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This article is about the Vorticist painter and author. For others of that name, including the humorist, see Wyndham Lewis (disambiguation). Percy Wyndham Lewis (November 18, 1882 – March 7, 1957) was a Canadian-born British painter and author. He was a co-founder of the Vorticist movement in art, and edited the Vorticists' journal, BLAST (two numbers, 1914-15). His novels include his pre-World War I-era novel Tarr (set in Paris), and The Human Age, a trilogy comprising The Childermass (1928), Monstre Gai and Malign Fiesta (both 1955), set in the afterworld. A fourth volume of The Human Age, The Trial of Man, was begun by Lewis but left in a fragmentary state at the time of his death. is the 322nd day of the year (323rd in leap years) in the Gregorian calendar. ...
Year 1882 (MDCCCLXXXII) was a common year starting on Sunday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Friday of the 12-day slower Julian calendar). ...
is the 66th day of the year (67th in leap years) in the Gregorian calendar. ...
Year 1957 (MCMLVII) was a common year starting on Tuesday (link displays the 1957 Gregorian calendar). ...
Motto (Latin for From Sea to Sea) Anthem O Canada Royal anthem: God Save the Queen Capital Ottawa Largest city Toronto Official languages English, French Government Parliamentary democracy and federal constitutional monarchy - Monarch Queen Elizabeth II - Governor General Michaëlle Jean - Prime Minister Stephen Harper Establishment - Act of Union February...
Painting by Rembrandt self-portrait Detail from Las Meninas by Diego Velazquez, in which the painter portrayed himself at work For the computer graphics program, see Corel Painter. ...
For other uses, see Author (disambiguation). ...
Ezra Pound, who gave Vorticism its name and contributed to Blast. ...
This article is about the philosophical concept of Art. ...
The cover of the first edition of BLAST was bold and shocking to its potential readership in 1914. ...
Tarr is a modernist novel by Wyndham Lewis, written in 1914-15 and first published in 1918. ...
Lewis was born on his father's yacht off the Canadian province of Nova Scotia.[1] His British mother and American father separated about 1893.[1] His mother subsequently returned to England, where Lewis was educated, first at Rugby School, then at the Slade School of Art, University College, London, before spending most of the 1900s travelling around Europe and studying art in Paris. Motto: Munit Haec et Altera Vincit (Latin: One defends and the other conquers) Capital Halifax Largest city Halifax Regional Municipality Official languages English (de facto) Government Lieutenant-Governor Mayann E. Francis Premier Rodney MacDonald (PC) Federal representation in Canadian Parliament House seats 11 Senate seats 10 Confederation July 1, 1867...
A view of Rugby School from The Close, the playing field where according to legend Rugby was invented Rugby School, located in the town of Rugby, Warwickshire, is one of the oldest public schools in England and is one of the major co-educational boarding schools in the country. ...
The Slade School of Fine Art is an art school based at University College London in the UK. The school traces its roots back to 1868 when Felix Slade decided to establish three Chairs in Fine Art, to be based at Oxford, Cambridge and Londonâthough with only London offering...
The Front Quad University College London, commonly known as UCL, is one of the colleges that make up the University of London. ...
This article is about the capital of France. ...
Early career and Vorticism Mainly residing in England from 1908, Lewis published his first work (accounts of his travels in Brittany) in Ford Madox Ford's The English Review in 1909. He was an unlikely founder-member of the Camden Town Group in 1911. In 1912 he exhibited his Cubo-Futurist illustrations to Timon of Athens (later issued as a portfolio, the proposed edition of Shakespeare's play never materialising) and three major oil-paintings at the second Post-Impressionist exhibition. This brought him into close contact with the Bloomsbury Group, particularly Roger Fry and Clive Bell, with whom he soon fell out. Ford Madox Ford (December 17, 1873 - June 26, 1939) was an English novelist and publisher. ...
The Camden Town Group was a group of English Post-Impressionist artists. ...
Cubo-Futurism was a variation of Cubism that developed in Russia in 1913. ...
