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| | DX7 by Yamaha | | Synthesis type: | Digital Frequency modulation | | Polyphony: | 16 voices | | Timbrality: | Monotimbral | | Oscillators: | 6 operators | | Filter: | none | | Attenuator: | 6 envelope generators | | LFO: | 1 | | Keyboard: | 61-note with velocity and aftertouch sensitivity | | Left hand control: | pitch-bend and modulation wheels | | Velocity sensitive: | Yes | | Aftertouch: | Yes | | External control: | MIDI | | Memory: | 32 patches | | Onboard effects: | none | | Produced: | 1983 - 1986; 1987 - 1989 price = Approx. US$ 2000 Yamaha DX7 File history Legend: (cur) = this is the current file, (del) = delete this old version, (rev) = revert to this old version. ...
The headquarters of Yamaha Corporation Yamaha redirects here. ...
Synthesis (from the ancient Greek ÏÏν (with) and θεÏÎ¹Ï (placing), is commonly understood to be an integration of two or more pre-existing elements which results in a new creation. ...
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds. ...
Frequency modulation synthesis (or FM synthesis) is a form of audio synthesis where the timbre of a simple waveform is changed by frequency modulating it with a modulating frequency that is also in the audio range, resulting in a more complex waveform and a different-sounding tone. ...
Polyphony is the property of an electronic musical instrument which describes how many notes it can sound at one time. ...
Often used in the realm of digital keyboard synthesisers, an instrument that is multitimbral is one which allows you to combine several voices or timbres at the same time. ...
From the root prefix mono meaning one, and timbre meaning a specific tone of a sound independent of its pitch, monotimbral is usually used in reference to electronic synthesisers which can produce a single timbre at a given pitch upon pressing a single (if the synth is monophonic) or multiple...
Oscillation is the periodic variation, typically in time, of some measure as seen, for example, in a swinging pendulum. ...
An audio filter is a type of filter used for processing sound signals. ...
âAttenuatorâ redirects here. ...
Low frequency oscillation, often abbreviated to LFO, is a term that predominantly refers to an audio technique specifically used in the production of electronic music. ...
The layout of a typical musical keyboard A musical keyboard is the set of adjacent depressible levers on a musical instrument which cause the instrument to produce sounds. ...
Musical Instrument Digital Interface, or MIDI, is a system designed to transmit information between electronic musical instruments. ...
Year 1983 (MCMLXXXIII) was a common year starting on Saturday (link displays the 1983 Gregorian calendar). ...
Year 1986 (MCMLXXXVI) was a common year starting on Wednesday (link displays 1986 Gregorian calendar). ...
Year 1987 (MCMLXXXVII) was a common year starting on Thursday (link displays 1987 Gregorian calendar). ...
Year 1989 (MCMLXXXIX) was a common year starting on Sunday (link displays 1989 Gregorian calendar). ...
The United States dollar is the official currency of the United States. ...
| The Yamaha DX7 was a synthesizer manufactured by the Yamaha Corporation from 1983 to 1986, based on FM synthesis developed by John Chowning. It was the first commercially successful digital synthesizer, with its sound included in many recordings from the 1980s. The DX7 was the moderate priced model of the DX series of FM keyboards that included the smaller DX9, DX100, DX21, and the larger DX5 and DX1. For other uses, see Synthesizer (disambiguation). ...
The headquarters of Yamaha Corporation Yamaha redirects here. ...
Year 1983 (MCMLXXXIII) was a common year starting on Saturday (link displays the 1983 Gregorian calendar). ...
Year 1986 (MCMLXXXVI) was a common year starting on Wednesday (link displays 1986 Gregorian calendar). ...
Frequency modulation synthesis (or FM synthesis) is a form of audio synthesis where the timbre of a simple waveform is changed by frequency modulating it with a modulating frequency that is also in the audio range, resulting in a more complex waveform and a different-sounding tone. ...
John M. Chowning (1934 - Present) Contribution Born in Salem New Jersey, John M. Chowning is most famously known for having discovered the frequency modulation (FM) algorithm, in which both the carrier frequency and the modulating frequency are within the audio band. ...
The 1980s refers to the years from 1980 to 1989. ...
One major reason for the success was the precision and flexibility of digital sounds. Although the DX7 was not a sampler, its bright sounds were much clearer than the analog synthesizers that preceded it. Yamaha claimed that the DX7 used FM, but it actually implemented phase modulation synthesis. The DX7 is well-known for its electric piano, bells, and other "metal striking metal" sounds. It was monotimbral and capable of 16-note polyphony. It has thirty-two algorithms, each being a different arrangement allowing the user to combine its 6 sound operators together dependently and/or independently. An AKAI MPC2000 sampler Playing a Yamaha SU10 Sampler A sampler is an electronic music instrument closely related to a synthesizer. ...
