Roberto Gerhard (born Robert Juan Rene Gerhard, September 25, 1896 in Valls, Spain; died January 5, 1970 in Cambridge, England), was a Spanish Catalan composer and musical scholar and writer whose works are among the most important produced by any composer from Spain in the twentieth century. is the 268th day of the year (269th in leap years) in the Gregorian calendar. ... Year 1896 (MDCCCXCVI) was a leap year starting on Wednesday (link will display calendar). ... Valls is the capital of the comarca of Alt Camp, in the province of Tarragona, Spain. ... January 5 is the 5th day of the year in the Gregorian calendar. ... 1970 (MCMLXX) was a common year starting on Thursday. ... Geography Status City (1951) Region East of England Admin. ... Motto (French) God and my right Anthem No official anthem - the United Kingdom anthem God Save the Queen is commonly used England() – on the European continent() – in the United Kingdom() Capital (and largest city) London (de facto) Official languages English (de facto) Unified  -  by Athelstan 927 AD  Area  -  Total 130...

Life

Gerhard (who only consistently adopted the form ‘Roberto’ after he was exiled from Spain) was the son of a German-Swiss father and an Alsatian mother. Born in Valls, near Tarragona, he was predisposed to an international, multilingual outlook, but by birth and culture he was a Catalan. He studied piano with Granados and composition with the great scholar-composer Felipe Pedrell, teacher of Albéniz, Granados and Falla. When Pedrell died in 1922, Gerhard tried unsuccessfully to become a pupil of Falla and considered studying with Charles Koechlin in Paris but then approached Arnold Schoenberg, who on the strength of a few early compositions accepted him as his only Spanish pupil. Gerhard spent several years with Schoenberg in Vienna and Berlin. Returning to Barcelona in 1928, he devoted his energies to new music through concerts and journalism, in conjunction with the flourishing literary and artistic avant-garde of Catalonia. He befriended Joan Miró and Pablo Casals, brought Schoenberg and Webern to Barcelona, and was the principal organizer of the 1936 ISCM Festival there. He also collected, edited and performed folksongs and old Spanish music from the Renaissance to the eighteenth century. (New région flag) (Region logo) Location Administration Capital Regional President Departments Bas-Rhin Haut-Rhin Arrondissements 13 Cantons 75 Communes 903 Statistics Land area1 8,280 km² Population (Ranked 14th)  - January 1, 2006 est. ... Valls is the capital of the comarca of Alt Camp, in the province of Tarragona, Spain. ... Tarragona (IPA: in Catalan) is a city located in the south of Catalonia, northeastern Spain, by the Mediterranean Sea. ... Enrique Granados Pantaléon Enrique Costanzo Granados y Campiña (July 27, 1867 – March 24, 1916) was a Spanish pianist and composer of classical music; he is commonly considered to be a representative of musical Nationalism, and as such his music is in a uniquely Spanish style. ... Felipe Pedrell (February 19, 1841 - August 19, 1922), was a Spanish composer. ... Isaac Albéniz Isaac Manuel Francisco Albéniz (IPA: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on Spanish folk music. ... Manuel de Falla y Matheu (November 23, 1876 – November 14, 1946) was a Spanish composer of classical music. ... Charles Louis Eugène Koechlin (November 27, 1867-December 31, 1950) was a French composer and teacher. ... City flag City coat of arms Motto: Fluctuat nec mergitur (Latin: Tossed by the waves, she does not sink) The Eiffel Tower in Paris, as seen from the esplanade du Trocadéro. ... Schoenberg redirects here. ... “Wien” redirects here. ... This article is about the capital of Germany. ... Joan Miró photo taken by Carl Van Vechten, June, 1935 Joan Miró i Ferrà (April 20, 1893 – December 25, 1983) was a Catalan painter, sculptor, and ceramist born in Catalonia, Spain. ... Casals redirects here. ... Anton Webern (December 3, 1883 – September 15, 1945) was an Austrian composer and conductor. ... The Renaissance (French for rebirth, or Rinascimento in Italian), was a cultural movement in Italy (and in Europe in general) that began in the late Middle Ages, and spanned roughly the 14th through the 17th century. ...