For other uses, see Timon (disambiguation). ...
Post-Impressionism is a term applied to a number of painters of the late 19th and early 20th centuries whose style developed out of or reacted against that of the Impressionists. ...
The Bloomsbury Group was an English collective of loving friends and relatives who lived in or near London during the first half of the twentieth century. ...
River with Poplars, circa 1912, Tate Gallery. ...
Arthur Clive Heward Bell (September 16, 1881 â September 18, 1964) was an English Art critic, associated with the Bloomsbury group. ...
In 1912 he was commissioned to produce a decorative mural, a drop curtain, and more designs[1] for The Cave of Golden Calf, an avant-garde cabaret and nightclub on London's Heddon Street[2]. The Quadrant at the bottom of Regent Street. ...
It was in the years 1913-15 that he found the style of geometric abstraction for which he is best known today, a style which his friend Ezra Pound dubbed "Vorticism". Lewis found the strong structure of Cubist painting appealing, but said it did not seem "alive" compared to Futurist art, which, conversely, lacked structure. Vorticism combined the two movements in a strikingly dramatic critique of modernity. Ezra Weston Loomis Pound (Hailey, Idaho Territory, United States, October 30, 1885 â Venice, Italy, November 1, 1972) was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in early-to-mid 20th century poetry. ...
Woman with a guitar by Georges Braque, 1913 Cubism was an avant-garde art movement that revolutionised European painting and sculpture in the early 20th century. ...
Futurism was a 20th century art movement. ...
In his early works, particularly versions of village life in Brittany showing dancers (ca. 1910-12), Lewis may have been influenced by the process philosophy of Henri Bergson, whose lectures he attended in Paris. Though he was later savagely critical of Bergson, he admitted in a letter to Theodore Weiss (19 April 1949) that he "began by embracing his evolutionary system". Nietzsche was an equally important influence. Process philosophy identifies metaphysical reality with change and dynamism. ...
Henri-Louis Bergson (October 18, 1859âJanuary 4, 1941) was a major French philosopher, influential in the first half of the 20th century. ...
is the 109th day of the year (110th in leap years) in the Gregorian calendar. ...
Year 1949 (MCMXLIX) was a common year starting on Saturday (link will display the full calendar) of the Gregorian calendar. ...
Friedrich Nietzsche, 1882 Friedrich Wilhelm Nietzsche (October 15, 1844 - August 25, 1900) was a highly influential German philosopher. ...
After a brief tenure at the Omega Workshops, Lewis disagreed with the founder, Roger Fry, and left with several Omega artists to start a competing workshop called the Rebel Art Centre. The Centre operated for only four months, but it gave birth to the Vorticism group and the publication, BLAST.[3] In BLAST Lewis wrote the group's manifesto, as well as contributed art and wrote articles. The Omega Workshops were a design enterprise by members of the Bloomsbury group, set up as a company by the critic Roger Fry. ...
River with Poplars, circa 1912, Tate Gallery. ...
This article or section does not cite its references or sources. ...
The cover of the first edition of BLAST was bold and shocking to its potential readership in 1914. ...
World War I: Artillery officer and war artist
The cover of the 1915 wartime number of the Vorticist magazine BLAST. After the Vorticists' only exhibition in 1915, the movement broke up, largely as a result of World War I. Lewis was posted to the western front, and served as a second lieutenant in the Royal Artillery. After the Battle of Ypres in 1917, he was appointed as an official war artist for both the Canadian and British governments, beginning work in December 1917. Image File history File links Download high resolution version (600x760, 158 KB)The cover of the second (and last) edition of BLAST, by Wyndham Lewis and friends. ...
Image File history File links Download high resolution version (600x760, 158 KB)The cover of the second (and last) edition of BLAST, by Wyndham Lewis and friends. ...
The cover of the first edition of BLAST was bold and shocking to its potential readership in 1914. ...
âThe Great War â redirects here. ...
