NationMaster - Encyclopedia: Muddy Waters

McKinley Morganfield (April 4, 1915 – April 30, 1983), better known as Muddy Waters, was an American blues musician and is generally considered "the Father of Chicago blues". He is also the actual father of blues musician Big Bill Morganfield. Muddy Waters is generally considered one of the greatest bluesmen of all time, and in 2004 he was ranked #17 in Rolling Stone Magazine's list of the 100 Greatest Artists of All Time.^[1] Image File history File links Muddy_Waters. ... is the 94th day of the year (95th in leap years) in the Gregorian calendar. ... 1915 (MCMXV) was a common year starting on Friday (link will display the full calendar). ... Issaquena County is a county located in the U.S. state of Mississippi. ... This article does not cite any references or sources. ... Image File history File links US_flag_48_stars. ... Nickname: Motto: Urbs In Horto (Latin: City in a Garden), I Will Location in the Chicago metro area and Illinois Coordinates: , Country United States State Illinois County Cook & DuPage Settled 1770s Incorporated March 4, 1837 Government - Mayor Richard M. Daley (D) Area - City 234. ... Official language(s) English[1] Capital Springfield Largest city Chicago Largest metro area Chicago Area Ranked 25th - Total 57,918 sq mi (149,998 kmÂ²) - Width 210 miles (340 km) - Length 390 miles (629 km) - % water 4. ... is the 120th day of the year (121st in leap years) in the Gregorian calendar. ... Year 1983 (MCMLXXXIII) was a common year starting on Saturday (link displays the 1983 Gregorian calendar). ... Incorporated Village in 1921. ... Official language(s) English[1] Capital Springfield Largest city Chicago Largest metro area Chicago Area Ranked 25th - Total 57,918 sq mi (149,998 kmÂ²) - Width 210 miles (340 km) - Length 390 miles (629 km) - % water 4. ... This article or section does not adequately cite its references or sources. ... Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. ... A singer is a musician who uses their voice to produce music. ... the very definition of a guitarist is cody allen and taylor hines because of there un ending guitar skills and awsomnes. ... A bandleader is the director of a band of musicians. ... A songwriter is someone who writes the lyrics to songs, the musical composition or melody to songs, or both. ... A musical instrument is a device constructed or modified with the purpose of making music. ... This article or section does not adequately cite its references or sources. ... This does not adequately cite its references or sources. ... Testament Records was a Philadelphia, later Chicago, then Pasadena based independent record label founded in 1963 by Down Beat magazine editor and writer Pete Welding specializing in American roots music, releasing some thirty mainly blues, but also gospel, country and jazz albums until 1977. ... The Chess Records logo, as featured on this Memphis Slim single. ... Aristocrat Records was started in April 1947 by Charles and Evelyn Aron, together with their partners Fred and Mildred Brount and Art Spiegel. ... For the jazz guitarist, see Les Paul. ... The Fender Telecaster, also known as a Tele, is a typically dual-pickup, solid-body electric guitar made by Fender. ... is the 94th day of the year (95th in leap years) in the Gregorian calendar. ... 1915 (MCMXV) was a common year starting on Friday (link will display the full calendar). ... is the 120th day of the year (121st in leap years) in the Gregorian calendar. ... Year 1983 (MCMLXXXIII) was a common year starting on Saturday (link displays the 1983 Gregorian calendar). ... Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. ... â€œInstrumentalistâ€ redirects here. ... The Chicago blues is a form of blues music that developed in Chicago, Illinois by adding electrically amplified guitar, drums, piano, bass guitar and sometimes saxophone to the basic guitar/harmonica Delta blues. ... Big Bill Morganfield (born 1956) is a blues singer and guitarist, son of blues legend Muddy Waters, whose real name was McKinley Morganfield. ... This article is about the music magazine. ...