Identified with the Republican cause throughout the Spanish Civil War (as musical adviser to the Minister of Fine Arts in the Catalan Government and a member of the Republican Government’s Social Music Council), Gerhard was forced to flee to France in 1939 and later that year settled in Cambridge, England. Until the death of Francisco Franco, who made it his business to extirpate Catalan national aspirations, his music was virtually proscribed in Spain, to which he never returned except for holidays. Apart from copious work for the BBC and in the theatre, Gerhard’s compositions of the 1940s were explicitly related to aspects of Spanish and Catalan culture, beginning in 1940 with a Symphony in memory of Pedrell and the first version of the ballet Don Quixote. They culminated in a masterpiece as The Duenna (a Spanish opera on an English play, by Sheridan). During the 1950s the legacy of Schoenbergian serialism, a background presence in these overtly national works, engendered an increasingly radical approach to composition which, by the 1960s, placed Gerhard firmly in the ranks of the avant-garde. Performances at international festivals and by the BBC brought wider recognition on both sides of the Atlantic and he taught in the USA in the early 1960s. It has been suggested that Martyrs of the Spanish Civil War be merged into this article or section. ... Geography Status City (1951) Region East of England Admin. ... General Francisco Paulino Hermenegildo Teódulo Franco Bahamonde (4 December 1892–20 November[1] 1975), commonly abbreviated to Francisco Franco (pron. ... The British Broadcasting Corporation, which is usually known as the BBC, is the largest broadcasting corporation in the world in terms of audience numbers, employing 26,000 staff in the United Kingdom alone and with a budget of more than GB£4 billion. ... Sheridan is the name of several places in the United States of America: Sheridan, Indiana Sheridan, Michigan Sheridan, New York Sheridan, Oregon Sheridan, Wyoming Sheridan County, Kansas Sheridan is also the name of a battle tank developed by the United States army, named after General Philip H. Sheridan. ... Serialism is a technique for composing music that uses sets to describe musical elements, and allows the composer manipulations of those sets to create music. ...

From the early 1950s Gerhard suffered from a heart condition which eventually ended with his life. He died in Cambridge in 1970. In 1992, the long-delayed stage premieres of The Duenna in Madrid and Barcelona signalled the beginning of the restitution of his reputation in Spain. Motto: (Spanish for From Madrid to Heaven) Location Coordinates: , Country Spain Autonomous Community Comunidad Autónoma de Madrid Province Madrid Administrative Divisions 21 Neighborhoods 127 Founded 9th century Government  - Mayor Alberto Ruiz-Gallardón Jimémez (PP) Area  - Land 607 km² (234. ... Location Coordinates : Time Zone : CET (GMT +1) - summer: CEST (GMT +2) General information Native name Barcelona (Catalan) Spanish name Barcelona Nickname Ciutat Comtal (Catalan) Postal code 08001–08080 Area code 34 (Spain) + 93 (Barcelona) Website http://www. ...

Works

Gerhard’s most significant works, apart from those already mentioned, include four symphonies (the Third, Collages, for orchestra and tape), the Concerto for Orchestra, concertos for violin, piano and harpsichord, the cantata The Plague (after Albert Camus), the ballets Pandora and Soirées de Barcelone and pieces for a wide variety of chamber ensembles, including Sardanas for the indigenous Catalan street band, the cobla. He was perhaps the first important composer of electronic music in Britain; his incidental music for the 1955 Stratford-on-Avon King Lear – one of many such commissions for the Royal Shakespeare Company - was the first electronic score for the British stage. Albert Camus (pronounced )( ) (November 7, 1913 – January 4, 1960) was an Algerian-French author and philosopher. ... The sardana (Catalan plural sardanes) is a type of circle dance typical of Catalonia. ... The cobla is a traditional music ensemble in Catalonia, a region of Spain. ... It has been suggested that Electronica be merged into this article or section. ... Stratford-upon-Avon Stratford-upon-Avon is a town in Warwickshire, England. ... Royal Shakespeare Theatre in Stratford-upon-Avon The Royal Shakespeare Company (RSC) is a British theatre company. ...