There were four Battles of Ypres during World War I: First Battle of Ypres (October 19 â November 22, 1914) Second Battle of Ypres (April 22 â May 15, 1915) Third Battle of Ypres (July 31 â November 6, 1917) (also known as Passchendaele) Fourth Battle of Ypres (September 28 â October 2, 1918...
Vasily Vereshchagin. ...
For the Canadians he painted A Canadian Gun-Pit (1918, National Gallery of Canada, Ottawa) from sketches made on Vimy Ridge. For the British he painted one of his best known works, A Battery Shelled (1919, Imperial War Museum), drawing on his own experience in charge of a 6-inch howitzer at Passchendaele. Lewis exhibited his war drawings and some other paintings of the war in an exhibition, "Guns", in 1918. This article is about the capital city of Canada. ...
The Battle of Vimy Ridge was one of the opening battles in a larger British campaign known as the Battle of Arras. ...
Passchendaele village, before and after the Battle of Passchendaele The Battle of Passchendaele, otherwise known as the Third Battle of Ypres, was one of the major battles of World War I, fought by British, ANZAC, and Canadian soldiers against the German army near Ypres ( Ieper in Flemish) in West Flanders...
His first novel Tarr was also published in book-form in 1918, having been serialised in The Egoist during 1916-17. It is widely regarded as one of the key modernist texts. Lewis later documented his experiences and opinions of this period of his life in the autobiographical Blasting and Bombardiering (1937), which also covered his post-war art. Tarr is a modernist novel by Wyndham Lewis, written in 1914-15 and first published in 1918. ...
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published early modernist works, including those of James Joyce. ...
The 1920s: Modernist painter and The Enemy After the war, Lewis resumed his career as a painter, with a major exhibition, Tyros and Portraits, at the Leicester Galleries in 1921. "Tyros" were satirical caricatural figures intended by Lewis to comment on the culture of the "new epoch" that succeeded the First World War. A Reading of Ovid and Mr Wyndham Lewis as a Tyro are the only surviving oil paintings from this series. As part of the same project, Lewis also launched his second magazine, The Tyro, of which there were only two issues. The second (1922) contained an important statement of Lewis's visual aesthetic: "An Essay on the Objective of Plastic Art in our Time".[4] It was during the early 1920s that he perfected his incisive draughtsmanship. For other uses, see Ovid (disambiguation) Publius Ovidius Naso (March 20, 43 BC â 17 AD) was a Roman poet known to the English-speaking world as Ovid who wrote on topics of love, abandoned women and mythological transformations. ...
By the late 1920s, he was not painting so much, but instead concentrating on writing. He launched yet another magazine, The Enemy (three issues, 1927-29), largely written by himself and declaring its belligerent critical stance in its title. The magazine, and the theoretical and critical works he published between 1926 and 1929, mark his deliberate separation from the avant-garde and his previous associates. Their work, he believed, failed to show sufficient critical awareness of those ideologies that worked against truly revolutionary change in the West. As a result their work became a vehicle for these pernicious ideologies. His major theoretical and cultural statement from this period is The Art of Being Ruled (1926). Time and Western Man (1927) is a cultural and philosophical discussion that includes penetrating critiques of James Joyce, Gertrude Stein and Ezra Pound that are still read. Philosophically, Lewis attacked the "time philosophy" (i.e. process philosophy) of Bergson, Samuel Alexander, Alfred North Whitehead and others. The 1920s they were sexy referred to as the Jazz Age or the Roaring Twenties, usually applied to America. ...
This article is about the writer and poet. ...
Gertrude Stein (February 3, 1874 â July 27, 1946) was an American writer who became a catalyst in the development of modern art and literature. ...
Process philosophy identifies metaphysical reality with change and dynamism. ...
Samuel Alexander (January 6, 1859 - September 13, 1938) was an Australian-born philosopher. ...
Alfred North Whitehead, OM (February 15, 1861, Ramsgate, Kent, England â December 30, 1947, Cambridge, Massachusetts, U.S.) was an English-born mathematician who became a philosopher. ...
