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Encyclopedia > Orlande de Lassus
Composer Orlande de Lassus
Composer Orlande de Lassus

Orlande de Lassus (also Orlandus Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) – June 14, 1594) was a Franco-Flemish composer of late Renaissance music. Along with Palestrina he is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish School, and he was the most famous and influential musician in Europe at the end of the 16th century. Image File history File links Size of this preview: 583 × 600 pixel Image in higher resolution (860 × 885 pixel, file size: 362 KB, MIME type: image/png) Orlando di Lasso (1530/1532-1594), Public Domain Orland d Lassus (1532-1594), on rlomé compôzeu walon del Rinexhance (poitrait da di... Image File history File links Size of this preview: 583 × 600 pixel Image in higher resolution (860 × 885 pixel, file size: 362 KB, MIME type: image/png) Orlando di Lasso (1530/1532-1594), Public Domain Orland d Lassus (1532-1594), on rlomé compôzeu walon del Rinexhance (poitrait da di... Events May 16 - Sir Thomas More resigns as Lord Chancellor of England. ... June 25 - Augsburg confession presented to Charles V of Holy Roman Empire. ... is the 165th day of the year (166th in leap years) in the Gregorian calendar. ... Events February 27 - Henry IV is crowned King of France at Rheims. ... This article is about the country. ... For other uses, see Flanders (disambiguation). ... Renaissance music is European music written during the Renaissance, approximately 1400 to 1600. ... Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526[1] - 2 February 1594) was an Italian composer of the Renaissance. ... Polyphony is a musical texture consisting of two or more independent melodic voices, as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (homophony). ... In music, the Dutch School refers, somewhat imprecisely, to the style of polyphonic vocal music composition in Europe in the 15th and 16th centuries. ... (15th century - 16th century - 17th century - more centuries) As a means of recording the passage of time, the 16th century was that century which lasted from 1501 to 1600. ...

Contents

Life

He was born in Mons in the province of Hainaut, in what is today Belgium. Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. Geography Country Belgium Community French Community Region Walloon Region Province Hainaut Arrondissement Mons Coordinates , , Area 146. ... The virtually independent county of Hainaut emerged from chaotic conditions at the end of the 9th century as a semi-independent state, at first a vassal of the crown of Lotharingia. ... It has been suggested that Regents: Low Countries be merged into this article or section. ... The Gonzaga family ruled Mantua in Northern Italy from 1328 to 1708. ... Mantua (in Italian Mantova, in the local dialect of Emiliano-Romagnolo language Mantua) is an important city in Lombardy, Italy and capital of the province with the same name. ... Sicily ( in Italian and Sicilian) is an autonomous region of Italy and the largest island in the Mediterranean Sea, with an area of 25,708 km² (9,926 sq. ... Type Anti-tank Nationality Joint France/Germany Era Cold War, modern Launch platform Individual, Vehicle Target Vehicle, Fortification History Builder MBDA, Bharat Dynamics (under license) Date of design 70s Production period since 1972 Service duration since 1972 Operators 41 countries Variants MILAN 1, MILAN 2, MILAN 2T, MILAN 3, MILAN... Year 1547 was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. ... Events July - Ketts Rebellion Francis Xavier arrives in Japan. ...


He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year (Palestrina took this post a year later, in 1555). For other uses, see Naples (disambiguation). ... Events and Trends Categories: 1550s ... Cosimo I de Medici in Armour by Agnolo Bronzino. ... // Events June 26 - Christs Hospital in London gets a Royal Charter July 6 - Edward VI of England dies July 10 - Lady Jane Grey is proclaimed Queen of England - for the next nine days July 18 - Lord Mayor of London proclaims Queen Mary as the rightful Queen - Lady Jane Grey... Kapellmeister (Ka*pellmeis`ter), is a German word designating a person in charge of music-making. ... The late Baroque façade of the Basilica di San Giovanni in Laterano was completed by Alessandro Galilei in 1735 after winning a competition for the design. ... For other uses, see Rome (disambiguation). ... Events Russia breaks 60 year old truce with Sweden by attacking Finland February 2 - Diet of Augsburg begins February 4 - John Rogers becomes first Protestant martyr in England February 9 - Bishop of Gloucester John Hooper is burned at the stake May 23 - Paul IV becomes Pope. ...


