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Encyclopedia > William Morris Hunt

William Morris Hunt (March 31, 1824 - September 8, 1879), American painter, was born at Brattleboro, Vermont.


His father's family were large landowners in the state. He was for a time (1840) at Harvard, but his real education began when he accompanied his mother and brother to Europe, where he studied with Couture in Paris and then came under the influence of Jean-François Millet.


The companionship of Millet had a lasting influence on Hunt's character and style, and his work grew in strength, in beauty and in seriousness. He was the real introducer of the Barbizon school to America, and he more than any other turned the rising generation of American painters towards Paris.


On his return in 1855 he painted some of his most beautiful pictures, all reminiscent of his life in France and of Millet's influence. Such are "The Belated Kid," "Girl at the Fountain," "Hurdy-Gurdy Boy," etc. But the public called for portraits, and it became the fashion to sit to him, among his best paintings in this kind being those of William M. Evarts, Mrs Charles Francis Adams, the Rev. James Freeman Clarke, William H. Gardner, Chief Justice Shaw and Judge Horace Gray.


Unfortunately many of his paintings and sketches, together with five large Millets and other art treasures collected by him in Europe, were destroyed in the Great Boston Fire of 1872.


Among his later works American landscapes predominated. They also include the "Bathers: twice painted and the allegories for the senate chamber of the State Capitol at Albany, New York, now lost by the disintegration of the stone panels on which they were painted. Hunt was drowned at the Isles of Shoals on the 8th of September 1879. His book, Talks about Art (London, 1878), is well known.


His brother Richard Morris Hunt was a celebrated architect.


This article incorporates text from the public domain 1911 Encyclopædia Britannica.


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He returnee with William IlL, but the family failed to recover their property Holman Hunts father was the manager of a city warehouse with tastes superior to his position in life.
Hunt was placed in a city office, but he employed his leisure in reading, drawing and painting, and at sixteen began an independent career as an artist.
Holman Hunts next great religious picture was The Shadow of Death (exhibited separately in 1873), an imaginary incident in the life of our Lord, who, lifting His arms with weariness after labor in His workshop, throws a shadow on the wall as of a man crucified, which is perceived by His mother.
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