The donor portrait of Julia Anicia in the Vienna Dioscurides is the oldest extant donor portrait

The Vienna Dioscurides (Vienna, Osterreichische Nationalbibliothek, Cod. med. gr. 1.) is an early 6th century copy of De materia medica by Dioscurides. It is an important and rare example of a late antique scientific text. The 491 vellum folios contain more than 400 pictures of animals and plant, all done in naturalistic style. The manuscript was created in about 515 and was made for the Byzantine princess Julia Anicia, the daughter of Emperor Anicius Olybrius. The codex measures 37 by 30 cm. Although it was originally created as a luxury copy, there is some indication that in later centuries it was used daily as a hospital text book. The manuscript includes some annotations in Arabic. In addition to the text by Dioscurides, the manuscript has appended to it the Carmen de herbis attributed to Rufus, a paraphrase of an ornithological treatise by a certain Dionysius, usually identified with Dionysius of Philadelphia, and paraphrase of Nicander's treatise on the treatment of snake bites.

Illustrations

The Vienna Dioscurides has many naturalistic illustrations of plants such as this one of the pimpernel.

The manuscript contains 383 full page illustrations of plants of the original 435 illustrations. The illustrations fall into two groups. There are those that faithfully follow earlier classical models and present a quite naturalistic illustration of each plant, such as the illustrationof the violet. There are also other illustrations that are more abstract, for example, the illustration ofcoral. The majority of the illustrations were painted in the naturalistic so as to aid a pharmacologist in the recognition of each plant.

In addition to the illustration of the text, the manuscript contains several front pieces in the form of a series of full-page miniatures. Of special note is the dedication miniature portrait of Anicia Julius on folio 6 verso (see above). The manuscript was presented to Anicia out of gratitude for her funding the construction of a church in the suburbs of Constantinople. This is the oldest extant dedication portrait. The portrait has Anicia seated in a ceremonial pose distributing alms. She is flanked by personifications of Magnanimity and Prudence. At her feet another personification, labeled "Gratitude of the Arts, kneels. A putto holds a dedication copy up to Anicia. Anicia and her attendants are enclosed within an eight pointed star within a circle all formed of intertwined rope. Within the outer spandrels of the star are putti, done in grisaille, working as masons and carpenters. This miniature is an altogether original creation and, with the inclusion of the personifications and the putti, shows the endurance of the classical tradition in Constantinople, despite the fact that Anicia herself was a pious Christian.

The series of front pieces in the manuscript begins with two full page miniatures, each having a group of seven noted pharmacologists. In the second picture the most prominent and only one sitting on a chair is Galen. He is flanked by three pairs of other physicians, seated on stones or the ground. Closest to Galen are Crateuas and Dioscurides. The second pair are Apollonius Mys and Nicander. Farthest from Galen are Andreas and Rufus. Each of the figures is a self contained portrait and were probably modeled on author portraits from to the various author's treatises. The seven figures are contained within an elaborate decorated frame. The background is solid gold which places the figures in an abstract space. This is the earliest known manuscript to use a solid gold background.

Following the two miniature of seven pharmacologists, there are two author portraits. In the first portrait, Dioscurides is being presented with the mandrakeroot. In the second portrait, Dioscurides sits writing about the root in a codex on his lap. He is shown in profile and corresponds to the portrait in the previous miniature. It is possible that there was tradition based on Dioscurides' life portrait that the images are based on. In front of Dioscurides is an artist, seated at a lower level, painting an illustration of the mandrake root. He is painting from nature. The mandrake root he is looking at is held by the personification of Epinoia (the power of thought). There is architectural background consisting of a colonnade with a central niche.

A gallery of birds from folio 483v of the Vienna Dioscorides.

The paraphrase of the treatise on birds by Dionysius is in three books. The first two books have illustrations of the birds inserted into the text columns without frame or background. The third book has 24 birds arranged in a grid on a full page miniature. The birds throughout the treatise are of high artistic merit and are faithful in from and color. Most of the birds are easily identifiable. Interestingly, some of the birds contained in the full page miniature of the third book are not described in the text of the paraphrase. It is probable that thise illustration is based on the illustrations from an older, different treatise, possibly that of Alexander of Myndos. This manuscript, however, is the oldest surviving illustrated treatise on birds.

See also

Gallery of pages from the Vienna Dioscurides

Reference

• Weitzmann, Kurt. Late Antique and Early Christin Book Illumination. New York: George Braziller, 1977.