Van Dyck was born in Antwerp and became an independent painter in 1615. In his younger years, he was the chief assistant of Peter Paul Rubens. In 1620, he came to England for the first time but did not succeed in getting presented to King James I. After four months he returned to Flanders. He then went to Italy where he remained for 6 years studying the Italian masters and laying the foundations of his career as a successful portraitist. In 1627, he went back to Antwerp where for some years he painted a host of masterpieces. His reputation reached the ears of Charles I of England who recalled him. In 1632, Van Dyck again arrived in London. His success in England was rapid. He painted portraits of King Charles, Queen Henrietta, the king's children, and countless personages at court in addition to images of himself and his mistress, Margaret Lemon. In the latter part of his life he only gave finishing touches to the portraits which were for the most part painted by his pupils after his own designs.
In July 1632, he was knighted, and in 1633 elected painter to the king. He received a considerable pension and married the daughter of Lord Ruthven. In 1634, he took a short journey to Antwerp, and in 1641, another one to France.
Anthony van Dyck died in 1641 in London, and was buried in St. Paul's Cathedral.
Van Dyck was also known for painting portraits of people having short, pointed beards, and that's why this particular kind of beard was named after him a vandyke. During the reign of George III, a generic "Cavalier" fancy-dress costume called a 'Van Dyke' was popular; Gainsborough's 'Blue Boy' is wearing such a 'Van Dyke' outfit. The oil paint pigment van Dyck brown is named after him [1] (http://www.artecum.com/fr/encyclo/pein/vandyck.htm).
External links
Anthony van Dyck - Olga's Gallery (http://www.abcgallery.com/V/vandyck/vandyck.html)
VanDyck was, however, thus persuaded, for on 28th November Sir Toby Mathew mentions the artist's departure to Sir Dudley Carleton, adding that he is in receipt of an annual pension of zoo from the king.
VanDyck remained their guest for several months, and their portraits, now in the Pinacoteca Capitolina at Rome (engraved by W. Hollar from the monochrome at Cassel), may be supposed to have been one of his first Genoese productions.
VanDyck was himself an incomparable etcher, and with the needle arrived at a degree of excellence scarcely inferior to that exhibited in his paintings.
Sir Anthony vanDyck was a Flemish painter who was one of the most important and prolific portraitists of the 17th century.
VanDyck was born on March 22, 1599, in Antwerp, son of a rich silk merchant, and his precocious artistic talent was already obvious at age 11, when he was apprenticed to the Flemish historical painter Hendrik van Balen.
VanDyck's work during this period is in the lush, exuberant style of Rubens, and several paintings attributed to Rubens have since been ascribed to vanDyck.
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