Stylistic Evolution

For twenty years – first in Barcelona and then in exile in England – Gerhard cultivated, and enormously enriched, a modern tonal idiom with a pronounced Spanish-folkloric orientation that descended on the one hand from Pedrell and Falla, and on the other from such contemporary masters as Bartók and Stravinsky. This was the idiom whose major achievements included the ‘Ballet Catalan’ Soirées de Barcelone, the ballet Don Quixote, the Violin Concerto and the opera The Duenna. Béla Bartók in 1927 Béla Viktor János Bartók (March 25, 1881 – September 26, 1945) was a Hungarian composer, pianist and collector of Eastern European and Middle Eastern folk music. ... Igor Fyodorovich Stravinsky (Russian: Игорь Фёдорович Стравинский, Igor Fëdorovič Stravinskij) (June 17, 1882 – April 6, 1971) was a Russian composer, considered by many in both the West and his native land to be the most influential composer of 20th-century music. ...

In the complex formation of Gerhard’s personal language the influence of his last and greatest master, Schoenberg, had seemed to remain subordinate, almost suppressed. Yet Schoenbergian precepts had always been observed in his profound level of craftsmanship; and certain highly chromatic, quasi-serial passages, emerging as it were surreptitiously in these and other works, confirmed the enduring background presence of Gerhard’s studies in Vienna and Berlin. In fact, Gerhard never ceased to venerate Schoenberg and remained in cordial contact with most of the leading figures of the Second Viennese School. He continued to study and meditate upon the implications of Schoenberg’s twelve-tone technique. After The Duenna he turned to it more decisively, as if he had finally absorbed it and made it his own. In a notable series of works, such as the First Symphony and First String Quartet, which began to win him real international recognition for the first time, it became his principal mode of discourse. And simultaneously he developed it in new and personal directions, combining pitch-series with duration-series and a boldly exploratory attitude to sound and texture. The Second Viennese School was a group of composers made up of Arnold Schoenberg and those who studied under him in early 20th century Vienna. ... Twelve-tone technique (also dodecaphony) is a method of musical composition devised by Arnold Schoenberg. ...

In one sense, this was a move towards greater abstraction. Yet the ‘Spanish’, folkloric elements were not necessarily rejected. Rather they reappear in new perspectives, more symbolic, less anecdotal in effect – just as, in painting, they recur as motifs in the work of Gerhard’s compatriots Picasso and Miro. This transitional period eventually gave birth to the strikingly original music of Gerhard’s final decade, where serialism itself dissolves into a freely-associating continuum of colour and rhythm, and the Spanish turns of phrase may still surprise us with sudden nostalgia or dreamlike fantasy. abstraction in general. ...

Gerhard often said that he stood by the sound of his music: ‘It is the sound that must make the sense’. Yet dazzling as their scoring is, his last works are in no sense a mere succession of sonic events. Their forms are meticulously organized and several make use of his special development of serialism where a twelve-tone pitch series, governing intervallic relations, interacts with a twelve-fold time series governing the music’s duration and proportions. Whereas in the Third and Fourth Symphonies, for instance, these techniques result in music of majesty and high drama, in the Concerto for Orchestra the element of play, of inordinate instrumental virtuosity enjoyed for its own sake, is paramount.

Selected List of Works

Symphonies

• Symphony ‘Homenatge a Pedrell’ (1941)
• Symphony No.1 (1952-53)
• Symphony No.2 (1957-59); recomposition as Metamorphosis, unfinished (1967-68)
• Symphony No.3 Collages (for orchestra and tape) (1960)
• Symphony No.4 ‘New York’ (1967)
• Symphony No.5 (fragment only) (1969)
• (for Chamber Symphony ‘Leo’ see Chamber Music)

