American Gigolo is a 1980 film, written and directed by Paul Schrader, who based the film on French director Robert Bresson's Pickpocket (1959).-1...-1... 1980 is a leap year starting on Tuesday. ... Paul Schrader (born 22 July 1946 in Grand Rapids, Michigan) is a screenwriter and film director, renowned for his characters that fall into desperation while their world crumbles around them. ... Robert Bresson (September 25, 1901–December 18, 1999) was a French film director and master of minimalism. ...
Spoiler warning: Plot or ending details follow.
Richard Gere stars as a male prostitute in Los Angeles who falls in love with the unhappy wife (Lauren Hutton) of a local politician, and is framed for murder. "Call Me" by Blondie is the lead song for the popular soundtrack. Richard Gere Richard Tiffany Gere (born August 31, 1949, Philadelphia, Pennsylvania, USA) is an American actor. ... A male prostitute earns money by providing sexual services to clients; he is a sex worker or prostitute. ... Lauren Hutton (born November 17, 1943) is an American actress and model. ... Call Me is a song performed by Blondie, released in February 1980 (see 1980 in music). ...
Richard Gere's character Julian Kaye drives a 1980 Mercedes-Benz 450 SL convertible. The Mercedes-Benz SL-Class is a series of automobiles with some of the most prestigious nameplates in the motor industry. ...
The wardrobe used in the film placed Armani on the fashion map Giorgio Armani is an Italian fashion designer (born 11 July 1934 in Piacenza, Italy), particularly noted for his menswear. ...
....a terrible travesty of a film...one of the shittest ever made
The dictionary defines “gigolo” as a man supported by a woman in return for his sexual attentions and companionship.
In America gigolos are seen as effete walkers of old ladies, but once upon a time, especially in the old continent, gigolos had not only to be good dancers, but also tough guys.
He openly sang “I’m a Gigolo,” a popular French song of the time and admitted that he took from the rich and spent it on the poor.
While AmericanGigolo isn't as bad a film as many say, the heavy narcissism of the characters and the sets can be aggravating.
He's the sort of manufactured fantasy that American women have long indulged in, like a visit to an Elysian spring, where men exist as beautiful statues easily animated for the satisfaction of their secret desires, compliant gods who are as easily manipulated as children.
Indiscretion of an American Wife or the indefatigable Warren Beatty in The Roman Spring of Mrs.
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