Biography

Early life

Waters was born McKinley Morganfield in Issaquena County, Mississippi in 1913 (He later told people that he was born in 1915 in Rolling Fork, Mississippi; the reason for this remains unknown). His grandmother Della Grant raised him after his mother died in 1918. His fondness for playing in mud earned him his nickname at an early age. Waters started out on harmonica but by age seventeen he was playing the guitar at parties and "fish fries", emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. "His thick heavy voice, the dark coloration of his tone and his firm almost solid personality were all clearly derived from House," wrote Peter Guralnick in Feel Like Going Home, "but the embellishments which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." Issaquena County is a county located in the state of Mississippi. ... This article does not cite any references or sources. ... This article does not cite any references or sources. ... This article or section does not cite its references or sources. ... This article includes a list of works cited or a list of external links, but its sources remain unclear because it lacks in-text citations. ... Peter Guralnick is a music critic and historian of American popular music. ... Example of a bottleneck, with fingerpicks and resonator guitar. ...

Early career

In 1940 Waters moved to St. Louis before playing with Silas Green a year later and returning back to Mississippi. In the early part of the decade he ran a juke house, complete with gambling, moonshine, a jukebox and live music courtesy of Muddy himself. In the Summer of 1941 Alan Lomax came to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Waters recalled in Rolling Stone, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, `I can do it, I can do it.'" Lomax came back again in July of 1942 to record Waters again. Both sessions were eventually released as Down On Stovall's Plantation on the Testament label. Official language(s) English Capital Jefferson City Largest city Kansas City Largest metro area St Louis Metro[1] Area Ranked 21st - Total 69,709 sq mi (180,693 kmÂ²) - Width 240 miles (385 km) - Length 300 miles (480 km) - % water 1. ... The term gambling has had many different meanings depending on the cultural and historical context in which it is used. ... Shine Road The name tells the history of this back road in Hemingway, South Carolina Revenue men at the site of moonshine stills, Kentucky, 1911 or before Moonshine (sometimes known as PoitÃn, mooney, moon, creek water, hooch, Portuguese grape juice, white lightning, and many others) is a common slang... A Zodiac jukebox A jukebox is a partially automated music-playing device, usually a coin-operated machine, that can play specially selected songs from self-contained media. ... Lomax playing guitar on stage at the Mountain Music Festival, Asheville, North Carolina, sometime between 1939 and 1950. ... The Library of Congress is the de facto national library of the United States and the research arm of the United States Congress. ... This article needs to be cleaned up to conform to a higher standard of quality. ... This article is about the magazine. ... Testament Records was a Philadelphia, later Chicago, then Pasadena based independent record label founded in 1963 by Down Beat magazine editor and writer Pete Welding specializing in American roots music, releasing some thirty mainly blues, but also gospel, country and jazz albums until 1977. ...

In 1943 Waters headed north to Chicago in hopes of becoming a full-time professional. He lived with a relative for a short period while driving a truck and working in a factory by day and playing at night. Big Bill Broonzy was the leading bluesman in Chicago until his death in 1958 and the city was a very competitive market for a newcomer to become established. Broonzy helped Waters out by letting him open Broonzy's show in the rowdy clubs. In 1945 Waters's uncle gave him his first electric guitar, which enabled him to be heard above the noisy crowds. In 1946 Waters recorded some tunes for Mayo Williams at Columbia but they were never released. Later that year he began recording for Aristocrat, a newly-formed label run by two brothers, Leonard and Phil Chess. In 1947 Waters played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae." These were also shelved, but in 1948 Waters's "I Can't Be Satisfied" and "I Feel Like Going Home" became big and his popularity in clubs began to take off. Soon after, Aristocrat changed their name to Chess and Waters's signature tune, "Rollin' Stone", became a smash hit. Nickname: Motto: Urbs In Horto (Latin: City in a Garden), I Will Location in the Chicago metro area and Illinois Coordinates: , Country United States State Illinois County Cook & DuPage Settled 1770s Incorporated March 4, 1837 Government - Mayor Richard M. Daley (D) Area - City 234. ... Big Bill Broonzy (1893 or 1898-1958) was a prolific United States composer, recorder and performer of blues songs. ... Left: Rosa Hurricane, a heavy metal-style solid body guitar. ... Jay Mayo Ink Williams (September 25, 1894 - January 2, 1980) was a pioneering African-American producer of recorded blues music. ... The Chess Records logo, as featured on this Memphis Slim single. ... Leonard Chess (March 12, 1917 - October 16, 1969) was a record company executive, founder of Chess Records. ... Philip Chess (b. ... Albert Sunnyland Slim Luandrew (September 5, 1907â€“1995), was a blues pianist born on a farm near Vance, Mississippi. ... Rollin Stone is the name of a 1948 Muddy Waters blues song. ...

