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Encyclopedia > Variations on a Rococo Theme

The Variations on a Rococo theme for violoncello and orchestra in A major Op.33 by Pyotr Ilyich Tchaikovsky is a concert-piece for solo cellist and orchestra. It is thought that the Rococo Variations was one of the pieces which Tchaikovsky felt most satisfied with after its composition[citation needed]. Alternate meaning: Cello web browser A cropped image to show the relative size of a cello to a human (Uncropped Version) The cello (also violoncello or cello) is a stringed instrument and part of the violin family. ... A philharmonic orchestra An orchestra is a musical ensemble used most often in classical music. ... A young Pyotr Ilyich Tchaikovsky (1874) Tchaikovsky redirects here. ...


The piece was written between December 1876 and March 1877, for and with the help of the German cellist Wilhelm Fitzenhagen (a professor at the Moscow Conservatory). The dedicatee revised and reordered it somewhat, but the composer allowed the changes to stand. It was well received at its first performances and Fitzenhagen himself took the piece with him on a tour of Europe. Though not really a concerto, it was the closest Tchaikovsky ever came to writing a full concerto for cello. 1876 (MDCCCLXXVI) was a leap year starting on Saturday. ... 1877 (MDCCCLXXVII) was a common year starting on Monday (see link for calendar). ... The Moscow Conservatory (Московская Государственная Консерватория им. П.И.Чайковского) is a prominent music school in Russia, whose graduates included Sergey Rachmaninoff, Alexander Scriabin, Aram Khachaturian, Mstislav Rostropovich, and Alfred Schnittke. ... The term concerto (plural is concerti or concertos) usually refers to a musical work in which one solo instrument is contrasted with an orchestra. ...


The style is inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much. However, one should note that the Thema is not Rococo in origin, but actually an original theme. Wolfgang Amadeus Mozart (baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart; January 27, 1756 – December 5, 1791) was a prolific and highly influential composer of Classical music. ... The Classical period in Western music occurred from about 1730 through 1820, despite considerable overlap at both ends with preceding and following periods, as is true for all musical eras. ... To meet Wikipedias quality standards, this article or section may require cleanup. ...


The variations are played without pause, except between the last slow movement and the finale; even these are not set off by the thick double bar which traditionally indicates separate movements, but only by a fermata over the final rest. The difficulty of the piece lies in this seemingly innocent set-up of the eight differing sections, without the usual longer orchestral interludes for the soloist to catch his or her breath. In music, a movement is a large division of a larger composition or musical form. ... Fermata A fermata is an element of Musical notation indicating that the note should be sustained for longer than the printed note would indicate. ...


The piece is scored for a reduced orchestra consisting of pairs of basic woodwind instruments, two horns, and strings, and has a theme and seven variations (making up roughly twenty minutes of music). A woodwind instrument is a wind instrument in which sound is produced by blowing through a mouthpiece against an edge or by a vibrating reed, and in which the pitch is varied by opening or closing holes in the body of the instrument. ... The horn is a brass instrument that consists of tubing wrapped into a coiled form. ... A string instrument (or stringed instrument) is a musical instrument that produces sound by means of vibrating strings. ...


Structure and overview

  1. Moderato assai quasi Andante - Thema: Moderato semplice
  2. Var. I: Tempo della Thema
  3. Var. II: Tempo della Thema
  4. Var. III: Andante sostenuto
  5. Var. IV: Andante grazioso
  6. Var. V: Allegro moderato
  7. Var. VI: Andante
  8. Var. VII e Coda: Allegro vivo

Moderato assai quasi Andante - Thema: Moderato semplice The orchestra comes in with a somewhat brief (though it looks long on paper) introduction, and the solo cello states the simple, elegant theme. The theme is repeated a total of six times, then the cello plays a brief conjunctive passage, the same exact notes of which are used to link Vars. I and II. The same conjunction is played an octave lower to link Vars. II and III.


Var. I: Tempo della Thema The first variation is in triplets, through the midst of which the orchestra restates the theme.


Var. II: Tempo della Thema The second variation features a section of conversation between the orchestra and soloist, in which the theme is nearly doubled in speed.


Var. III: Andante sostenuto In the third variation the theme has changed key to C major and is played at a more contemplative speed.


Var. IV: Andante grazioso The fourth variation is back in A major and is a livelier version of the theme.


Var. V: Allegro moderato The fifth variation carries over trills from the end of the fourth variation, and after a grand "fall" by the solo cello onto a low E, the orchestra takes over gallantly. A cadenza follows, ending back in the trills from the beginning, and once again the melody is taken over by the full orchestra, at which point a second, much longer and more difficult cadenza follows. The second cadenza, which is brazen and filled with chords, steadfastly refuses to resolve its minor key.


Var. VI: Andante The sixth variation is a melancholy restatement of the theme in D minor, which carries over from the cadenza.


Var. VII e Coda: Allegro vivo After a brief pause, the (somewhat exhausted) soloist launches into the most difficult variation, an Allegro vivo which rarely relents its constant 32nd notes. The orchestra, too, has a difficult time keeping up with the blazing speed of the finale, the solo flute being one example.


Adaptations

In 2000, trumpeter Sergei Nakariakov played a notable version of Variations on a Rococo Theme in a transcription for the flugelhorn. A trumpeter may be one of several things: A trumpeter is a musician who plays the trumpet. ... Born in Gorky in 1977, Sergei Nakariakov is a Russian trumpeter whose musicality is being recognized by the world. ... A standard 3-valved Bb flugelhorn. ...


  Results from FactBites:
 
Variations on a Rococo Theme for Cello and Orchestra, Op. 33 (584 words)
Variations on a Rococo Theme for Cello and Orchestra, Op.
The version of the Rococo Variations that has been in circulation since the work's premiere is not the one Tchaikovsky set down, but an edition by Fitzenhagen, who eliminated one of the original eight variations and changed the sequence of the remaining seven.
In the fifth variation the theme is given to the flute, with the cello providing ornamental trills; this section culminates in a cadenza, following which the penultimate variation appears in the form of a fairly impassioned Andante, to be succeeded in turn by the brilliant final variation which serves as the work's coda.
Los Angeles Philharmonic Association - Piece Detail (343 words)
In one of his letters Tchaikovsky emphasized that Rococo was, to his mind, a pure style which emerged at the time of Haydn and Mozart, and that the meaning of the term had deteriorated because of the coloristic excesses of romantic composers.
The third variation, Andante sostenuto, in the key of C major, is a waltz; the Rococo theme is artfully dislocated, altering the metrical position of the cadences; in this new guise it assumes the character of a Russian folk song.
The fourth variation, Andante grazioso, suggesting a Rococo portrait by Greuze or a pastoral landscape by Fragonard, is a courtly gavotte in the French manner.
  More results at FactBites »


 

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