Portrait of the Emperor Meiji by Uchida Kuichi, 1873. Albumen silver print.

Uchida Kuichi (内田 九一 Uchida Kuichi) (1844 - 1875) was a pioneering Japanese photographer from Nagasaki. He was greatly respected as a portrait photographer and was the only photographer granted a sitting to photograph the Emperor Meiji^[1]. Nagasaki City Hall Mayor {{{Mayor}}} Address 〒850-8685 Nagasaki-shi, Sakura-machi 2-22 Phone number 095-825-5151 Official website: www1. ... Emperor Meiji (Mutsuhito) Emperor Meiji (明治天皇, Meiji Tennō, literally Emperor of Enlightened Rule) (3 November 1852–30 July 1912), also known as Mutsuhito (睦仁), was the 122nd Emperor of Japan, according to the traditional order of succession. ...

Uchida was adopted at the age of 13, following his father's death, by the physician Matsumoto Jun (formerly Matsumoto Ryōjun) (1832 - 1907), who was at that time studying photography with J. L. C. Pompe van Meerdervoort (1829 - 1908)^[2].

Uchida studied photography under Ueno Hikoma in their native city of Nagasaki. When he was 16 years old, he purchased his first photographic equipment and by 1863, when he was 19, he was importing and selling photographic equipment. He opened his first photographic studio in 1865 with Morita Raizō in Osaka, the first studio in that city^[3]. Ueno Hikoma, n. ... A photographic studio is both a workspace and a corporate body. ... Osaka ) is the capital of Osaka Prefecture and the third-largest city in Japan, with a population of 2. ...

In 1866 Uchida moved his studio to Bashamichi in Yokohama, then in 1869 moved the studio again, this time to the district of Asakusa in Tokyo^[4]. He soon became known as the best portrait photographer in Tokyo^[5]. Yokohama ) is the capital of Kanagawa Prefecture and Japans largest incorporated city,[1] with a population of 3. ... The Kaminarimon is the outer gate of the Sensoji, Asakusas famous temple. ... Tokyo , literally eastern capital) is the capital of Japan and one of the 47 prefectures of Japan. ...

Portrait of Empress Consort Haruko (posthumously known as Empress Dowager Shōken, consort of Meiji, Emperor of Japan). Albumen silver print by Uchida Kuichi, 1872.

Having achieved this reputation for excellence, Uchida Kuichi was the only photographer granted a sitting by the Emperor Meiji, who was considered a living deity and rarely seen in public. The portrait session took place in 1872 on a commission by the Department of the Imperial Household to photograph the Emperor and Empress Haruko in full court dress and everyday robes. In 1873, Uchida again photographed the Emperor, who this time wore military dress, and a photograph from this sitting became the official imperial portrait^[6]. Copies of the official portrait were distributed among foreign heads of state and Japanese regional governmental offices, but their private sale was prohibited. Nevertheless, many copies of the photograph were made and circulated on the market. ^[7]. The emperor was not photographed again until 1888 or 1889^[8]. Her Imperial Highness Empress Dowager Shōken of Japan (jp: shōken kōtaigo) was the kōgō (empress-consort) of the Meiji Emperor. ... Her Imperial Highness Empress Dowager Shōken of Japan (jp: shōken kōtaigo) was the kōgō (empress-consort) of the Meiji Emperor. ...

In 1872 Uchida was commissioned to accompany the emperor on a tour through central Japan and Kyūshū, and to take photographs of the people and places during the journey. He was not permitted to photograph the emperor, however^[9]. Kyushu region, Japan Kyushu (九州) is the third largest island of Japan and most southerly and westerly of the four main islands. ...

Uchida was very successful commercially and his life was even the subject of a kabuki play written and performed in 1870^[10]. The Kabukiza in Ginza is one of Tokyos leading kabuki theaters. ...

He died in 1875 of tuberculosis^[11].

Notes

1. ^ Worswick (1979), 136.
2. ^ Bennett, 54.
3. ^ Orto and Matsuda, 365.
4. ^ Orto and Matsuda, 365. Bennett states that Uchida opened his studio in Tokyo in 1866 and opened a second studio in Yokohama in 1868. Bennett, 54.
5. ^ Orto and Matsuda, 365.
6. ^ Ishii and Iizawa; Orto and Matsuda, 365.
7. ^ Kinoshita, 27-28.
8. ^ Kinoshita gives 1888, p. 28. Bennett gives 1889, p. 144, fig. 128.
9. ^ Orto and Matsuda, 366.
10. ^ Orto and Matsuda, 366.
11. ^ Orto and Matsuda, 366.

References

• Anglo-American Name Authority File, s.v. "Matsumoto, Jun", LC Control Number n 80039010, cited 11 September 2006.
• Bennett, Terry. 'Early Japanese Images' (Rutland, Vermont: Charles E. Tuttle Company, 1996), 54-56; p. 144, fig. 128.
• Ishii, Ayako, and Kotaro Iizawa. 'Chronology'. In 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), 314.
• Kinoshita, Naoyuki. 'The Early Years of Japanese Photography'. In 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), 27-28.
• Orto, Luisa, and Takako Matsuda, compilers. 'Artist Profiles'. In 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), 365-366.
• Tucker, Anne Wilkes, et al. 'The History of Japanese Photography' (New Haven, Connecticut: Yale University Press, 2003), p. 54, pl. 29.
• Worswick, Clark. "The Disappearance of Uchida, Kyuichi and the Discovery of Nineteenth-Century Asian Photography." 'Image', vol. 36, nos. 1-2 (Spring-Summer 1993), p. 16, fig. 1; p. 30, fig. 10.
• Worswick, Clark. 'Japan: Photographs 1854-1905' (New York: Pennwick/Alfred A. Knopf, 1979), p. 41, repr; pp. 136, 148.