An analog synthesizer is a synthesizer that uses analog circuits and analog computer techniques to generate sound electronically. ...
Phase modulation (PM) is a form of modulation which represents information as variations in the instantaneous phase of a carrier wave. ...
From the root prefix mono meaning one, and timbre meaning a specific tone of a sound independent of its pitch, monotimbral is usually used in reference to electronic synthesisers which can produce a single timbre at a given pitch upon pressing a single (if the synth is monophonic) or multiple...
Voices can be programmed by a user, and stored into a 32-voice ROM internal memory, or corresponding DX7 ROM cartridge. Several computer applications exist (mainly for Atari and Mac OS including OS X) that can enable a user to load different presets into the keyboard from a computer via MIDI. The synthesizer included MIDI ports, but was released shortly before the specification was completed, and has incomplete support for the standard: It only transmits information on MIDI channel 1. It can receive information on any one of the sixteen MIDI channels at a time, but lacks the OMNI feature that enabled later DXs in the series to receive on all MIDI channels simultaneously. Very early DX7s manufactured in 1983 are distinctive for not having "MIDI Channel" inscribed next to the button that opens this function. This lack of marking was corrected by 1984. MIDI redirects here. ...
An additional DX7 MIDI oddity is that the keyboard will not send velocity data beyond value 90 or so, while the maximum value permitted in MIDI is 127. The implication of this is that a user recording an expressive piano passage (or one consisting of a similar expressive voice) into a sequencer from the DX7 would not be able to achieve true fortissimo dynamics; most other MIDI keyboards could achieve this easily. Several improved "DX7 II" models were released between 1987 and 1989, most notably the DX7 II (FD) which improved sound quality and allowed bi-timbrality. Third-party products for the DX7 also flourished in the 1980s, including Grey Matter Response's E! expansion board, which added sequencer functions to the keyboard. DX7 IIs can transmit and receive on any one of 16 MIDI channels at a time. The DX7 family remains popular to this day with many recording and performing artists. In the field of electronic music, a sequencer was traditionally a device or piece of software that allows the user to record, play back and edit musical patterns. ...
Rackmount versions of the DX7 also exist, ranging from the TX7 (a simple desktop DX7 unit, with limited editing abilities) to the TX802 (a DX7II in a 2-unit rack mount unit, with 8 outputs) and even the TX816 (eight DX7s in a large rack unit, with individual MIDI ports and balanced outputs for each module (via an XLR connector), giving the musician a massive 128 notes of polyphony). XLR3 cable connectors, female on left and male on right The XLR connector is a rugged electrical connector design. ...
In 1988, in celebration of the company's 100-year anniversary, Yamaha released the DX7 II Centennial. It was a DX7 II FD with a silver case, gold painted buttons and sliders, and 76 glow-in-the-dark keys. Only 100 were made and were priced at US$3995. Year 1988 (MCMLXXXVIII) was a leap year starting on Friday (link displays 1988 Gregorian calendar). ...
Software Emulation Native Instruments have developed a popular software synthesizer, FM8 (2006) (previously FM7 (2001-2006)), that emulates the DX7's digital circuitry and can load original DX7 patches. It has been suggested that Traktor DJ Studio be merged into this article or section. ...
FM8 is a commercial, proprietary software synthesizer from Native Instruments. ...
Program Piracy
Since the DX7 allows users to program different tones, it is possible to "steal" someone else's synthetic sound for use in your own piece. Skilled programmers would go to great lengths to protect their sounds. "Various DX7 programmers have told me that they "bury" useless data in their sounds so that they can prove ownership later. Sometimes the data is obvious, like weird keyboard scalings on inaudible operators, and sometimes its not, like nonsense characters in a program name."[1]
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See also DX7 Rhodes, also known as DX Rhodes, FM Rhodes, FM E. Piano, or Digital Rhodes, is a synthetic Fender Rhodes emulation originally produced by the Yamaha DX7 (and TX-series rackmount) line of synthesizers. ...
References - ^ Cox, C and D Warner. (2006). Audio Culture: Readings in Modern Music. New York: The Continuum Publishing Group Inc. ISBN 0-8264-1615-2
External links - DX7 page on Vintage Synth Museum A photograph, samples of DX7 sounds and a few technical details.
- Dave Benson's DX7 Page A huge DX7 resource, with service manuals, circuit diagrams, and auxiliary software.
- Yamaha DX7 Resource Centre - A site dedicated mainly to the mark 1 DX7
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