Success

The Chess brothers would not allow Waters to use his own musicians (Jimmy Rogers and Blue Smitty) in the studio; instead he was only provided with a backing bass by Big Crawford. However, by 1950 Waters was recording with perhaps the best blues group ever: Little Walter Jacobs on harmonica; Jimmy Rogers on guitar; Elgin Evans on drums; Otis Spann on piano; Big Crawford on bass; and Waters handling vocals and slide guitar. The band recorded a string of blues classics during the early 1950s with the help of bassist/songwriter Willie Dixon. "Hoochie Coochie Man" (Number 8 on the R&B charts), "I Just Want to Make Love to You" (Number 4), and "I'm Ready". These three were "the most macho songs in his repertoire," wrote Robert Palmer in Rolling Stone. "Muddy would never have composed anything so unsubtle. But they gave him a succession of showstoppers and an image, which were important for a bluesman trying to break out of the grind of local gigs into national prominence."^{[citation needed]} This article or section does not cite any references or sources. ... A recording studio is a facility for sound recording. ... Little Walter (born Walter Jacobs) (May 1, 1930 - February 15, 1968) was a blues singer and harmonica player. ... This article does not cite any references or sources. ... For other kinds of drums, see drum (disambiguation). ... This article or section does not adequately cite its references or sources. ... A short grand piano, with the top up. ... Example of a bottleneck, with fingerpicks and resonator guitar. ... Willie Dixons style of blues was one of the inspirations for a new generation of music, rock and roll. ... Hoochie Coochie Man (sometimes referred to as (Im Your) Hoochie Coochie Man) is a 1954 song written by Willie Dixon and first performed by Muddy Waters. ... I Just Want to Make Love to You is a 1954 blues song written by Willie Dixon and first recorded by Muddy Waters. ... Look up Macho in Wiktionary, the free dictionary This is a disambiguation page: a list of articles associated with the same title. ... For information on the popular 20th century British vocalist by the same name, see Robert Palmer (British singer). ...

Waters reigned over the 1950s Chicago blues scene; he was its most popular artist and led its tightest band, fueled by hits from Willie Dixon, its strongest composer. On all these fronts, however, Waters contended with fierce competition from the gravel-voiced singer Howlin' Wolf. Wolf's band rivaled Waters's all-star lineup, notably featuring the now-legendary guitarist Hubert Sumlin. Wolf also competed with Waters for the songwriting attention of Willie Dixon and recorded a large number of Dixon tunes. Nonetheless, Waters consistently retained an edge in popularity and esteem. Both Waters and Wolf are held in immense regard by modern rock and blues aficionados, but Waters is generally considered to be the more commercially successful and the more well-known of the two; especially to the casual listener.^{[citation needed]} Chester Arthur Burnett (June 10, 1910 â€“ January 10, 1976), better known as Howlin Wolf or sometimes, The Howlin Wolf, was an influential blues singer, guitarist and harmonica player. ... Hubert Sumlin (November 16, 1931) is a blues guitar player known as a both a solo artist and central element in Howlin Wolfs backup band. ...

