly British chart newsletter; sister publication to Music Week. ...
Independent chart newsletter, published by IQWare Ltd. ...
The UK Albums Chart is a chart of the positions of albums in the United Kingdom. ...
UK trade paper for the record industry. ...
UK trade paper for the record industry. ...
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