No solid evidence survives for his whereabouts in 1554, but there are contemporary claims that he traveled in France and England. In 1555 he returned to the Low Countries and had his early works published in Antwerp (1555-1556). In 1556 he joined the court of Duke Albrecht V of Bavaria, who was consciously attempting to create a musical establishment on a par with the major courts in Italy; Lassus was one of several Netherlanders to work there, and by far the most famous. He evidently was happy in Munich and decided to settle there. In 1558 he married Regina Wäckinger, the daughter of a maid of honor of the Duchess; they had two sons, both of whom became composers. By 1563 Lassus had been appointed maestro di cappella, succeeding Ludwig Daser in the post. Lassus remained in the service of Albrecht V and his heir, Wilhelm V, for the rest of his life. Events January 5 - Great fire in Eindhoven, Netherlands. ... Events Russia breaks 60 year old truce with Sweden by attacking Finland February 2 - Diet of Augsburg begins February 4 - John Rogers becomes first Protestant martyr in England February 9 - Bishop of Gloucester John Hooper is burned at the stake May 23 - Paul IV becomes Pope. ... It has been suggested that Regents: Low Countries be merged into this article or section. ... For other uses, see Antwerp (disambiguation). ... Events Russia breaks 60 year old truce with Sweden by attacking Finland February 2 - Diet of Augsburg begins February 4 - John Rogers becomes first Protestant martyr in England February 9 - Bishop of Gloucester John Hooper is burned at the stake May 23 - Paul IV becomes Pope. ... Events January 16 - Abdication of Emperor Charles V. His son, Philip II becomes King of Spain, while his brother Ferdinand becomes Holy Roman Emperor January 23 - The Shaanxi earthquake, the deadliest earthquake in history, occurs with its epicenter in Shaanxi province, China. ... Albert V, Duke of Bavaria (29 February 1528 - 24 October 1579), (German: ), was Duke of Bavaria from 1550 until his death. ... January 7 - French troops led by Francis, Duke of Guise take Calais, the last continental possession of the Kingdom of England July 13 - Battle of Gravelines: In France, Spanish forces led by Count Lamoral of Egmont defeat the French forces of Marshal Paul des Thermes at Gravelines. ... Events February 1 - Sarsa Dengel succeeds his father Menas as Emperor of Ethiopia February 18 - The Duke of Guise is assassinated while besieging Orléans March - Peace of Amboise. ... William V, Duke of Bavaria. ...


By the 1560s Lassus had become quite famous, and composers began to go to Munich to study with him. Andrea Gabrieli went there in 1562, and possibly remained in the chapel for a year; Giovanni Gabrieli also possibly studied with him in the 1570s. His renown had spread outside of strictly musical circles, for in 1570 Emperor Maximilian II conferred nobility upon him, a rare circumstance for a composer; Pope Gregory XIII knighted him; and in 1571, and again in 1573, the king of France, Charles IX, invited him to visit. Some of these kings and aristocrats attempted to woo him away from Munich with more attractive offers, but Lassus was evidently more interested in the stability of his position, and the splendid performance opportunities of Albrecht's court, than in financial gain. "I do not want to leave my house, my garden, and the other good things in Munich," he wrote to the Duke of Saxony in 1580, upon receiving an offer for a position in Dresden. William Shakespeare is born. ... Andrea Gabrieli (c. ... Year 1562 was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. ... Giovanni Gabrieli Giovanni Gabrieli (c. ... Significant Events and Trends Transition from the Muromachi to the Azuchi-Momoyama period in Japan Categories: 1570s ... Events January 23 - The assassination of regent James Stewart, Earl of Moray throws Scotland into civil war February 25 - Pope Pius V excommunicates Queen Elizabeth I of England with the bull Regnans in Excelsis May 20 - Abraham Ortelius issues the first modern atlas. ... Holy Roman Emperor Maximilian II Maximilian II of the Habsburg dynasty was born in 1527 at Vienna and died in 1576 in Regensburg. ... Pope Gregory XIII (January 7, 1502 – April 10, 1585), born Ugo Boncompagni, was Pope from 1572 to 1585. ... Events January 11 - Austrian nobility is granted Freedom of religion. ... Year 1573 was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. ... Charles IX (June 27, 1550 – May 30, 1574) born Charles-Maximilien, was a member of the Valois Dynasty, King of France from 1560 until his death. ... Location Time zone CET/CEST (UTC+1/+2) Administration Country NUTS Region DED Capital Dresden Minister-President Georg Milbradt (CDU) Governing parties CDU / SPD Votes in Bundesrat 4 (from 69) Basic statistics Area  18,416 km² (7,110 sq mi) Population 4,252,000 (11/2006)[1]  - Density 231 /km... Events March 1 - Michel de Montaigne signs the preface to his most significant work, Essays. ... For other uses, see Dresden (disambiguation). ...