The 1930s Politics and fiction In The Apes of God (1930) he wrote a biting satirical attack on the London literary scene, including a long chapter caricaturing the Sitwell family, which did not help his position in the literary world. His book Hitler (1931), which presented Adolf Hitler as a "man of peace" whose party-members were threatened by communist street violence, confirmed his unpopularity among liberals and anti-fascists, especially after Hitler came to power in 1933. He later wrote The Hitler Cult (1939), a book which firmly revoked his earlier willingness to entertain Hitler, but politically Lewis remained an isolated figure in the 1930s. In Letter to Lord Byron, Auden called him "that lonely old volcano of the Right." Lewis thought there was what he called a "left-wing orthodoxy" in Britain in the '30s. He believed it was not in Britain's interest to ally itself with the Soviet Union, "which the newspapers most of us read tell us has slaughtered out-of-hand, only a few years ago, millions of its better fed citizens, as well as its whole imperial family". (Time and Tide, 2 March 1935, p. 306.) The Apes of God is a novel by the British artist and writer Wyndham Lewis which was published in 1930. ...
From left: Edith Sitwell (1887 - 1964), Sir George Sitwell, Lady Ida, Sacheverell Sitwell (1897-1988), and Osbert Sitwell (1892-1969). ...
Hitler redirects here. ...
Fascism (in Italian, fascismo), capitalized, was the authoritarian political movement which ruled Italy from 1922 to 1943 under the leadership of Benito Mussolini. ...
Wystan Hugh Auden (21 February 1907 â 29 September 1973) IPA: ;[1], who signed his works W. H. Auden, was an Anglo-American poet, regarded by many as one of the greatest writers of the 20th century. ...
Lewis's novels are known among some critics for their satirical and hostile portrayals of Jews, homosexuals, lesbians and other minorities. The 1918 novel Tarr was revised and republished in 1928. In an expanded incident a new Jewish character is given a key role in making sure a duel is fought. This has been interpreted as an allegorical representation of a supposed Zionist conspiracy against the West.[5] The Apes of God (1930) has been interpreted similarly, because many of the characters satirised are Jewish, including the modernist author and editor Julius Ratner, a portrait which blends anti-semitic stereotype with historical literary figures (John Rodker and James Joyce; though the Joyce element consists solely in the use of the word "epiphany" in the parody of Rodker Lewis includes). A key feature of these interpretations is that Lewis is held to have kept his conspiracy theories hidden and marginalised. Since the publication of Anthony Julius's T. S. Eliot, Anti-Semitism, and Literary Form (1995, revised 2003), where Lewis's anti-semitism is described as "essentially trivial", this view is no longer taken seriously. For other uses, see Jew (disambiguation). ...
John Rodker (18 December 1894 – 6 October 1955) was a British writer, modernist poet, and publisher of some of the major modernist figures. ...
The Eternal Jew: 1937 German poster. ...
During the years 1934-37 Lewis wrote The Revenge for Love (1937) set in the period leading up to the Spanish Civil War, regarded by many as his best novel. It is strongly critical of communist activity in Spain, and presents English intellectual fellow-travellers as deluded. Not to be confused with the Spanish Civil War of 1820-1823. ...
Lewis's writing is in places undoubtedly offensive to minorities, but it is also offensive about majorities. When he somewhat belatedly recognized the reality of Nazi treatment of Jews after a visit to Berlin in 1937, he wrote an attack on anti-semitism: The Jews, Are They Human? (published early in 1939; the title is modelled on a contemporary bestseller, The English, Are They Human?). The book was favourably reviewed in The Jewish Chronicle. Founded in 1841, The Jewish Chronicle (affectionately known as The JC) is the United Kingdoms national Jewish newspaper. ...