By the early 1950s, Waters was at the height of his career. "By the time he achieved his popular peak, Muddy Waters had become a shouting, declamatory kind of singer who had forsaken his guitar as a kind of anachronism and whose band played with a single pulsating rhythm," wrote Guralnick in his Listener's Guide.^[unclear]

Waters's success as the frontman led others in his group to seek the same recognition. In 1953 Little Walter left when his single "Juke" became a hit and in 1955 Rogers quit to form his own band. Waters could never recapture the glory of his pre-1956 years as the pressures of being a leader led him to use various studio musicians for quite a few years thereafter.^{[citation needed]}

England and low-profile

He headed to England in 1958 and shocked his overseas audiences with loud, amplified electric guitar and a thunderous beat. When R&B began to die down shortly after, Waters switched back to his older style of country blues. His gig at the Newport Jazz Festival in 1960 (see At Newport 1960) turned on a whole new generation to Waters's Delta sound. After English musicians of the likes of Eric Clapton and the Rolling Stones expressed a fondness for the new sound, Waters switched back to electric circa 1964. He expressed anger when he realized that members of his own race were turning their backs to the genre while a Caucasian audience had shown increasing respect for the blues. The Newport Jazz Festival is a music festival held every August in Newport, Rhode Island. ... At Newport 1960 is a live album by Muddy Waters recorded at the Newport Jazz Festival. ... Eric Patrick Clapton CBE (born March 30, 1945), nicknamed Slowhand, is a Grammy Award winning English guitarist, singer and composer, who is one of the most successful musicians of the 20th century,[1] garnering an unprecedented three inductions into the Rock and Roll Hall of Fame. ... This article is about the rock band. ...

However, for the better part of twenty years (since his last big hit in 1956, "I'm Ready") Waters was put on the back shelf by the Chess label and recorded albums with various "popular" themes: Brass And The Blues, Electric Mud, etc. In 1972 he went back to England to record The London Muddy Waters Sessions with four hotshot rockers—Rory Gallagher, Steve Winwood, Rick Grech, and Mitch Mitchell — but their playing wasn't up to his standards. "These boys are top musicians, they can play with me, put the book before 'em and play it, you know," he told Guralnick. "But that ain't what I need to sell my people, it ain't the Muddy Waters sound. An if you change my sound, then you gonna change the whole man." Electric Mud, a 1968 album by Muddy Waters, is considered variously as a groundbreaking experiment, a travesty against the blues, and/or a commercial sell-out. ... Motto (French) God and my right Anthem No official anthem - the United Kingdom anthem God Save the Queen is commonly used England() â€“ on the European continent() â€“ in the United Kingdom() Capital (and largest city) London (de facto) Official languages English (de facto) Unified - by Athelstan 927 AD Area - Total 130... Rory Gallagher (2 March 1948 â€“ 14 June 1995) was an Irish blues/rock guitarist, born in Ballyshannon, County Donegal, grew up in Cork City in the south of Ireland. ... This article does not cite any references or sources. ... Rick Grech, born November 1, 1945, died March 17, 1990. ... This article does not adequately cite its references or sources. ...

Waters sound was basically Delta country blues electrified, but his use of microtones, in both his vocals and slide playing, made it extremely difficult to duplicate and follow correctly. "When I plays onstage with my band, I have to get in there with my guitar and try to bring the sound down to me," he said in Rolling Stone. "But no sooner than I quit playing, it goes back to another, different sound. My blues look so simple, so easy to do, but it's not. They say my blues is the hardest blues in the world to play." Microtonal music is music using microtones -- intervals of less than a semitone, or as Charles Ives put it, the notes between the cracks of the piano. ...

Comeback

In 1977 Johnny Winter convinced his label, Blue Sky, to sign Waters, the beginning of a fruitful partnership. Waters's "comeback" LP, Hard Again, was recorded in just two days and was as close to the original Chicago sound he had created as anyone could ever hope for. Winter produced/played and pushed Waters to his limit. Former Waters sideman James Cotton contributed harmonica on the Grammy Award-winning album and a brief but well received tour followed. "He sounds happy, energetic and out for business," stated Dan Oppenheimer in Rolling Stone. "In short, Muddy Waters is kicking in another mule's stall." John Dawson Johnny Winter III (born on 23 February 1944 in Beaumont, Texas) is an American blues guitarist, singer, and producer. ... Hard Again is a 1977 Chicago-style electric blues album by Muddy Waters. ... James Jimmy Cotton (born July 1, 1935 in Tunica, Mississippi), is an American blues harmonica player, singer, and songwriter who is the bandleader for the James Cotton Blues Band. ... This article does not cite any references or sources. ... This article does not cite its references or sources. ...

