Yamamoto Kansuke (山本勘助,Yamamoto Kansuke?)(d. 1561) was one of Takeda Shingen's most trusted Twenty-Four Generals. He was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima against Uesugi Kenshin. However, Yamamoto never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying valiantly in battle. // Events The Edict of Orleans suspends the persecution of the Huguenots. ... Statue of Takeda Shingen Takeda Shingen (æ¦ç° ä¿¡ç Takeda Shingen) (December 1, 1521 â May 13, 1573) of Shinano and Kai Provinces, was a preeminent daimyo who fought for control of Japan during that countrys Sengoku or warring states period. ... The Battles of Kawanakajima (川中島の戦い) were fought in the Sengoku Period of Japan between Takeda Shingen of Kai province and Uesugi Kenshin of Echigo province in the plain of Kawanakajima. ... Uesugi Kenshin )(February 18, 1530 - April 19, 1578) was a warlord who ruled Echigo province in the Sengoku Period of Japan. ...
Legend says that Kansuke was blind in one eye and lame, but a fierce warrior nevertheless. In various works of art, he is depicted holding a naginata as a support for his weak leg. Naginata of the Edo era A samurai wielding a naginata Naginata (ãªããªã, é·å or èå) is a pole weapon traditionally used by Japanese samurai. ...
The Heihō Okugisho, a treatise on strategy and tactics attributed to Yamamoto, is included in the Takeda family chronicle, the Koyo Gunkan. In it, he focuses particularly on the strategic behavior of individual warriors. The Takeda (æ¦ç°æ°) was one of many families of daimyÅ (feudal lords) in Japans Sengoku period; its importance derives almost entirely from the power and fame of Takeda Shingen. ...
Reference
Turnbull, Stephen (1998). 'The Samurai Sourcebook'. London: Cassell & Co.
YamamotoKansuke was active between the eras of the daguerreotype and the disposable camera, specifically from 1931 to 1987.
Kansuke often exhibited these photos from the late 1950s on, under the bandwagon of "concrete" or "visual poetry." The word surrealism was passe to the VOU group from the mid-1930s.
YamamotoKansuke was influenced in style by Kitasono Katue and other VOU poets, both in the methods he used to achieve discontinuity and in the type of quasi-scientific vocabulary that was favored at the time as innovative.