Lewis' interests and activities in the 1930s were by no means exclusively political. Despite serious illness necessitating several operations, he was very productive as a critic and painter, and produced a book of poems, One-Way Song, in 1933 (the link below gives access to a recording of him reading an extract). He also produced a revised version of Enemy of the Stars, first published in Blast in 1914 as an example to his literary colleagues of how Vorticist literature should be written. It is a proto-absurdist, Expressionist drama, and some critics have identified it as a precursor to the plays of Samuel Beckett. An important book of critical essays also belongs to this period: Men without Art (1934). It grew out of a defence of Lewis's own satirical practice in The Apes of God, and puts forward a theory of 'non-moral', or metaphysical, satire. But the book is probably best remembered for one of the first commentaries on Faulkner, and a famous essay on Hemingway. The Scream by Edvard Munch (1893) which inspired 20th century Expressionists Portrait of Eduard Kosmack by Egon Schiele Rehe im Walde by Franz Marc Elbe Bridge I by Rolf Nesch On White II by Wassily Kandinsky, 1923. ...
Samuel Barclay Beckett (13 April 1906 â 22 December 1989) was an Irish dramatist, novelist and poet. ...
William Cuthbert Faulkner (born William Falkner), (September 25, 1897âJuly 6, 1962) was an American author. ...
Ernest Miller Hemingway (July 21, 1899 â July 2, 1961) was an American novelist, short-story writer, and journalist. ...
Return to painting After becoming better known for his writing than his painting in the 1920s and early '30s, he returned to more concentrated work on visual art, and paintings from the 1930s and 1940s constitute some of his best-known work. The Surrender of Barcelona (1936-37) makes a significant statement about the Spanish Civil War. It was included in an exhibition at the Leicester Galleries in 1937 that Lewis hoped would re-establish his reputation as a painter. After the publication in The Times of a letter of support for the exhibition, asking that something from the show be purchased for the national collection (signed by, among others, Stephen Spender, W. H. Auden, Geoffrey Grigson, Rebecca West, Naomi Mitchison, Henry Moore and Eric Gill) the Tate Gallery bought the painting, Red Scene. Like others from the exhibition, it shows an influence from Surrealism and de Chirico's Metaphysical Painting. Lewis was highly critical of the ideology of Surrealism, but admired the visual qualities of some Surrealist art. Not to be confused with the Spanish Civil War of 1820-1823. ...
The Times is a national newspaper published daily in the United Kingdom (and the Kingdom of Great Britain before the United Kingdom existed) since 1788 when it was known as The Daily Universal Register. ...
Sir Stephen Harold Spender CBE, (February 28, 1909, London â July 16, 1995) was an English poet, novelist and essayist who concentrated on themes of social injustice and the class struggle in his work. ...
Wystan Hugh Auden (21 February 1907 â 29 September 1973) IPA: ;[1], who signed his works W. H. Auden, was an Anglo-American poet, regarded by many as one of the greatest writers of the 20th century. ...
Geoffrey Grigson (2nd March 1905 - 1985) was an English writer. ...
Dame Rebecca West, DBE (December 21, 1892âMarch 15, 1983), whose real name was Cicely (she later changed it to Cicily) Isabel Fairfield, was a British-Irish feminist and writer famous for her novels and for her relationship with H. G. Wells. ...
Naomi Margaret Mitchison, CBE (nee Haldane; 1 November 1897 Edinburgh â 11 January 1999 at Carradale) was a Scottish novelist and poet. ...
Reclining Figure (1951) outside the Fitzwilliam Museum, Cambridge, is characteristic of Moores sculptures, with an abstract female figure intercut with voids. ...
Arthur Eric Rowton Gill (February 22, 1882âNovember 17, 1940) was a British sculptor, typographer and engraver. ...
The Tate Gallery in the United Kingdom is a network of four galleries: Tate Britain (opened 1897), Tate Liverpool (1988), Tate St Ives (1993), Tate Modern (2000), with a complementary website Tate Online (1998). ...
Max Ernst. ...
Giorgio de Chirico in 1936 photographed by Carl Van Vechten. ...
Metaphysical painting is an Italian art movement. ...
