He was born in Nancy, his father at that time being professor of experimental physics in the École Centrale of the Meurthedépartment.
He studied medicine in Strasbourg, and afterwards took the degree of bachelier ès lettres in Paris in 1821; but he abandoned the medical profession in order to devote himself to natural history. For some time he gave private lessons on geology, and subsequently became professor of natural history in the Museum d'Histoire Naturelle.
He was distinguished for his researches on the fossilmollusca of the Paris Basin and of other Tertiary areas. His studies on the relations of the fossil to the recent species led him as early as 1829 to conclusions somewhat similar to those arrived at by Lyell, to whom Deshayes rendered much assistance in connection with the classification of the Tertiary system into Eocene, Miocene and Pliocene.
He was one of the founders of the Société Géologique de France. In 1839 he began the publication of his Traité élémentaire de conchyliologie, the last part of which was not issued until 1858. In the same year (1839) he went to Algeria for the French Government, and spent three years in explorations in that country. His principal work, which resulted from the collections he made, Mollusques de l'Algérie, was issued (incomplete) in 1848.
DAVIAU, Pierrette, DW: Bachelor of Pedagogy, Doctor of Letters; Director of the Institute of Social Communication at Saint Paul University of Ottawa (Canada).
MICHAUD, Jean-Paul, SMM: Doctor of Theology, Licentiate in Sacred Scripture, Professor of Theology at Saint Paul University, Ottawa (Canada).
Macdonald, D. Alive to God: A Preparation for the Renewal of Consecration in the Spirit of Saint Louis Marie de Montfort, Liverpool, Montfort Press 1993.
Choir of St. Paul's Cathedral ; Andrew Lucas or Huw Williams, organ ; John Scott, conductor
Hindemith, Paul: Music for one and two pianos [sound recording].
Farstad, Per Kjetil: German galant lute music in the 18th century : a study of the period, the style, central lutenists, ornaments, idiomatic, and problems that arise when adapting lute music from this period to the modern eight-stringed classical guitar.