The importance of Muddy Waters' 1977 album Hard Again cannot be overstated, and its place as a near universal favorite in the Muddy Waters catalog is no mistake. Recorded in the last decade of his life, it was the first studio collaboration between Waters and guitarist Johnny Winter, who acted as producer on his last four recordings -- the others are I'm Ready, King Bee, and Muddy "Mississippi" Waters Live -- for Blue Sky, a Columbia subsidiary. The true revelation here is Waters, whose vigor and fire are renewed; he's hungry for the music and completely in possession of his prowess and power as the true King of the Blues. At 62, Waters was revving up for one final go and Winter recorded him like the champ he was. The Muddy Waters Blues Band was one of the crack outfits on the scene at the time and included guitarist Bob Margolin, pianist Pinetop Perkins, and drummer Willie "Big Eyes" Smith were on this session. Winter was on board playing guitar in addition to producing, and Waters asked James Cotton to play harp on the session and he brought his bassist Charles Calmese for the date. The twin-guitar attack featured here is one of the most complementary and symbiotic ever recorded. According to Margolin's amazingly warm and informative anecdotal liner notes (he deserves a Grammy for them), Waters never picked up his guitar during these sessions. It hardly matters, from the opening roar of "Mannish Boy," with shouts and hollers throughout, with incendiary guitars to the old-style Delta blues of "I Can't Be Satisfied," with a killer National steel solo by Winter to Cotton's screeching intro to "The Blues Had a Baby," to the moaning closer "Little Girl," Hard Again is rock solid. Its live feel (recorded in three days from pre-production to final session) heralds back to the Chess days, its scary fine cooperative musicianship and intimate, good time vibe have rarely been replicated since that time -- and never on a major label. The expanded reissue includes one bonus track, an outtake called "Walking Through the Park," that could have been part of the original album without a problem -- the other outtake ended up on King Bee. Margolin's notes state that while the album has been remastered, it was not remixed because its sound holds up. He's dead-on. This has the feel of an old-time blues record and the listener can hear -- even on CD -- the sound of the wood room it was recorded in as well as the camaraderie of the players. Hard Again showcased Waters as a blues lion, and in its grooves lies all the evidence for the legend he remains. Bob Margolin (b. ... Pinetop Perkins (born Joe Willie Perkins in 1913) is an American blues musician from Mississippi. ... James Jimmy Cotton (born July 1, 1935 in Tunica, Mississippi), is an American blues harmonica player, singer, and songwriter who is the bandleader for the James Cotton Blues Band. ...

In 1978 Winter recruited Walter Horton and Jimmy Rogers to help out on Waters's I'm Ready LP duplicating the critical and commercial success of Hard Again. Big Walter Horton (born April 6, 1918 - died December 8, 1981) was an African American blues harmonica player. ... This article or section does not cite any references or sources. ...