Lewis then also produced many of the portraits for which he is well-known, including pictures of Edith Sitwell (1923-36), T. S. Eliot (1938 and again in 1949) and Ezra Pound (1939). The rejection of the 1938 portrait of Eliot by the selection committee of the Royal Academy for their annual exhibition caused a furore, with front-page headlines prompted by the resignation of Augustus John in protest. However, no less an authority than Walter Sickert once claimed that: Wyndham Lewis [is] the greatest portraitist of this or any other time'. For other uses, see Portrait (disambiguation). ...
Dame Edith Louisa Sitwell DBE (7 September 1887 â 9 December 1964) was a British poet and critic. ...
For other persons named Thomas Eliot, see Thomas Eliot (disambiguation). ...
Ezra Weston Loomis Pound (Hailey, Idaho Territory, United States, October 30, 1885 â Venice, Italy, November 1, 1972) was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in early-to-mid 20th century poetry. ...
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London, England. ...
Artist John, on a 1928 Time cover Augustus Edwin John OM, RA, (January 4, 1878 â October 31, 1961) was a Welsh painter, draughtsman, and etcher. ...
Walter Sickert Walter Richard Sickert (May 31, 1860 in Munich (Germany) â January 22, 1942) was an English impressionist painter. ...
The 1940s and after Lewis spent World War II in the United States and Canada. Artistically the period is mainly important for the series of watercolour fantasies around the theme of creation that he produced in Toronto in 1941-2. He returned to England in 1945. By 1951, he was completely blind. In 1950 he published the autobiographical Rude Assignment, and in 1952 a book of essays on writers such as Orwell, Sartre and Malraux, entitled The Writer and the Absolute. This was followed by the semi-autobiograpical novel Self Condemned (1954), a major late statement. Combatants Allied powers: China France Great Britain Soviet Union United States and others Axis powers: Germany Italy Japan and others Commanders Chiang Kai-shek Charles de Gaulle Winston Churchill Joseph Stalin Franklin Roosevelt Adolf Hitler Benito Mussolini Hideki TÅjÅ Casualties Military dead: 17,000,000 Civilian dead: 33,000...
This article is about the visual condition. ...
Cover of the first English edition of 1793 of Benjamin Franklins autobiography. ...
Orwell (or Orwellian) can refer to: The writer George Orwell (pen name for Eric Blair). ...
Jean Paul Sartre Jean-Paul Sartre (June 21, 1905–April 15, 1980) was a French existentialist philosopher, dramatist, novelist and critic. ...
André Malraux, French author, adventurer, and statesman André Malraux (November 3, 1901 - November 23, 1976) was a French author, adventurer and statesman preeminent in the world of French politics and culture during his lifetime. ...
The Human Age and retrospective exhibition The BBC now commissioned him to complete the 1928 The Childermass, to be broadcast in a dramatisation by D. G. Bridson on the Third Programme and published as The Human Age. The 1928 volume was set in the afterworld, "outside Heaven" and dramatised in fantastic form the cultural critique Lewis had developed in his polemical works of the period. The continuations take the protagonist, James Pullman (a writer), to a modern Purgatory and then to Hell, where Dantesque punishment is inflicted on sinners by means of modern industrial techniques. Pullman becomes chief advisor to Satan (here known as Sammael) in his scheme to undermine the divine and institute a "Human Age". The work has been read as continuing the self-assessment begun by Lewis in Self Condemned. But Pullman is not merely autobiographical; the character is a composite intellectual, intended to have wider representative significance. For other uses, see BBC (disambiguation). ...
The BBC Third Programme was the third national radio network broadcast by the BBC, has since become Radio 3, but was originally known (at least within the BBC) as C. The other two were the Home Service (mainly speech based) and the Light Programme, dedicated to light music, usually cover...
DANTE is also a digital audio network. ...
Samael is an important figure in Talmudic and post-Talmudic lore, a figure who is accuser, seducer, and destroyer. ...
In 1956 the Tate Gallery held a major exhibition of his work — "Wyndham Lewis and Vorticism". He died in 1957. Always interested in Roman Catholicism, he nevertheless never converted. The Tate Gallery in the United Kingdom is a network of four galleries: Tate Britain (opened 1897), Tate Liverpool (1988), Tate St Ives (1993), Tate Modern (2000), with a complementary website Tate Online (1998). ...