In the late 1570s and 1580s Lassus made several visits to Italy, where he encountered the most modern styles and trends. In Ferrara, the center of avant-garde activity, he doubtless heard the madrigals being composed for the d'Este court; however his own style remained conservative, indeed becoming more simple and more refined as he aged. In the 1590s his health began to decline, and he went to a doctor named Thomas Mermann for treatment of what was called "melancholia hypocondriaca"; however he still was able to compose as well as travel occasionally. His final work was the exquisite set of twenty-one madrigali spirituali, the Lagrime di San Pietro ("Tears of St. Peter"), which he dedicated to Pope Clement VIII, and published posthumously in 1595. Lassus died in Munich, on June 14, 1594, the same day that his employer decided to dismiss him for economic reasons; he never saw the letter. Events and Trends The beginnings of the Golden Age of Literature in England Sir Humphrey Gilbert claims Newfoundland as Englands first overseas colony in 1583 Francis Drake had come back from going around the world, bringing back with him many treasures. ... Ferrara is a city in Emilia-Romagna, Italy, capital city of the province of Ferrara. ... A madrigal is a setting for two or more voices of a secular text, often in Italian. ... Ercole I dEste was one of the most important patrons of arts in the Italian Renaissance. ... March 14 - Battle of Ivry - Henry IV of France again defeats the forces of the Catholic League under the Duc de Mayenne. ... A madrigale spirituale (Italian; pl. ... The Lagrime di San Pietro is a cycle of 21 madrigals by the late Renaissance composer Orlande de Lassus. ... Pope Clement VIII (Fano, Italy, February 24, 1536 – March 3, 1605 in Rome), born Ippolito Aldobrandini, was Pope from January 30, 1592 to March 3, 1605. ... Events January 30 - William Shakespeares Romeo and Juliet is performed for the first time. ...


Music and influence

One of the most prolific, versatile, and universal composers of the late Renaissance, Lassus wrote over 2000 works in all Latin, French, Italian and German vocal genres known in his time. These include 530 motets, 175 Italian madrigals and villanellas, 150 French chansons, and 90 German lieder. No strictly instrumental music by Lassus is known to survive, or ever to have existed: an interesting omission for a composer otherwise so wide-ranging and prolific, during an age when instrumental music was becoming an ever-more prominent means of expression, all over Europe. In Western music, motet is a word that is applied to a number of highly varied choral musical compositions. ... A madrigal is a setting for two or more voices of a secular text, often in Italian. ... In music, a villanella (pl. ... Chanson is a French word for song, and in English-language contexts is often applied to any song with French words, particularly a cabaret song. ... Lied (plural Lieder) is a German word, literally meaning song; among English speakers, however, it is used primarily as a term for European classical music songs, also known as art songs. ...


Sacred music

Orland di Lassus (Roland de Lattre).
Orland di Lassus (Roland de Lattre).

Lassus remained Catholic during this age of religious discord, although not dogmatically so, as may be seen from his more worldly secular songs as well as his parody Masses and Magnificats based on secular compositions. Nevertheless the Catholic Counter-Reformation, which under Jesuit influence was reaching a peak in Bavaria in the late sixteenth century, had a demonstrable impact on Lassus' late work, including the liturgical music for the Roman Rite, the burgeoning number of Magnificats, the settings of the Catholic Ulenberg Psalter (1588), and especially the great penitential cycle of spiritual madrigals, the 'Lagrime di San Pietro' (1594). Orland di Lassus (Roland de Lattre) This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... Orland di Lassus (Roland de Lattre) This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ... The Counter-Reformation or the Catholic Reformation was a strong reaffirmation of the doctrine and structure of the Catholic Church, climaxing at the Council of Trent, partly in reaction to the growth of Protestantism. ... The Society of Jesus (Latin: Societas Iesu), commonly known as the Jesuits, is a Roman Catholic religious order. ...