The comeback continued in 1979 with the lauded LP Muddy "Mississippi" Waters Live. "Muddy was loose for this one," wrote Jas Obrecht in Guitar Player, "and the result is the next best thing to being ringside at one of his foot-thumping, head-nodding, downhome blues shows." Accompanied by Johnny Winter and his band, Muddy Waters turns in an enthusiastic performance on Muddy "Mississippi" Waters Live. The set list contains most of his biggest hits, and the sound quality and performances are mostly energetic. Still, there's something faintly repetitive about this record. For one thing, there's only one song here, "Deep Down in Florida," that comes from any of Waters' recent albums. All of the others are old standards, which makes this album rather superfluous, since there are equally forceful performances of these cuts elsewhere. It doesn't help any that "Deep Down in Florida" isn't an especially noteworthy song, sounding more like a rewrite of Waters' older, better cuts. Without much in the way of new material, or anything especially notable about the performances, it sometimes comes off as little more than a set of Muddy Waters' greatest hits, with applause as the sole new ingredient. The addition of Johnny Winter is surprisingly unexceptional as well, since Winter fades into the background as much as any other bandmember. None of it is unlistenable, but it's hardly indispensable. Muddy "Mississippi" Waters Live is a nice addition to the Muddy Waters catalog, but it's not nearly as essential as his earlier work. King Bee the following year concluded Water's reign at Blue Sky and all four LPs turned out to be his biggest-selling albums ever. King Bee was the last album Muddy Waters recorded. Coming last in a trio of triumphant studio outings, and produced by Johnny Winter, it is also a mixed bag -- literally. During the sessions for King Bee, Waters, his manager, and his band were all in dispute over money. According to the liner notes by guitarist Bob Margolin, who was the guitarist for the Muddy Waters Blues Band, the conflict arose from Waters' health being on the wane and him playing less. The bandmembers wanted more money for the fewer gigs they did play in order to make ends meet. Ultimately a split occurred and the band quit. Because of the tensions in the studio preceding the split,Winter felt the sessions had not produced enough solid material to yield an entire album. He subsequently filled out King Bee with outtakes from the Hard Again sessions. For the listener, King Bee is a leaner and meaner record. None of the good-time exuberance present on the previous two outings is present here. This is blues, direct and immediate, it's a snarling, growling album. And it's true the band appears to be a bit stilted on some of these tracks, but it's still a solid, wonderful record. The title track, "Mean Old Frisco," "Sad Sad Day," and "I Feel Like Going Home," are all solid, razor-sharp blues with killer ensemble work (with Margolin, Winter, Guitar Junior, Jerry Portnoy, Pinetop Perkins, Calvin Jones, Willie "Big Eyes" Smith, and Charles Calmese in the band how could it sound anything short of awesome?) as well as Waters in fine voice. The Sony Legacy issue features completely remastered sound and Margolin's candid notes, but it also hosts two bonus tracks from the King Bee sessions that Winter didn't see fit to release the first time. There's a redo of "I Won't Go Down," a cut from the '50s that Waters sings in his lower baritone roar, and "Clouds in My Heart," a deep, long, sad blues that is one of the great unearthed treasures in Waters catalog. This cut alone with all of its deep emotion and the sound of a band trying to hold the storm of emotions in check and failing is a masterpiece and one of the most amazing blues tunes of the last 30 years. While King Bee may have been considered last and least of Waters' Columbia albums, it is more than worth reconsidering. Guitar Player magazine contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. ...

Death

In 1983 Waters died peacefully and unexpectedly in his sleep, aged 68. At his funeral, throngs of blues musicians showed up to pay tribute to one of the true originals of the art form. "Muddy was a master of just the right notes," John Hammond Jr., told Guitar World. "It was profound guitar playing, deep and simple. . . . more country blues transposed to the electric guitar, the kind of playing that enhanced the lyrics, gave profundity to the words themselves." Two years after his death, the city that made Muddy Waters (and vice versa) honored their father by changing the name of 43rd Street to Muddy Waters Drive. Following Waters's death, B.B. King told Guitar World, "It's going to be years and years before most people realize how great he was to American music." John Hammond album cover John Paul Hammond (born November 13, 1942), also known as John Hammond Jr. ... Two issues of Guitar World featuring Jimmy Page, and Jimi Hendrix on the covers, and the accompanying CDs (May 2005, October 2005) Guitar World is a musical magazine. ... Riley B. King aka B. B. King (b. ...