Stage Works

• Ariel, Ballet (1934)
• Soirées de Barcelone, ballet in three tableaux (1937-39; edited and orchestration completed by Malcolm MacDonald, 1996)
• Don Quixote (original version 1940-41, rev. 1947-49)
• Alegrias, Divertissement flamenco (1942)
• Pandora (1943-44, orch. 1944-45)
• The Duenna, opera after Sheridan (1947-49)
• El barbarillo de Lavapies, arrangement and orchestration of the zarzuela (1874) by Francisco Barbieri (1954)
• Lamparilla, German-language Singspiel loosely based on El barbarillo de Lavapies with additional music and original overture by Gerhard (1955-56)

Concertos

• Concertino for string orchestra (1929)
• Violin Concerto (1942-43)
• Concerto for Piano and String Orchestra (1951)
• Concerto for Harpsichord, String Orchestra and Percussion (1955-56)
• Concerto for Orchestra (1965)

Orchestral Works

• Albada, Interludi i Dansa (1936)
• Epithalamium (1966)
• Various suites from Soirées de Barcelone, Don Quixote, Alegrias, Pandora

Chamber and Instrumental Music

• Sonatine a Carlos, piano (1914)
• Trio in B major for violin, cello and piano (1918)
• Trio (‘no.2’) for violin, cello and piano (1918)
• Dos Apunts, piano (1921-22)
• 3 string quartets composed up to 1928 (all lost; 'No.3' (1928) was reworked as the Concertino for strings)
• Sonata, clarinet and piano (1928; also version for bass clarinet and piano)
• Wind Quintet (1928)
• Andantino, clarinet, violin and piano (period 1928-9)
• String Quartet No.1 (1950-55)
• Sonata, viola and piano (1948; recomposed 1956 as sonata for cello and piano)
• Capriccio, solo flute (1949)
• 3 Impromptus, piano (1950)
• Secret People (study for the film score) for clarinet, violin and piano (1951-52)
• Nonet (1956-57)
• Fantasia, guitar (1957)
• String Quartet No.2 (1961-62)
• Concert for 8 (1962)
• Chaconne, violin solo (1959)
• Hymnody for large wind ensemble, two pianos and percussion (1963)
• Gemini, Duo for violin and piano (1966)
• Libra, sextet (1968)
• Leo, Chamber Symphony (1969)

Vocal Works

• L’infantament meravellós de Shahrazada Song-cycle for voice and piano, op.1 (1916-18)
• Verger de les galanies for voice and piano (1917-18)
• 7 Haiku for voice and ensemble (1922 rev. 1958)
• 14 Cançons populars catalanes for voice and piano (1928-29; six numbers orchestrated 1931 as 6 Cançons Populars Catalanes)
• L’alta naixenca del Rei en Jaume, cantata for soprano, baritone, chorus and orchestra (1932)
• Cancionero de Pedrell for voice and piano or chamber orchestra (1941)
• 3 Canciones Toreras for voice and orchestra (c.1943) [composed under pseudonym ‘Juan Serralonga’]
• 6 Chansons populaires françaises for voice and piano (1944)
• The Akond of Swat for voice and percussion (1954)
• Cantares for voice and guitar (1962; incorporates Fantasia for guitar)
• The Plague, cantata for narrator, chorus and orchestra, after Camus (1963-64)

Electronic Music

• Audiomobiles I-IV (1958-59)
• Lament for the death of Bullfighter for speaker and tape (1959)
• 10 Pieces for tape (c.1961)
• Sculptures I-V (1963)
• DNA in Reflection (1963)
• also tape component in Symphony No.3 and in many film, radio and theatre scores

Fantasias on themes from Zarzuelas

(for light orchestra; composed c.1943 under the pseudonym ‘Juan Serralonga’)

• Cadiz, after Chuca & Valverde (1943)
• Gigantes y Cabezudos, after Caballero (c.1943)
• La Viejecita, after Caballero (c.1943)

Sources

• Joaquin Homs, Robert Gerhard i la seva obra (Biblioteca de Catalunya, 1996)
• Meirion Bowen, ed. Gerhard on Music: Selected Writings (Aldershot, 2000)
• London Sinfonietta Programme Book for The complete Instrumental and Chamber Music of Arnold Schoenberg and Roberto Gerhard (London, 1974)