Masses

Almost 60 masses have survived complete; most of them are parody masses based on secular works written by himself or other composers. Technically impressive, they are nevertheless the most conservative part of his output. He usually conformed the style of the mass to the style of the source material, which ranged from Gregorian chant to contemporary madrigals, but always maintained an expressive and reverent character in the final product. Some of his masses are based on extremely secular French chansons, some of which are frankly obscene (Entre vous filles de quinze ans, "Oh you fifteen-year old girls", by Clemens non Papa, gave him source material for his 1581 Missa entre vous filles, probably the most scandalous of the lot). That this practice was not only accepted but encouraged by his employer is confirmed by evidence from their correspondence, much of which has survived. A parody mass is a mass that uses a piece of secular music, typically a fragment of a motet or chanson as part of its melodic material. ... Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church. ... Jacques Cl ment or Jacob Clemens non Papa (c. ...


In addition to his traditional parody masses, he wrote a considerable quantity of missae breves, "brief masses," syllablic short masses meant for brief services (for example, on days when Duke Albrecht went hunting: evidently he did not want to be detained by long-winded polyphonic music). The most extreme of these is a work actually known as the Jäger Mass (Missa venatorum)—the "Hunter's Mass." Polyphony is a musical texture consisting of two or more independent melodic voices, as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (homophony). ...


Some of his masses show influence from the Venetian School, particularly in their use of polychoral techniques (for example, in the eight-voice Missa osculetur me, based on his own motet). Three of his masses are for double choir, and they may have been influential on the Venetians themselves; after all, Andrea Gabrieli visited Lassus in Munich in 1562, and many of Lassus's works were published in Venice. Even though Lassus used the contemporary, sonorous Venetian style, his harmonic language remained conservative in these works: he adapted the texture of the Venetians to his own artistic ends. San Marco in the evening. ... The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. ... Andrea Gabrieli (c. ...


Motets and other sacred music

Lassus is one of the composers of a style known as musica reservata—a term which has survived in many contemporary references, many of them seemingly contradictory. The exact meaning of the term is a matter of fierce debate, though a rough consensus among musicologists is that it involves intensely expressive setting of text, chromaticism, and that it may have referred to music specifically written for connoisseurs. A famous example of a composition by Lassus which is a representative of this style is his series of 12 motets entitled Prophetiae Sibyllarum, which is in a wildly chromatic style reminiscent of Gesualdo; some of his chord progressions in this piece were not to be heard again until the 20th century. In music history, musica reservata is a term referring to either a style or a performance practice in a cappella vocal music of the latter half of the 16th century, mainly in Italy and southern Germany, involving refinement, exclusivity, and intense emotional expression of sung text. ... In music, chromatic indicates the inclusion of notes not in the prevailing scale and is also used for those notes themselves (Shir-Cliff et al 1965, p. ... Carlo Gesualdo, Prince of Venosa. ... (19th century - 20th century - 21st century - more centuries) Decades: 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s As a means of recording the passage of time, the 20th century was that century which lasted from 1901–2000 in the sense of the Gregorian calendar (1900–1999...


Lassus wrote four settings of the Passion, one for each of the Evangelists, St. Matthew, Mark, Luke and John. All are for a cappella voices. He sets the words of Christ and the narration of the Evangelist as chant, while setting the passages for groups polyphonically. The Gospel of Matthew is one of the four Gospels of the New Testament. ... The Gospel of Mark is the second in the most usual sequence of printing of the New Testament Gospels. ... The Gospel of Luke is the third of the four canonical Gospels of the New Testament, which tell the story of Jesus life, death, and resurrection. ... The Gospel of John is the fourth gospel in the sequence of the canon as printed in the New Testament, and scholars agree it was the fourth to be written. ... This article is about the vocal technique. ... This page is about the title, office or what is known in Christian theology as the Divine Person. ...