Influence

His influence is almost indefinable, over a variety of music genres: blues, rhythm and blues, rock and roll, folk, jazz, and country. Waters also helped Chuck Berry get his first record contract. Image File history File linksMetadata Size of this preview: 800 Ã— 300 pixel Image in higher resolution (1296 Ã— 486 pixel, file size: 665 KB, MIME type: image/jpeg) Photos taken by Mike Yaccino. ... Image File history File linksMetadata Size of this preview: 800 Ã— 300 pixel Image in higher resolution (1296 Ã— 486 pixel, file size: 665 KB, MIME type: image/jpeg) Photos taken by Mike Yaccino. ... This article or section does not adequately cite its references or sources. ... Rhythm and blues (also known as R&B or RnB) is a popular music genre combining jazz, gospel, and blues influences â€” first performed by African American artists. ... â€œFolk songâ€ redirects here. ... This article needs additional references or sources for verification. ... This article includes a list of works cited but its sources remain unclear because it lacks in-text citations. ... Charles Edward Anderson Chuck Berry (born October 18, 1926 in St. ...

His 1958 tour of England marked possibly the first time an amplified, hard-rocking band was heard there, although on his first tour he was the only one amplified. His backing was provided by Englishman Chris Barber's trad jazz group. (One critic retreated to the restroom to write his review because he found the band so loud.) Administrators, remember to check if anything links here, the page history (last edit) and any revisions of CSD before deleting. ... Trad jazz, short for traditional jazz is a music genre popular in Britain and Australia from the 1940s onward through the 1950s and which still has enthusiasts today. ...

The Rolling Stones named themselves after Waters' 1950 song, "Rollin' Stone," (also known as "Catfish Blues," which Jimi Hendrix covered as well). Cream covered his song "Rollin' and Tumblin'" on their 1966 debut album Fresh Cream. One of Led Zeppelin's biggest hits, "Whole Lotta Love", is based upon the Muddy Waters hit, "You Need Love," which was written by Willie Dixon. Dixon wrote some of Muddy Waters' most famous songs, including "I Just Want to Make Love to You" (a big radio hit for the '70s rock band Foghat), "Hoochie Coochie Man," and "I'm Ready." Angus Young of the rock group AC/DC has cited Waters as one of his influences. His songs sometimes appear in Martin Scorsese movies, including The Color of Money, Casino, and most memorably in Goodfellas ("Everything, everything, everything's gonna be alright this morning", from his song "Mannish Boy"). â€œRolling Stonesâ€ redirects here. ... This article contains a trivia section. ... Cream were a 1960s British rock band, which consisted of guitarist Eric Clapton, bassist Jack Bruce and drummer Ginger Baker. ... Rollin and Tumblin is blues song written by Muddy Waters. ... Fresh Cream was Creams December 1966 debut album. ... Led Zeppelin were an English rock band who formed in 1968. ... Whole Lotta Love is a song by English rock band Led Zeppelin from their second album, Led Zeppelin II. It was the bands first hit single and a cover version of it by C.C.S. was used as the theme song for the British television show Top of... Willie Dixons style of blues was one of the inspirations for a new generation of music, rock and roll. ... I Just Want to Make Love to You is a 1954 blues song written by Willie Dixon and first recorded by Muddy Waters. ... To meet Wikipedias quality standards, this articles infobox may require cleanup. ... Hoochie Coochie Man (sometimes referred to as (Im Your) Hoochie Coochie Man) is a 1954 song written by Willie Dixon and first performed by Muddy Waters. ... Angus McKinnon Young, born March 31, 1955 in Glasgow, Scotland, is a guitarist and songwriter who has been the lead guitarist of Australian hard rock band AC/DC since the group was formed in 1973. ... AC/DC are a hard rock band formed in Sydney, Australia in 1973 by brothers Angus and Malcolm Young. ... Martin Marcantonio Luciano Scorsese (IPA: AmE: ; Ita: []) (born November 17, 1942) is an Academy Award, Golden Globe, BAFTA, and Directors Guild of America award winning American film director, writer and producer and founder World Cinema Foundation. ... The Color of Money was a 1984 novel by American writer Walter Tevis, continuing the story of Fast Eddie Felson from The Hustler (1959). ... Casino is a 1995 movie directed by Martin Scorsese, based on the book of the same name by Nicholas Pileggi and Larry Shandling. ... Goodfellas (also spelled GoodFellas) is a 1990 Mafia film directed by Martin Scorsese, based on the book Wiseguy by Nicholas Pileggi, the true story of mob informer Henry Hill. ...