The Roman Catholic Church, most often spoken of simply as the Catholic Church, is the largest Christian church, with over one billion members. ...
Other works include Mrs. Duke's Millions (written about 1908-9 but not published until 1977); Snooty Baronet (a satire on behaviorism, 1932);The Red Priest (his last novel, 1956), Rotting Hill (short stories depicting life in England during the post-war period of "austerity"); and The Demon of Progress in the Arts (on extremism in the visual arts, 1954). Behaviorism (also called learning perspective) is a philosophy of psychology based on the proposition that all things which organisms do â including acting, thinking and feelingâcan and should be regarded as behaviors. ...
In recent years there has been a renewal of critical and biographical interest in Lewis and his work, and he is now regarded as a major British artist and writer of the twentieth century. An exhibition of his books, magazines, paintings and drawings was held at Rugby School in November 2007 to commemorate the 50th anniversary of his death. The National Portrait Gallery will be running a major retrospective of his portraits in 2008 running from the 3rd July to the 19th of October. A view of Rugby School from The Close, the playing field where according to legend Rugby was invented Rugby School, located in the town of Rugby, Warwickshire, is one of the oldest public schools in England and is one of the major co-educational boarding schools in the country. ...
At least three art galleries are named National Portrait Gallery: National Portrait Gallery, Australia National Portrait Gallery, London National Portrait Gallery, Washington, DC This is a disambiguation page — a navigational aid which lists other pages that might otherwise share the same title. ...
Wyndham Lewis is sometimes confused with the British author D. B. Wyndham Lewis. (Dominic) Bevan Wyndham-Lewis FRSL (March 9, 1891âNovember 21, 1969) was a British writer best known for his humorous contributions to newspapers and for controversial biographies. ...
References - ^ a b c Richard Cork, ‘Lewis, (Percy) Wyndham (1882-1857)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 (http://www.oxforddnb.com/index/101034517/)
- ^ Program and menu from The Cave of the Golden Calf, Cabaret and Theatre Club, Heddon Street
- ^ "The Art and Ideas of Wyndham Lewis", FluxEuropa.
- ^ Tyro, scans of the publication at the The Modernist Journals Project website.
- ^ Ayers, David. (1992) Wyndham Lewis and Western Man. Basingstoke and London: Macmillan.
Further reading - Ayers, David. (1992) Wyndham Lewis and Western Man. Basingstoke and London: Macmillan.
- Chaney, Edward (1990) "Wyndham Lewis: The Modernist as Pioneering Anti-Modernist", Modern Painters (Autumn, 1990), III, no. 3, pp. 106-09.
- Edwards, Paul. (2000) Wyndham Lewis, Painter and Writer. New Haven and London: Yale U P.
- Gasiorek, Andrzej (2004) Wyndham Lewis and Modernism. Tavistock: Northcote House.
- Jameson, Fredric. (1979) Fables of Aggression: Wyndham Lewis, the Modernist as Fascist. Berkeley, Los Angeles and London: University of California Press.
- Kenner, Hugh. (1954) Wyndham Lewis. New York: New Directions.
- Klein, Scott W. (1994) The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design. Cambridge: Cambridge University Press.
- Michel, Walter (1971) Wyndham Lewis: paintings and drawings Berkeley: University of California Press
- Meyers, Jeffrey (1980) The Enemy: A Biography of Wyndham Lewis. London and Henley: Routledge & Keegan Paul.
- O'Keeffe, Paul (2000) Some Sort of Genius: A Biography of Wyndham Lewis. London: Cape.
- Schenker, Daniel. (1992) Wyndham Lewis: Religion and Modernism. Tuscaloosa: U of Alabama Press.
External links Audio - A recording of Wyndham Lewis reading End of Enemy Interlude at Harvard in 1940 can be heard on the audio CD Futurism & Dada Reviewed. The same extract can be heard at ubu.com. The full reading can be heard on a cassette issued by Audio Arts
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