As a composer of motets, Lassus was one of the most diverse and prodigious of the entire Renaissance. His output varies from the sublime to the ridiculous, and he showed a sense of humor not often associated with sacred music: for example, one of his motets satirizes poor singers (super flumina Babylonis) which includes stuttering, stopping and starting, and general confusion; it is related in concept if not in style to Mozart's A Musical Joke. Many of his motets were composed for ceremonial occasions, as could be expected of a court composer who was required to provide music for visits of dignitaries, weddings, treaties and other events of state. But it was as a composer of religious motets that Lassus achieved his widest and lasting fame. Divertimento for two horns and strings, A Musical Joke, (Ein Musikalischer Spaß,) K. 522 was published on June 14, 1787 by Wolfgang Amadeus Mozart. ...


Lassus's setting of the seven Penitential Psalms of David (Psalmi Davidis poenitentiales) is one of the most famous collections of psalm settings of the entire Renaissance. The counterpoint is free, avoiding the pervasive imitation of the Netherlanders such as Gombert, and occasionally using expressive devices foreign to Palestrina. As elsewhere, Lassus strives for emotional impact, and uses a variety of texture and care in text setting towards that end. The final piece in the collection, his setting of the De profundis (Psalm 129/130), is considered by many scholars to be one of the high-water marks of Renaissance polyphony, ranking alongside the two settings of the same text by Josquin des Prez. 24. ... Imitation is when a musical gesture is repeated later in a different form, but retaining its original character. ... Nicolas Gombert (c. ... De profundis (literally from the depths) are the first two words of the Latin translation of psalm 129 (130), one of the seven Penitential Psalms (psalms 6, 32, 38, 51, 102, 130, and 143): De profundis clamavi ad te Domine (From the depths, I cried to you, Lord!) De profundis... 1611 woodcut of Josquin des Prez, copied from a now-lost oil painting done during his lifetime. ...


Among his other liturgical compositions are hymns, canticles (including over 100 Magnificats), responsories for Holy Week, Passions, Lamentations, and some independent pieces for major feasts. A hymn is a type of song, usually religious, specifically written for the purpose of praise, adoration or prayer, and typically addressed to a god or other religiously significant figure. ... A canticle is a hymn (strictly excluding the Psalms) taken from the Bible. ... The Visitation in the Book of Hours of the Duc of Berry For the David and the Giants album, see Magnificat (album) The Magnificat (also known as the Song of Mary) is a canticle frequently sung (or said) liturgically in Christian church services. ... Holy Week (Latin: ) in Christianity is the last week of Lent. ... The Lamentations of Jeremiah the Prophet have been set by various composers. ...


Secular music

Lassus wrote in all the prominent secular forms of the time, including Italian madrigal, French chanson and German lied: he is one of the only Renaissance composers to write prolifically in four languages (Latin, Italian, French and German), and he wrote with equal fluency in each. Many of his songs became hugely popular, circulating widely in Europe. Lassus was probably the only composer of the late Renaissance to have this gift of musical tongues. In these various secular songs he conforms to the manner of the country of origin while still showing his characteristic originality, wit, and conciseness of statement. For other uses, see Latin (disambiguation). ...


Madrigals

Lassus leading a chamber ensemble, painted by Hans Mielich
Lassus leading a chamber ensemble, painted by Hans Mielich

In his madrigals, many of which he wrote during his stay in Rome, his style is clear and concise, and he wrote tunes which were easily memorable; he also "signed" his work by frequently using the word 'lasso' (and often setting with the sol-fege syllables la-sol, i.e. A-G in the key of C). His choice of poetry varied widely, from Petrarch for his more serious work to the lightest verse for some of his amusing canzonettas. Image File history File links Orlando_de_Lassus2. ... Image File history File links Orlando_de_Lassus2. ... From the c. ... In music, a canzonetta (pl. ...


Lassus often preferred cyclic madrigals, i.e. settings of multiple poems in a group as a set of related pieces of music. For example, his fourth book of madrigals for five voices begins with a complete sestina by Petrarch, continues with two-part sonnets, and concludes with another sestina: therefore the entire book can be heard as a unified composition with each madrigal a subsidiary part. The sestina is a highly structured form of poetry, invented by the Provençal troubadour Arnaut Daniel the late 12th century. ... Francesco Petrarca, or Petrarch, one of the best-known early Italian sonnet writers. ...