Other songs for which Muddy Waters is known include "Long Distance Call", "Rock Me", and the blues anthem "Got My Mojo Working". Got My Mojo Working is a 1956 song written by Preston Foster and first recorded by Ann Cole, but popularized by Muddy Waters in 1957. ...

In 1992, Waters was honored with the Grammy Lifetime Achievement Award. The Grammy Lifetime Achievement Award is awarded by the Recording Academy to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording [1]. This award is distinct from the Grammy Hall of Fame Award, which honors specific recordings rather than individuals, and...

Discography

This is an incomplete discography of albums and singles performed by Muddy Waters. ...

Footnotes

References

Keith Richards (born 18 December 1943) is an English guitarist, songwriter, singer and a founding member of The Rolling Stones in 1962. ...

External links

Categories: Articles with unsourced statements since February 2007 | All articles with unsourced statements | Articles with unsourced statements since March 2007 | Wikipedia articles needing clarification | 1915 births | 1983 deaths | African American musicians | American blues singers | American guitarists | American male singers | American singer-songwriters | American songwriters | Blues guitarists | Blues Hall of Fame inductees | Blues musicians from Mississippi | Blues singer-songwriters | Buskers | Chicago musicians | Grammy Award winners | Grammy Lifetime Achievement Award winners | People from Clarksdale, Mississippi | People from St. Louis, Missouri | Rock and Roll Hall of Fame inductees | Slide guitarists | Sun Records artists The Rock and Roll Hall of Fame at sunset. ... Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. ... Blues can be categorized into a number of genres. ... A jug band is a band employing a jug player and a mix of traditional and home-made instruments. ... The Classic female blues spanned from 1920 to 1929 with its peak from 1923 to 1925. ... This article needs to be cleaned up to conform to a higher standard of quality. ... Delta blues are named for the Mississippi Delta. ... The electric blues is a type of blues music distinguished by the amplification of the guitar, the bass guitar , and/or the harmonica. ... Jump blues is a type of up-tempo blues music influenced by big band sound. ... Piano blues refers to a variety of blues styles, sharing only the characteristic that they use the piano as the primary musical instrument. ... Fife and Drum blues is a rural derivation of traditional country blues. ... Jazz blues is a musical style that combines jazz and blues. ... Blues Rock or Blues-rock is a fusion genre of music which combines elements of the blues with rock and roll. ... Soul blues is a style of blues music developed in the early late 1960s and 1970s and combining eliments of soul music and urban contemporary music. ... Punk blues is a Post-punk interpretation of Blues and Swamp rock. ... The British blues is a type of blues music that originated in the late 1950s. ... The Chicago blues is a form of blues music that developed in Chicago, Illinois by adding electrically amplified guitar, drums, piano, bass guitar and sometimes saxophone to the basic guitar/harmonica Delta blues. ... Detroit blues is blues music played by musicians resident in Detroit, Michigan, particularly that played in the 1940s and 50s. ... The Kansas City blues music is mostly famed for the Kansas Blues & Jazz festival and has its own society named the Kansas Blues Society. ... The Louisiana blues is a type of blues music that is characterized by plodding rhythms that make the sound dark and tense. ... The Memphis blues is a style of blues music that was created in 1920s and 1930s by Memphis-area musicians like Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. ... The Piedmont blues is a type of blues music characterized by a unique fingerpicking method on the guitar in which a regular, alternating-thumb bass pattern supports a melody using treble strings. ... The St. ... The swamp blues is a form of blues music that is highly evolved and specialized. ... Texas Blues is a subgenre of the blues. ... Little Willie Littlefield, a West Coast blues performer and pianist. ... Performers in the blues style range from primitive, one-chord Delta players to big bands to country music to rock and roll to classical music. ...

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