Chansons

Another form which Lassus cultivated was the French chanson, of which he wrote about 150. Most of them date from the 1550s, but he continued to write them even after he was in Germany: his latest productions in this genre come from the 1580s. They were enormously popular in Europe, and of all his works, the most widely arranged for instruments such as lute and keyboard. Most were collected in the 1570s and 1580s in three publications: one by Pierre Phalèse the Elder in 1571, and two by Le Roy & Ballard in 1576 and 1584. Stylistically, they ranged from the dignified and serious, to playful, bawdy, and amorous compositions, as well as drinking songs suited to taverns. Lassus followed the polished, lyrical style of Sermisy rather than the programmatic style of Clément Janequin for his writing. Pierre Phalèse the Elder (alias Petrus Phalesius, circa 1510-circa 1575) was an important Flemish music editor and engraver of the sixteenth century. ... Events January 11 - Austrian nobility is granted Freedom of religion. ... Events May 5 - Peace of Beaulieu or Peace of Monsieur (after Monsieur, the Duc dAnjou, brother of the King, who negotiated it). ... 1584 was a leap year starting on Sunday of the Gregorian calendar or a leap year starting on Wednesday of the Julian calendar. ... Claudin de Sermisy (c. ... Clément Janequin (c. ...


One of the most famous of Lassus's drinking songs was used by Shakespeare in Henry IV, Part II. English words are fitted to Un jour vis un foulon qui fouloit (as Monsieur Mingo) and sung by the drunken Justice Silence, in Act V, Scene iii. Shakespeare redirects here. ... Henry IV, Part II is William Shakespeares history play that continues the story begun in Henry IV, Part I. Prince Hal, the future Henry V, rejects Falstaff in order to take the throne of England. ...


German lieder

A third type of secular composition by Lassus was the German lied. Most of these he evidently intended for a different audience, since they are considerably different in tone and style from either the chansons or madrigals; in addition, he wrote them later in life, with none appearing until 1567, when he was already well-established at Munich. Many are on religious subjects, although light and comic verse are represented as well. He also wrote drinking songs in German, and contrasting with his parallel work in the genre of the chanson, he also wrote songs on the unfortunate aspects of overindulgence. Lied (plural Lieder) is a German word, literally meaning song; among English speakers, however, it is used primarily as a term for European classical music songs, also known as art songs. ... Events The Duke of Alva arrives in the Netherlands with Spanish forces to suppress unrest there. ...


Coat of arms

di Lasso bore the following arms:


Azure, a pile and a pile reversed Argent, on each a crosslet Or; on a fess Argent a sharp, flat and natural, over all a bordure Or


Media

Image File history File links ResonetInLaudibus. ... Image File history File links Lassus_Hodie_completi_sunt_Sung_by_the_dwsChorale. ...

References and further reading

  • Article "Orlande de Lassus", in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
  • James Haar: "Orlande de Lassus", Grove Music Online ed. L. Macy (Accessed March 1, 2006), Grove Music Online
  • Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
  • Harold Gleason and Warren Becker, Music in the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X
Wikimedia Commons has media related to:

Gustave Reese (November 29, 1899 – September 7, 1977) was an American musicologist and teacher. ... Image File history File links Commons-logo. ...

External links


  Results from FactBites:
 
Orlande de Lassus Biography - famous Orlande de Lassus Classical collection and Orlande de Lassus Music Reviews. (290 words)
Lassus, also known by the Italian form of his name, Orlando di Lasso, belonged to the Franco-Flemish school of composers whose work was of supreme international importance in the 16th century.
Lassus wrote a considerable quantity of church music, including over seventy settings of the Mass, settings of the Passions from the four evangelists and a very large number of motets.
The secular vocal compositions of Lassus include madrigals, in the Italian style, some 150 French chansons and a much smaller number of German Lieder, all of great interest and forming a large body of work, including settings of Petrarch and Ariosto, Ronsard and Marot, from which selection is again invidious.
Orlande de Lassus Summary (3391 words)
Lassus remained Catholic during this age of religious discord, although not dogmatically so, as may be seen from his more worldly secular songs as well as his parody Masses and Magnificats based on secular compositions.
Lassus is one of the composers of a style known as musica reservata—a term which has survived in many contemporary references, many of them seemingly contradictory.
Lassus wrote in all the prominent secular forms of the time, including Italian madrigal, French chanson and German lied: he is one of the only Renaissance composers to write prolifically in four languages (Latin, Italian, French and German), and he wrote with equal fluency in each.
  More results at FactBites »

 

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